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ˆŽŠx

‘åáŽRFˆŽŠx

06”N9ŒŽ10“ú

(ƒMP3„ Pietro MascagniF'Cavalleria Rusticana', Intermezzo Sinfonico.)@by andotowa g—t

132
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08”N9ŒŽ15“ú
(ƒMP3„TchikovskyFString Quartet No.1 in D major, Op11,‡U mov."Andante Cantabile")@by@andotowa

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55
—r’ûŽRi‰ÚˆÎ•xŽmj

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07”N9ŒŽ17“ú
(ƒMP3„MozartFSymphony No.41,Cmaj.K.551,"Jupiter",‡Umov). by andotowa

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86
ŧŒáČŽR‚ĖŽ÷•X

ŧŒáČŽR

08”N3ŒŽ15“ú

(ƒMP3„MozartFFlute Concerto No.2, K.314, 1st mov.)@by andotowa
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87
—Y‘ŽR’¸‚Š‚į–]‚Ū”Ö’ōŽR

—Y‘ĀE—Y‘ŽR

08”N3ŒŽ16“ú
(ƒMP3„G.Faure FCantique de Jean Racine, Op.11)@by Jun-T
— ”Ö’ō”L–‚ƒXƒL[ęEƒŠƒtƒg`—Y‘Ā`—Y‘ŽR`—Y‘Ā“oŽR“š(—YŽq‘ōŒû)“üŒû’“ŽÔę @@Šé‰æ‚ĖŽåÃŽŌ‚Å‚ ‚éu‚ā‚­‚ā‚­ŽŠ‘Rmv‚ĖHP
90
ˆĀ’B‘ž—ĮŽR

ˆĀ’B‘ž—ĮŽR(1)

08”N3ŒŽ29“ú`30“ú
(ƒMP3„MozartFClarinet Concerto in A major, K.622, 2nd mov. Adagio)@by andotowa
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94
‰ÔŒŠŽR

•Ÿ“‡F‰ÔŒŠŽR

08”N4ŒŽ16“ú

(ƒMP3„J.S.Bach:Air on G-string from Orchestral Suites No.3 in D major BWV 1068)@by andotowa

‰ÔŒŠŽR‚đĐ‰î‚ĩ‚Ŋu•Ÿ“‡ŽsŠĪŒõ•¨ŽY‹Ļ‰īv‚ĖHP

106
‘ ‰¤ŽR‚ĖŒäŠ˜

‘ ‰¤ŽR

08”N5ŒŽ24“ú

(ƒMP3„GretryFBallet Suite from "Cephale et Procris" No.2, Menuetto)@by Jun-T
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110
ŽŠ•§ŽR‚ÆāœƒPŠx(ŽÄˆĀú°)

”öŖ(1)
[”öŖĀEāœƒPŠx]

08”N6ŒŽ14“ú

(ƒMP3„ Rachmaninoff : Vocalise op.34, No.14)@by andotowa
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111
ŽŠ•§ŽR

”öŖ(2)
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08”N6ŒŽ15“ú
(ƒMP3„G.FaureFNocturne No.6 Op.63)@ by andotowa

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274
Ŧ“c‰zƒR[ƒX‚Š‚įŒŠ‚Ŋ‘’r•ôŽR

‘’r•ôŽR

10”N6ŒŽ26“ú
(ƒMP3„RachmaninovFPiano Concerto No.2, 1st mov.) by andotowa

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189
ŒÜFĀ

— ”Ö’ōEŒÜFĀ

09”N6ŒŽ28“ú
(ƒMP3„Mozart: Flute Quartet in D, K285)@by@Mr Yoshimoto

’–•c‘ã‰w`(ĘŪŊ)`ŒÜFĀ“üŒû`”Ö’ō‚Œ´‰w
190
”L–‚ƒ–Šx‚Æ—Y‘Ā‚ĖƒjƒbƒRƒEƒLƒXƒQ

”L–‚ƒ–ŠxE—Y‘Ā

09”N6ŒŽ28“ú
(ƒMP3„ Mozart : Clarinet Concerto in A major, K.622, 2nd mov. Adagio)@by andotowa
”Ö’ō‚Œ´‰w`(Ā¸ŧ°)`”Ē•û‘ä“oŽRŒû`”L–‚ƒ–Šx`”LÎ`—Y‘Ā‹xŒeŽÉ`—Y‘ĀŽŧŒ´`—Y‘Ā‹xŒeŽÉ`—YŽq‘ō“üŒû(—Y‘Ā“oŽR“š“üŒû)`(ĘŪŊ)`— ”Ö’ō”L–‚ƒzƒeƒ‹(“ú‹A‚艡ō)`(ĘŪŊ)`’–•c‘ã‰w
337
ƒnƒNƒTƒ“ƒ`ƒhƒŠ

H“c‹îƒPŠx

11”N7ŒŽ1“ú
(ƒMP3„SchubertFStreichquartett No.13 "Rosamunde", D804, 2nd mov.)@by@andotowa
“c‘ōŒÎƒƒbƒW`(ĘŪŊ)`‹îƒPŠx”Ē‡–ځ`“’XŽR`ÄX`‰ĄŠx`ˆĸ–í‘É’r`’j—Šxi—–ÚŠxj`ˆĸ–í‘É’r`’jŠx`•Đ‘qŠx`‹îƒPŠx”Ē‡–ځ`(ĘŪŊ)`ƒAƒ‹ƒp‚ą‚Ü‚­‚ŗ(“ú‹A‚č“’)`(ĘŪŊ)`“c‘ōŒÎ‰w
338
ŒŽŽR

ŒŽŽR

11”N7ŒŽ2“ú

iƒMP3„MozartF12 Variationen uber ein franzosisches Lied 'Ah,vous dirai-je, maman' K.265j@by andotowa
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191
‘å’Š“úŠx

’Š“ú˜A•ô(1)

09”N7ŒŽ4“ú

(ƒMP3„Mozart: Flute Quartets in C, K285b,2nd mov.)@by@Mr Yoshimoto

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192
ƒqƒƒTƒ†ƒŠ

’Š“ú˜A•ô(2)

09”N7ŒŽ5“ú
(ƒMP3„MozartFOboe Quartet in F K.370 1st@mov.)@by andotowa

‘å’Š“úŦ‰Ž`‘å’Š“úŠx`‘å’Š“úŦ‰Ž`ŒF‰z`Ŧ’Š“úŠx`’šŒ´ŽR`‹āŽR‘ō`’Š“úzōuƒiƒ`ƒ…ƒ‰ƒŠƒXƒg‚Ė‰Æv(“ú‹A‚č“’)`(Ā¸ŧ°)`ļ‘ō‰w@ƒqƒƒTƒ†ƒŠEƒqƒiƒEƒXƒEƒLƒ\ƒE
378
ƒqƒoƒNƒ‰•ĒŠō•t‹ß‚Š‚įŒŠ‚ŊX‹gŽR

X‹gŽR

12”N7ŒŽ8“ú
(ƒMP3„RachmaninovFPiano Concerto No.2,2nd mov.) by andotowa

(‚‘ŦĘŪŊ)`‘鑃‰w`(H“c“ā—¤cŠŅ“S“šj`ˆĸm‘O“c‰w`(æ‡Ā¸ŧ°j`ƒqƒoƒNƒ‰“oŽRŒû`ƒqƒoƒNƒ‰•ĒŠō`X‹gŽR`X‹g_ŽĐ`ˆęƒm˜`‚ą‚߂‚ĒŽR‘‘`(æ‡Ā¸ŧ°j`ˆĸm‘O“c‰wEƒNƒEƒBƒ“ƒXX‹g(“ú‹A‚č“’j`(H“c“ā—¤cŠŅ“S“šj`ŠpŠŲ‰w
340
lŒ`Î‰ē•t‹ß‚æ‚č“Œ‘å›Ú•û–Ę‚đ–]‚Ū

ŒáČ˜A•ô(1)

11”N7ŒŽ16“ú
(ƒMP3„Mozart: Flute Quartets in C, K.285b, 2nd mov.)@by@Mr Yoshimoto

’–•c‘ã‰w`(ŧŦÄŲĘŪŊ) `ƒOƒ‰ƒ“ƒfƒR@ƒŠƒ][ƒg`ƒSƒ“ƒhƒ‰ƒŠƒtƒg`ŧŒáČŽR“oŽRŒû`ŧ‘å›Ú`ŧŒáČŽR`lŒ`Î`–í•ē‰q•Ŋ`–žŒŽ‘‘(”‘)E–í•ē‰q•ŊŽŧŒ´
341
ˆęØŒoŽR‚ƌܐFĀ

ŒáČ˜A•ô(2)

11”N7ŒŽ17“ú
(ƒMP3„Mozart: Flute Concerto in D, K314,2nd mov.)@by@Mr Yoshimoto

–žŒŽ‘‘`“Œ‘å›Ú`‰G–XŽqŽR`‰ÆŒ`ŽR`ˆęØŒoŽR`Š™Ā`“ŒŒáČŽR`Œię•Ŋ`’šŽq•Ŋ`ō“y•Ŋ`(ĘŪŊ)`•Ÿ“‡‰wE‹ÉŠy“’•Ÿ“‡“X(“ú‹A‚č“’)
279
‹îƒm‘å’r‚Š‚įŒŠ‚é‰ī’ËŠx

‰ī’ËŠx

10”N7ŒŽ24“ú
(ƒMP3„Johann Strauss ‡UFThe Blue Danube Op.314)@by andotowa
(‚‘ŦĘŪŊ)`ƒAƒ‹ƒU”öŖ‚Ė‹Ŋ`‹îƒPŠx“oŽRŒû`‹îƒmŦ‰Ž `‰ī’ËîƒPŠx`’†–åŠx`‹îƒPŠxŠĒ“š`‹îƒmŦ‰Ž`‹îƒPŠx“oŽRŒû`ƒAƒ‹ƒU”öŖ‚Ė‹Ŋ(“ú‹A‚č“’)`(‚‘ŦĘŪŊ)
130
Āƒm•Ŋ‚Š‚į–]‚Ū”Ö’ōŽR

”Ö’ōŽR

08”N9ŒŽ6“ú

(ƒMP3„MozartFDivertimento, K.136,2nd mov.)@by Furuhashi

’–•c‘ãŠĪŒõ‚g(”‘)`’–•c‘ãƒXƒL[ę`Āƒm•Ŋ`“V‹įŠâ`O–@´…`”Ö’ōŽR`O–@´…`“ēĀ`— ”Ö’ō“oŽRŒû
215
\ŽÖ’JáŒk‰z‚ĩ‚É–]‚Ū’šŠCŽRŽR’¸

’šŠCŽR

09”N9ŒŽ12“ú

(ƒMP3„RakhmaninovF Piano Concerto No.2 in C minor, Op.18, 2nd mov. Adagio sostenuto ) by andotowa
ÛŠƒ‰w`(ĘŪŊ)`–g—§`Œä•lŦ‰Ž`îŽqX`ŽĩŒÜŽOŠ|`\ŽÖ’J`‘啨Šõ_ŽĐ`ŽR’¸iVŽRj@‚Ė‰•œ @@ŽRŒ`‰Ž—ˇŠŲ(”‘j

357
“ŒŒI‹îŽR’†• ‚Š‚įŒŠ‚éŒI‹îŽR

ŒI‹îŽR

11”N9ŒŽ23“ú
(ƒMP3„BeethovenFRomance for Violin, Fmajor, No.2)@by@Mr Yoshimoto

‚­‚č‚ą‚܍‚Œ´‰w`(Ā¸ŧ°)`‚ĸ‚í‚Š‚Ē‚Ũ•Ŋ`“ŒŒI‹îŽR`ŒI‹îŽR`{ė•ĒŠō`ē˜aŒÎ`–ŧŽcƒ–Œ´`æ΂Ė×`‚ä‚°ŽR`{ė‰ˇōE{ė‚Œ´‰ˇōi“ú‹A‚č“’j`(ĘŪŊ)`ˆęŠÖ‰w@g—t
220
Ø’Ę‚ĩ•t‹ß‚Š‚įŒŠ‚ŊŠâŽčŽR

ŠâŽčŽR

09”N10ŒŽ3“ú
iƒMP3„MozartFClarinet Concerto in A major, K.622, 2nd mov. Adagioj@by andotowa
‘ę‘ō‰w`(Ā¸ŧ°)`”n•Ô‚ĩ`•s“Ž•Ŋ`ŽR’¸i–ōŽtŠxj`•s“Ž•Ŋ`‰ÎŒûŒ´ƒR[ƒX`ŒäŠ˜ŒÎ`‘å’n–`ŧė‰ˇōƒR[ƒX`ŧė‘‘ŒûƒoƒX’â`(ĘŪŊ)` ƒ‰ƒCƒWƒ“ƒOƒTƒ“ƒzƒeƒ‹‘O`ƒyƒ“ƒVƒ‡ƒ“Eƒ‰ƒ€(”‘j@g—t
221
’ƒ‰PŠx‚Š‚į‚Ė“W–]

”Ē”Ļ•Ŋ

09”N10ŒŽ4“ú
(ƒMP3„ Mozart : Piano Concerto No.24, K.491, 2nd mov.jby Jun-T

ƒyƒ“ƒVƒ‡ƒ“Eƒ‰ƒ€`(ŽÔ)`’ƒ‰PŠx“oŽRŒû`’ƒ‰PŠx`•’J’nŽŧŒ´`Œš‘žX`”Ē”ĻĀ`”Ē”Ļ•Ŋ’¸ã`“c‘ãĀ`‘å[‰ˇō(“ú‹A‚č“’)`(ĘŪŊ)`”Ē”Ļ•Ŋ’¸ãƒoƒX’â`(ĘŪŊ)`ˇ‰Ē‰w g—t
137
Šâ–ØŽR•S‘ōƒXƒL[ę‚Š‚į‚ĖŠâ–ØŽR

Šâ–ØŽR

08”N10ŒŽ12“ú
(ƒMP3„E.GriegFPeerGynt Suite No.2 "Solvajgs Song" Op.55-4)@by@andotowa
O‘O`(ƒoƒX)`Šâ–ØŽR_ŽĐ‘O`(•S‘ōƒR[ƒX)`–P–ƒqƒ…ƒbƒe`Šâ–ØŽRŽR’¸`–P–ƒqƒ…ƒbƒe`Šâ–ØŽR”Ē‡–ځ`›Ô‰ˇō`(ƒoƒX)`O‘O g—t
138
–Ņ–ŗ‘Đ–Ø‘ĸŠK’i‚Š‚į

”Ēb“cŽR

08”N10ŒŽ13“ú
(ƒMP3„ MassenetFMeditation from Thais)@by@Mr Yoshimoto

Ž_ƒP“’‰ˇō`ål‘Ё`”Ēb“c‘åŠx`ˆäŒËŠx`Ô‘qŠx`‹{—lƒR[ƒX•ĒŠō`ã–Ņ–ŗ‘Ё`‰ē–Ņ–ŗ‘Ё`Ž_ƒP“’‰ˇō g—t
139
‚­‚ë‚Ē‚ˏŦ‰Ž•t‹ß‚Ėg—t

ˆĀ’B‘ž—ĮŽR(2)

08”N10ŒŽ19“ú
(ƒMP3„Ravel : Pavane pour une infante defunte)@by@Mr Yoshimoto

‰œŠx‰ˇō`¨ŽŠ•Ŋ`‚­‚ë‚Ē‚ˏŦ‰Ž`•ôƒm’Ō`‹ƒm”w`ˆĀ’B‘ž—ĮŽRŽR’¸`–ōŽtŠx`ŒÜ—tŧ•Ŋ`‰œŠx‰ˇō@ g—t
363
‘Ži‘ō‚Ėg—t

—ėŽR‡A

11”N10ŒŽ29“ú

(ƒMP3„Mozart: Flute Concerto in G, K313, 3rd mov.)@by@Mr Yoshimoto
•Ÿ“‡‰w`(ŽÔ)`“oŽRŒû`“ú•éŠâ“üŒû`“ú•éŠâ`“ú•éŠâ“üŒû`‘Ži‘ō`bŠâ`“V‹į‚Ė‘Š–oę`Œė–€’d`—ėŽRŽ›Õ`—ėŽRŽ›ÕE“úŽ}_ŽĐ•ĒŠō`“Œ•¨ŒŠŠâ`–]—m‘ä`–ŗü’†ŒpŠÕ`“oŽRŒû`(ŽÔ)`•Ÿ“‡‰wE‹ÉŠy“’•Ÿ“‡“X(“ú‹A‚č“’)@g—t
295
ŽO—‚Ė—Ŧ‚ę

‰œ“üŖŒk—Ŧ

10”N10ŒŽ30“ú
(ƒMP3„Johann Strauss ‡UFThe Blue Danube Op.314)@by andotowa

(‚‘ŦĘŪŊ)`”ĒŒË‰w`(ĘŪŊ)`ÄŽRƒoƒX’â`ŽqƒmŒû@g—t
296
\˜a“cŒÎ‚Ėg—t

\˜a“cŒÎ(1)

10”N10ŒŽ30“ú
(ƒMP3„ Franck: Violin Sonata, A maj. 4th mov.)@ by@Mr Yoshimoto

ŽqƒmŒû`(—V——‘Dj`‹x•Ŋ`‰ŗ—‚Ė‘œ`‘–¯hŽÉ\˜a“cŒÎ‰ˇōi”‘j@g—t
226
“oŽRŒû’“ŽÔę‚Š‚įŒŠ‚Ŋ—ėŽR

—ėŽR‡@i‚č‚傤‚ē‚ņj

09”N10ŒŽ31“ú
(ƒMP3„Mozart: Flute Quartet in D, K.285, 1st mov.)@by@Mr Yoshimoto
•Ÿ“‡‰w`(ŽÔ)`“oŽRŒû`“ú•éŠâ“üŒû`•Ų“VŠâ`‘åŽR‹__ŽĐÕ`–]—m‘ä`“Œ•¨ŒŠŠâ`’Ū•r—ŽŠâ`—ėŽRŽ›Õ`“úŽ}_ŽĐÕ`—ėŽRéÕ`Œė–€’d`bŠâ`“oŽRŒû`‚č‚傤‚ē‚ņgĘŠŲ(“ú‹A‚č“’)@g—t
297
\˜a“cŒÎ”Č‚Ėg—t

\˜a“cŒÎ(2)

10”N10ŒŽ31“ú
(ƒMP3„Carl Maria von WeberFAufforderung zum Tanz Op.65)@by@andotowa

‘–¯hŽÉ\˜a“cŒÎ‰ˇōi”‘j`Œä‘Oƒ–•l`‰ŗ—‚Ė‘œ`\˜a“c_ŽĐ`’šáՓš`áՌΑä`‰F’M•”ƒLƒƒƒ“ƒvę`‰F’M•”`ŽqƒmŒû@g—t
       
‚ą‚Ėƒy[ƒW‚ĖTOP‚Ö
   


y–kŠÖ“Œz

   
323
•ķ“oŽRŽR’¸‚Š‚į

•ķ“oŽR

11”N1ŒŽ23“ú
(ƒMP3„Mozart: Flute Concerto in D, K314,2nd mov.)@by@Mr Yoshimoto

’ˇ“Ō‰w`•ķ“oŽR_ŽĐ`i•\ŽQ“šj`˜X”~‰€`•ķ“oŽR`i’ˇ“ŌƒAƒ‹ƒvƒXj`–ėã‰w
325
Ŧ^–ŧŽqŽRE‘å^–ŧŽqŽRE’j‘ĖŽR

“úŒõEíęƒ–Œ´(2)

11”N2ŒŽ20“ú
(ƒMP3„Mozart: Flute Concerto in G, K313, 1st mov.)

“Œ•“úŒõ‰w`(ĘŪŊ)`–ž’q•Ŋ`ƒ[ƒvƒEƒFƒC`“W–]‘ä`–ž’q•Ŋ`(ĘŪŊ)`ÔĀ`íęƒ–Œ´“W–]‘ä`Ŧ“c‘ブŒ´“W–]‘ä`ō–å’r`‹tė‹´`Œõ“ŋ“üŒû`(ĘŪŊ)`“Œ•“úŒõ‰w
250
Žlˆĸ‰ŽŽR‚Ė•ŸŽõ‘

Žlˆĸ‰ŽŽR

10”N2ŒŽ28“ú
(ƒMP3„ Mozart : Piano Concerto No.21, K.467, 2nd mov.jby@andotowa
ŽO•ôŒû‰w`(ĘŪŊ)`–ōŽt‚Ė“’ƒoƒX’â`÷–{ƒR[ƒX`Žlˆĸ‰ŽŽRŽR’¸`‚‚‚ļV“š`‘å’į`ß•Ē‘‰€E—ÕŽžƒoƒX’â`(ĘŪŊ)`–ōŽt‚Ė“’ƒoƒX’âE–ōŽt‚Ė“’(“ú‹A‚č“’)`(ĘŪŊ)`ŧ•’•ƒ‰w
169
’}”g”~—Ņ‚Š‚įŒŠ‚Ŋ’j‘ĖŽR

’}”gŽR

09”N3ŒŽ15“ú
(ƒMP3„ChopinFBarcarolle Op.60)by andotowa

‚‚­‚Ήw`(ƒoƒX)`‚‚‚ļ‚Ē‹u`•ŲŒc’ƒ‰Ž`—‘ĖŽR`ŒäKƒPŒ´`’j‘ĖŽR`ŒäKƒPŒ´`’†‚Ė’ƒ‰ŽÕ`’}”gŽR_ŽĐ`’}”g”~—Ņ`”~—Ņ“üŒû`(ƒoƒX)`‚‚­‚Ήw
253
Ŧ“c‘ブŒ´‚Š‚įŒŠ‚é’j‘ĖŽR

“úŒõEíęƒ–Œ´

10”N3ŒŽ20“ú

(ƒMP3„ Mozart : Clarinet Concerto in A major, K.622, 2nd mov. Adagio)@by andotowa
“Œ•“úŒõ‰w`(ĘŪŊ)`“’‘ę“üŒû`“’‘ę`Ŧ‘ę`ō–å’r`Ŧ“c‘ブŒ´“W–]‘ä`íęƒ–Œ´“W–]‘ä`‚ĩ‚á‚­‚Č‚°‹´`—ŗ“Ēƒm‘ęEŒe‚ĸ‚Ė“’(“ú‹A‚č“’)`(ĘŪŊ)`“Œ•“úŒõ‰w
170
ŒäŠâŽR‚ĖƒCƒƒEƒ`ƒ

ŒäŠâŽRE‚—éŽR

09”N4ŒŽ4“ú
(ƒMP3„MozartFPiano Sonata, K.494, Rondo)@by Jun-T

“ú—§‰w`(ƒoƒX)`ŒäŠâ_ŽĐ‘OƒoƒX’â`ŒäŠâ_ŽĐ`ŒäŠâŽR`‚—éŽR`Žl’Ō`‹āŽR•S‘ĖŠĪ‰š`•ėŽR`”ĩƒ–‹uƒoƒX’â`(ƒoƒX)`“ú—§‰w
175

“úŒõ”’ĒŽR(1)

09”N4ŒŽ29“ú
(ƒMP3„J.S.Bach: Sonata in b minor, BWV1030-1)@by@Mr Yoshimoto

Ā“c‰w`(ĘŪŊ)`Š™“c`(Ā¸ŧ°)`ŠÛĀ‚Œ´ƒXƒL[ę`ŽR’¸‰w`ŽĩF•Ŋ•ĒŠō`ŽĩF•Ŋ`ŽĩF•Ŋ–k•ĒŠō`˜Z’n‘ `ŽŠ‘RŽUô˜H`ŽR’¸‰w`ŠÛĀ‚Œ´ƒXƒL[ęEĀ‘T‰ˇō`(ĘŪŊ)`Ā“c‰w
262
Š}ŠÛŽR‚ĖƒAƒJƒ„ƒVƒI

Š}ŠÛŽR

10”N5ŒŽ4“ú
(ƒMP3„ Mozart : Clarinet Concerto in A major, K.622, 2nd mov. Adagio)@by andotowa
(Ī˛ļ°)`ã–ė‘ēZ‹•t`–k‘¤“oŽRŒû`’n‘ “ģ`Š}ŠÛŽREŧ•ô`Š}ŠÛŽRE“Œ•ô`“ė‘¤“oŽRŒû`•l•Ŋ‰ˇōE‚ĩ‚¨‚ļ‚Ė“’(“ú‹A‚č“’)
103
ƒ„ƒ}ƒcƒcƒW

–Â’ŽŽR‡@

08”N5ŒŽ10“ú
(ƒMP3„Joseph Joachim RaffFCavatina Op.85-3)@by andotowa

“Œ•“úŒõ‰w`_ŽåŽR`–Â’ŽŽR`‡•ô`“Æ•W`Šļ–žƒ–•Ŗ(‡–žƒ–•Ŗ)E•Ā‚Ņ’n‘ `“ŒÆ‹{`(ĘŪŊ)`“Œ•“úŒõ‰w
332
ŠÛŽRŽR’¸‰ē‚ĖƒAƒJƒ„ƒVƒI

–ļ~‚Œ´

11”N5ŒŽ21“ú
(ƒMP3„Mozart: Flute Quartets in C, K.285b, 2nd mov.)@by@Mr Yoshimoto
“Œ•“úŒõ‰w`(Ā¸ŧ°) `–ļ~‚Ė‘ę“üŒû`‚‚‚ļƒ–‹u`”L‚Ė•Ŋ`‘åŽR`i‚Œ´ƒnƒEƒXj`ŦŠÛŽR(ƒLƒXƒQ•Ŋ)`ŠÛŽR`”Ē•Ŋƒ–Œ´`–ļ~‚Œ´ƒoƒX’â`(ĘŪŊ)`“Œ•“úŒõ‰w
267
ŽĐŽR’†• ‚Š‚įŒŠ‚é’j‘ĖŽR‚Æ’†‘TŽ›ŒÎ

”ŧŒŽŽREŽĐŽR

10”N5ŒŽ22“ú
(ƒMP3„Mozart: Flute Quartets in C, K.285b, 2nd mov.)@by@Mr Yoshimoto
“Œ•“úŒõ‰w`(ĘŪŊ)`–ž’q•Ŋ`(Û°ĖßŗĒ˛)`’ƒƒm–Ø•Ŋ`’KŽR`”ŧŒŽŽR`ŽĐŽR`ˆĸĸŠƒ“ģ`ˆĸĸŠƒ`—§–ØŠĪ‰š`’†‘TŽ›‰ˇō`(ĘŪŊ)`´‘ęˆę’š–ځ`‚â‚ĩ‚¨‚Ė“’(“ú‹A‚č“’)`(ĘŪŊ)`“Œ•“úŒõ‰w
268
ŒUžŠÛŽREæ΂Ė‰ÍŒ´•t‹ß‚Ėƒ~ƒcƒoƒcƒcƒW

ŒUžŠÛŽR

10”N5ŒŽ29“ú
(ƒMP3„BrahmsFSonata for Violin and Piano No.1 Op.78 1st mov.) by andotowa
(Ī˛ļ°)`“ƒ‚Ė‘ō“oŽRŒû`QŽß‰ŪE‘Š—Ö“ƒ`æ΂Ė‰ÍŒ´`ŦŠÛŽR`‘OŒUžŠÛŽR`ŦŠÛŽRŠĒ‚Ģ“š`æ΂Ė‰ÍŒ´`“ƒ‚Ė‘ō“oŽRŒû`(Ī˛ļ°)`…Ā‰w‰ˇōƒZƒ“ƒ^[(“ú‹A‚č“’)
183
•Ŋ•WŽR‚Ėƒ€ƒ‰ƒTƒLƒ„ƒVƒI

•Ŋ•WŽR

09”N5ŒŽ30“ú
(ƒMP3„BeethovenFRomance for Violin, Fmajor, No.2)@by@Mr Yoshimoto

‰zŒã“’‘ō‰w`(Ā¸ŧ°)`•Ŋ•W“oŽRŒû`ŧŽčŽR`•Ŋ•WŽR`•Ŋ•WŽRƒm‰Æ`•ŊŒŗV“š`•Ŋ•W“oŽRŒû`(ĘŪŊ)`‰zŒã“’‘ō‰wE‚Û‚ņ‚ĩ‚ãŠŲŽđ•—˜C(“ú‹A‚č“’)
186
ŦĀ‚đĘ‚éƒcƒcƒW

ÔéŽR(2)

09”N6ŒŽ13“ú

(ƒMP3„Mozart: Flute Concerto in G, K313,3rd mov.)@by@Mr Yoshimoto

‘O‹´‰w`(ĘŪŊ)`–Ĩ—ց`rŽR‚Œ´`rŽR`ŦĀ(‚ą‚Ė)`Šo–ž•Ŗ`ÔéËŪŧŪĀ-žŨĀ-`(ĘŪŊ)`•\’Ŧ`“V‘R‰ˇōu‚ä`‚äv`‘O‹´‰w

110
ŽŠ•§ŽR‚ÆāœƒPŠx(ŽÄˆĀú°)

”öŖ(1)
[”öŖĀEāœƒPŠx]

08”N6ŒŽ14“ú

(ƒMP3„ Rachmaninoff : Vocalise op.34, No.14)@by andotowa
‘吴…`Ā“cŠX“š`ŽO•Ŋ‰ē`’ˇ‘ Ŧ‰Ž`ķŒÎŽŧŒ´`’ˇ‰pV“š`ƒ~ƒmƒuƒ`Šx`āœƒPŠx(˜×ú°EŽÄˆĀú°)`ŒŠ°V“š`ŒŠ°(‘æ“ņ’ˇ‘ Ŧ‰Ž”‘)@

111
ŽŠ•§ŽR

”öŖ(2)
[”öŖƒPŒ´EŽOđƒm‘ę]

08”N6ŒŽ15“ú
(ƒMP3„G.FaureFNocturne No.6 Op.63)@ by andotowa

ŒŠ°`ŽOđƒm‘ę`ŒŠ°`—ŗ‹{\Žš˜H`‹Žņ`ŽRƒm•@`”ĩ‘Ō“ģ
273
Y–ŧ•xŽm

Y–ŧŽR

10”N6ŒŽ20“ú
(ƒMP3„RachmaninovF Vocalise op.34, No.14) by andotowa

‚č‰w`(ĘŪŊ)`Y–ŧŒÎƒoƒX’â`•XŽēŽR`“V–ÚŽR`––n“ģ`‘Š”nŽR`––n“ģ`‚䂤‚ˇ‚°‚Ė“š`ƒƒbƒW‘O`(ĘŪŊ)`ŒáČ‘‘‘OE‘–¯hŽÉŒáČ‘‘i“ú‹A‚č“’j`Y–ŧŒÎƒoƒX’â`(ĘŪŊ)`‚č‰w
376
Ŧ“c‘㌴

‚ŽREíęƒ–Œ´

12”N6ŒŽ23“ú
(ƒMP3„Mozart: Flute Quartets in C, K.285b, 2nd mov.)@by@Mr Yoshimoto

“Œ•“úŒõ‰w`(ĘŪŊ)`—ŗ“Ēƒm‘ę`‚ŽR`Ŧ“c‘㌴`ŽŠ‘RŒ¤‹†˜H`—ŗ“Ēƒm‘ęEŒe‚ĸ‚Ė“’(“ú‹A‚č“’)`(ĘŪŊ)`“Œ•“úŒõ‰w
377
•Ŋ•WŽR”V‰Æ‚Š‚į–]‚Ūåƒm‘qŽR

•Ŋ•WŽREåƒm‘qŽR

12”N6ŒŽ30“ú
(ƒMP3„BizetFSymphony in C,1st mov.)@by andotowa

‰zŒã“’‘ō‰w`(ĘŪŊ)`•Ŋ•W“oŽRŒû`ŧŽčŽR`•Ŋ•WŽR`åƒm‘qŽR`•Ŋ•WŽR`•Ŋ•WŽRƒm‰Æ`•ŊŒŗV“š`•Ŋ•W“oŽRŒû`(ĘŪŊ)`‰zŒã“’‘ō‰wE]_‹¤“¯—ę(“ú‹A‚č“’)
37
ƒjƒbƒRƒEƒLƒXƒQ

ÔéŽR(1)

07”N7ŒŽ16“ú

(ƒMP3„ Mozart :Oboe Concerto in C major, K.314, 1st mov.)@by andotowa

ŒŠ°ŽR`’n‘ Šx`ŦĀ(‚ą‚Ė)`Šo–ž•Ŗ

196
“úŒõ”’ĒŽR‚ƌܐFĀ

“úŒõ”’ĒŽR(2)

09”N7ŒŽ26“ú

(ƒMP3„Mozart: Flute Quartets in C, K285b, 2nd mov.)@by@Mr Yoshimoto

(–ˆ“úƒAƒ‹ƒyƒ“†)`›Ā`–í‘Ƀ–’r`Ā‘TŽR`”’ĒŽR`ŒÜFĀ`ŒÜFŽR`‘O”’ĒŽR`ŠOŽRˆÆ•”`“’Œŗ`‰œ“úŒõŦŧƒzƒeƒ‹(“ú‹A‚č“’)`“’ŒŗƒoƒX’â`“úŒõ‰w

280
”’ĒŽR‚Ė“’Š˜

‘’Ô’ĒŽR

10”N7ŒŽ31“ú
(ƒMP3„Mozart: Flute Quartets in C, K.285b, 2nd mov.)@by@Mr Yoshimoto
’ˇ–ėŒ´‘’ÃŒû‰w`(ĘŪŊ)`”’Ē‰ÎŽRƒoƒX’â`“’Š˜“W–]‘ä`‹|’r`ˆ§ƒm•ô`–{”’ĒŽR`–{”’Ē“W–]‘ä`‹ž’r`”’Ē‰ÎŽRƒoƒX’â`(ĘŪŊ)`‘’ɡōE’†‘ē‰Ž—ˇŠŲ(“ú‹A‚č“’)`(ĘŪŊ)`’ˇ–ėŒ´‘’ÃŒû‰w
197
•žwŽR’†• ‚Š‚į’n‘ Šx‚Æ‘åĀ‚đ–]‚Ū

ÔéŽR(3)

09”N8ŒŽ2“ú

(ƒMP3„Dovrak : Sonatine, Op100, 1st mov.)@by@Mr Yoshimoto

‘O‹´‰w`(ĘŪŊ)`‚ ‚Š‚ŦLę‘O`•žwŽR“oŽRŒû`•žwŽR`‹îƒPŠx`Šo–ž•Ŗ`ÔéËŪŧŪĀ-žŨĀ-`(ĘŪŊ)`•\’Ŧ`“V‘R‰ˇōu‚ä`‚äv`‘O‹´‰w

214
ŽY‘×”öĒ‚Š‚į–]‚Ū—ŧ_ŽR

—ŧ_ŽR

09”N9ŒŽ5“ú
(ƒMP3„ Mozart : Clarinet Concerto in A major, K.622, 2nd mov. Adagioj@by Jun-T
ŧ•’•ƒ‰w`(ĘŪŊ)`ŦŽ­–ė’Ŧ–đę`(ĘŪŊ)`“úŒü‘å’JŒû`´‘ęŦ‰Ž`—ŧ_ŽR`´‘ęŦ‰Ž`“úŒü‘å’JŒû`(ĘŪŊ)`ŦŽ­–ė’Ŧ–đę`(ĘŪŊ)`ƒNƒAƒpƒŒƒX‚¨‚Ē‚Ėi“ú‹A‚č“’j`Ž›ã`(ĘŪŊ)`ŧ•’•ƒ‰w
356
Œ•ƒ–•ôŽR’¸ã‚Š‚įŒŠ‚ŊA•‘¸ŽRi‰Ģ•‘¸j‚Ö‚Ėc‘–˜H‹y‚Ņ“ĄŒ´•‘¸`‰Ģ•‘¸`’†ƒmŠx‚Ė—Őü

•‘¸ŽR

11”N9ŒŽ18“ú
(ƒMP3„ChopinFBarcarolle Op.60) by andotowa

(ƒ}ƒCƒJ[)`— ŒŠƒm‘ę’“ŽÔę`Œ•ƒ–•ôŽRiŧ•‘¸j`•‘¸ŽRi‰Ģ•‘¸j`ŽčŦ‰Ž‘ō”đ“īŦ‰Ž•ĒŠō`Œ•ƒ–•ôŽR•ĒŠōi{Œ´”öĒ•ĒŠōj`— ŒŠƒm‘ę`— ŒŠƒm‘ę’“ŽÔę`‰ˇōƒZƒ“ƒ^[z–K‚Ė“’i“ú‹A‚č“’j
133
‘g—t‚Ė”öŖƒ–Œ´‚ÆŽŠ•§ŽR

”öŖ(3)
[”öŖƒPŒ´]

08”N9ŒŽ23“ú
(ƒMP3„J.S.Bach: Sonata in b minor, BWV1030-1)@by@Mr Yoshimoto

”ĩ‘Ō“ģ`ŽR‚Ė•@`‹Žņ`ŽR‚Ė•@ g—t
134
ŽŠ•§ŽRŽR’¸‚Š‚įāœƒPŠx‚Æ”öŖƒPŒ´‚đ–]‚Ū

”öŖ(4)
[ŽŠ•§ŽR]

08”N9ŒŽ23“ú
(ƒMP3„SchubertFSonate for Arpegione and Piano in A minor, D821,3rd mov.)@by@Mr Yoshimoto

ŽR‚Ė•@`ŽŠ•§ŽR`ŦŽŠ•§ŽR`ƒIƒ„ƒ}‘ō“c‘ã`”ĩ‘Ō“ģ g—t
136
’j‘ĖŽRŽR’¸‚Š‚į’†‘TŽ›ŒÎ‚đ–]‚Ū

’j‘ĖŽR

08”N10ŒŽ4“ú
(ƒMP3„Carl Maria von WeberFAufforderung zum Tanz Op.65)@by@andotowa
“úŒõ`(ƒoƒX)`“ņrŽR_ŽĐ‘O`“ņrŽR_ŽĐ’†‹{`’j‘ĖŽRŽR’¸`Žu’Ïæ‰z`Œõ“ŋ“üŒû`(ƒoƒX)`“úŒõ g—t
59
ŽO–{‘„Šx‚Ėg—t

“ߐ{ŽOŽR(’ƒ‰PŠxE’Š“úŠxE
ŽO–{‘„Šx)

07”N10ŒŽ13“ú
(ƒMP3„ MahlerFSymphony No.5 4th mov. Adagietto)@ by Midi Classics

“ߐ{ƒ[ƒvƒEƒFƒC`’ƒ‰PŠx`•ôƒm’ƒ‰ŽÕ`’Š“úŠx`ŽO–{‘„Šx`–k‰ˇō`ˆŽE–k“’“üŒûƒoƒX’â@@g—t

293
įŽčƒ–•l‚Š‚įŒŠ‚é’j‘ĖŽR

—ŗ“Ēƒm‘ęE’†‘TŽ›ŒÎ”Č

10”N10ŒŽ16“ú
(ƒMP3„Mozart: Flute Quartets in C, K.285b, 2nd mov.)@by@Mr Yoshimoto
“Œ•“úŒõ‰w`(ĘŪŊ)`—ŗ“Ēƒm‘ęƒoƒX’â`—ŗ“Ēƒm‘ę`ŌŠ—ƒ–•l`įŽčƒ–•l`”’Šâ`ˆĸĸŠƒ`‰Ėƒ–•l`’†‘TŽ›‰ˇōE“úŒõƒŒ[ƒNƒTƒCƒhƒzƒeƒ‹uŒÎ”Č‚Ė“’vi“ú‹A‚č“’j`(ĘŪŊ)`“Œ•“úŒõ‰w@g—t
224
ˆęƒm‘q‘ō‚Ėg—t

’JėŠxEˆęƒm‘q‘ō

09”N10ŒŽ18“ú

(ƒMP3„BorodinFQuartet for 2 Violins, Viola and Violoncello Dmaj. 3rd mov."Nocturne" ) by andotowa

“y‡‰w`“y‡‹´`‹Œ“š`ƒ}ƒ`ƒK‘ōo‡`ˆęƒm‘q‘ōo‡`—Hƒm‘ōo‡`JRŒŠ’ŖŦ‰Ž`V“š`“y‡‹´`“y‡‰w‘O`(ĘŪŊ)`…ã‰w g—t

60
’JėŠx

’JėŠx(“V_”öĒ)

07”N10ŒŽ21“ú
(ƒMP3„J.Strauss‡UFTreasure Waltz op.418) by Kamoto

“y‡‰w`’JėŠxƒ[ƒvƒEƒFƒC`“V_”öĒ`’JėŠxŽR’¸(“ņ•ô)`“V_”öĒ`“V_•Ŋ‰w@g—t
62
–­‹`ŽR

–­‹`ŽR

07”N11ŒŽ3“ú
(ƒMP3„ DebussyFArabesque No.1)@by andotowa

–­‹`‚Ķ‚é‚ŗ‚Æ”üpŠŲ`–­‹`_ŽĐ`‘å‚ĖŽš`’†ŠÔ“š`“V‹į‚Ė•]’č`Î–å`–­‹`g—tƒ‰ƒCƒ“@g—t
228
䃊â“W–]‘ä‚Š‚į‚Ė’­–]

r‘DŽR

09”N11ŒŽ3“ú

(ƒMP3„SchubertFSonate for Arpegione and Piano in A minor, D821,3rd mov.)@by@Mr Yoshimoto
’†ž‰w`(ĘŪŊ)`‰’J`(V“š)`“āŽR‘å‹´`r‘D•s“Ž‘¸“oŽRŒû`r‘D•s“Ž‘¸`¯”ö“ģ`Œo’ËŽR`䃊â`‘Š‘ō•ĒŠō`‘Š‘ō“oŽRŒû`r‘D‚Ė“’(“ú‹A‚č“’)`(ĘŪŊ)`‰ēm“c‰w@g—t@Vá
364
–Â’ŽŽRŽR’¸‚Š‚į‚Ė’­–]

–Â’ŽŽR‡A

11”N11ŒŽ3“ú

(ƒMP3„Mozart: Flute Concerto, K.314, 1st mov.)@by@Mr Yoshimoto

“úŒõ‰w``_ŽåŽR`–Â’ŽŽR`‡•ô`“Æ•W`Šļ–žƒ–•Ŗ(‡–žƒ–•Ŗ)E•Ā‚Ņ’n‘ @g—t
151
÷ŽR‚Š‚į‚Ė’­–]

÷ŽR

08”N12ŒŽ6“ú
(ƒMP3„J.S.Bach: Violin Sonata, BWV1017-1)@ by@Mr Yoshimoto

–{¯`(ƒoƒX)`‹SÎ—X•Ö‹Į‘O`‘å‘ō“üŒû`÷ŽR`‹āŠÛ“oŽRŒû`“nŖ’†h`(ƒoƒX)`–{¯@g—t@“~÷
       
‚ą‚Ėƒy[ƒW‚ĖTOP‚Ö
   


y“ėŠÖ“Œz

   
319
ĩ‰ãŽR’†• ‚ĖƒXƒCƒZƒ“

ĩ‰ãŽR

11”N1ŒŽ10“ú

(ƒMP3„ MassenetFMeditation from Thais)@by@Mr Yoshimoto

(Ī˛ļ°j`Ŧ•Û“cƒoƒX’âE‰ēŠŅ‘ōŠÔ‚Ė’“ŽÔę`ƒXƒCƒZƒ“ƒs[ƒN`ĩ‰ãŽR`Š˜‚Ė‘ä”_“š`’“ŽÔę

320
‹˜ŽRŽR’¸‚Š‚į‚Ė“W–]

‹˜ŽR(2)

11”N1ŒŽ10“ú

(ƒMP3„J.S.Bach: Violin Sonata, BWV1017-1)@ by@Mr Yoshimoto

(Ī˛ļ°)`(‹˜ŽRƒ[ƒvƒEƒFƒCj`ŽR’¸‰w`‘啧`“W–]‘ä`ŽR’¸‰w`‹˜ŽR— “oŽR“š`‹˜ŽRƒ[ƒvƒEƒFƒC’“ŽÔę`‹ā’J`
157
w”nŽR‚É‚Ä

‚”öŽR`ŒiMŽR`w”nŽR

09”N1ŒŽ12“ú
(ƒMP3„J.S.Bach:Adagio from Toccata, Adagio and Fugue in C BWV564)@ by@Mr Yoshimoto

‚”öŽRŒû‰w`‚P†˜H`‹ā”ų—…‘ä`–ō‰¤‰@`‚”öŽR`Ŧ•§éŽR`ŒiMŽR`w”nŽR`“Č’J”öĒ`w”n“oŽRŒû`(ƒoƒX)`“Ą–ė‰w
160
Œš’ˇŽ›“W–]‘ä‚Š‚į

Š™‘qƒAƒ‹ƒvƒX(2)

09”N2ŒŽ1“ú
(ƒMP3„Mendelssohn [arranged by Ŋè¸ŌŊÄ]FAuf Flugeln des Gesanges Op.34-2)@by Mr Yoshimoto

–kŠ™‘q‰w`Œš’ˇŽ›`\‰¤Šâ`‘ž•ŊŽR`“V‰€`ōŽ›`Šō‚ę˜H`(ĘŪŊ)`Š™‘q‰w
161
ˆÉ—\ƒ–Šx

ˆÉ—\ƒ–ŠxE•xŽR

09”N2ŒŽ7“ú
(ƒMP3„J.S.Bach:Trio Sonata, BWV1079,2nd mov.) by@Mr Yoshimoto

Šâˆä‰w`(ĘŪŊ)`“V_‹Ŋ`•ŊŒQ“V_ŽĐ`•xŽR•ĒŠō`ˆÉ—\ƒ–Šx“ė•ôE–k•ô`•xŽR•ĒŠō`•xŽR(‚Æ‚Ũ‚ŗ‚ņ)–k•ôE“ė•ô`Šâˆä‰w
162
•l‹ā’J‚Š‚įŒŠ‚Ŋ‹˜ŽR

‹˜ŽR(1)

09”N2ŒŽ7“ú
(ƒMP3„J.S.Bach: Sonata, BWV1032,3rd mov.) by@Mr Yoshimoto

•Û“c‰w`“ú–{Ž›•\ŽQ“š`ŽR’¸“W–]‘ä`ŠĪŒŽ‘ä`•l‹ā’J``(“Œ‹ž˜pƒtƒFƒŠ[)`‹v—ĸ•l`
ŽQl
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€ŽqE”Ņ“‡Œö‰€

09”N4ŒŽ5“ú
(ƒMP3„MozartFConcerto for Clarinet,K622,2nd mov.)@by Jun-T

€ŽqŽsŦ’؁E”Ņ“‡Œö‰€
‚P
w”nŽRŽR’¸

w”nŽR`ŒiMŽR

06”N4ŒŽ9“ú

(ƒMP3„J.S.BachFSonatas for flute and harpsichord No. 2 in E flat major, BWV 1031 2. Siciliano)@by andotowa

‹ž‰¤”Ē‰¤Žq`w”n‚Œ´‰ē`˜a“c“ģ`w”nŽR`ŒiMŽR`Ŧ•§

255
‘Ŋ–€X—Ņ‰ČŠw‰€

‘Ŋ–€X—Ņ‰ČŠw‰€

10”N4ŒŽ11“ú
(ƒMP3„Mozart: Flute Concerto, K.313, 2nd mov.)@by@Mr Yoshimoto

‚”ö‰w`‘Ŋ–€X—ŅŒö‰€EƒTƒNƒ‰•Û‘ļ—Ņ`‚”ö‰w
256
‚”öŽR‚Ė÷

‚”öŽR(2)

10”N4ŒŽ11“ú
(ƒMP3„Mozart: Flute Concerto, K.313, 3rd mov.)@by@Mr Yoshimoto

‚”öŽRŒû‰w`ˆî‰×ŽR”öĒƒR[ƒX`‚”öŽR`Ŧ•§éŽR`Ŧ•§“ģ`Ŧ•§ƒoƒX’â`(ĘŪŊ)`‚”ö‰w
173
‚”öŽR‚Ėt

‚”öŽR(1)

09”N4ŒŽ18“ú
(ƒMP3„SchubertFStreichquartett No.13 "Rosamunde" D804 2nd mov.)@by andotowa
‚”ö‰w`(ĘŪŊ)`“ú‰eƒoƒX’â`‚ĸ‚ë‚Í‚ĖXƒR[ƒX`‚”öŽR`Ŧ•§éŽR`Ŧ•§“ģ`Ŧ•§ƒoƒX’â`(ĘŪŊ)`‚”ö‰w
368
–ō‰¤‰@‚Ėg—t

‚”öŽR‡B

11”N11ŒŽ26“ú

(ƒMP3„ Mozart : Clarinet Concerto in A major, K.622, 2nd mov. Adagio)@by andotowa

‚”ö‰w`(ĘŪŊ)`ŽÖ‘ęŒû`‰ā‘ä`“W–]‘ä`’jâ`–ōŽt‰@`ŽR’¸`Ŧ•§éŽR`‚ā‚Ũ‚ļ‘ä`‚T†˜H`‚S†˜H`‚”öŽR’¸‰w`(š°ĖŪŲļ°)`‚”ö‰wE‚”ö‚Ė“’‚Ķ‚ë‚Á‚Ō‚Ą(“ú‹A‚č“’)@g—t

104
‘ž•ŊŽR

Š™‘qƒAƒ‹ƒvƒX(1)

08”N5ŒŽ17“ú
(ƒMP3„MendelssohnFAuf Flugeln des Gesanges Op.34-2)@by@andotowa

–kŠ™‘q‰w`\‰¤Šâ`‘ž•ŊŽR`“V‰€`‰Ą•lŽŠ‘RŠĪŽ@‚ĖX`“V‰€`‘ž•ŊŽR`Ąō‘ä`(ĘŪŊ)`‘å‘D‰w
233
Ž‚Žq•‘‚Ėg—t

Š™‘qƒAƒ‹ƒvƒX(3)

09”N11ŒŽ28“ú
(ƒMP3„MendelssohnFViolin Concerto, Op.64, 2nd mov.)@by@andotowa
‘å‘D‰w`(ĘŪŊ)`Ąō•s“ŽƒoƒX’â`Ąō•s“ŽEĖ–ŧŽ›`ŽUŨƒK’rX—ŅŒö‰€`Ąō˜Z’š–ÚŒö‰€`“V‰€ƒnƒCƒLƒ“ƒOƒR[ƒX`‘ž•ŊŽR`“V‰€`Ž‚Žq•‘`ōŽ›`“V‰€ƒnƒCƒLƒ“ƒOƒR[ƒX`“V‰€`‘ž•ŊŽR`Œš’ˇŽ›`–kŠ™‘q‰w@g—t
303
Ž‚Žq•‘‚Ėg—t

Š™‘qƒAƒ‹ƒvƒX(4)

10”N11ŒŽ28“ú
(ƒMP3„TchikovskyFString Quartet No.1 in D major, Op11,‡U mov.@hAndante Cantabileh)@by@andotowa
–kŠ™‘q‰w`Œš’ˇŽ›`‘ž•ŊŽR`“V‰€`Ž‚Žq•‘`’߉Ē”Ē”Ļ‹{`Š™‘q‰w@g—t
150
’–ƒmėŒk’J‚Ėg—t

‹TŽRŒÎE’–ƒmėŒk’J

08”N11ŒŽ29“ú
(ƒMP3„MozartFDivertimento No.17 in D K.334@3rd mov. Menuett)@by@andotowa

ã‘‹TŽR‰w`‹TŽRŒÎ`•‘ę`’–ƒmė—Ņ“š`—Mƒm–Ø•ā“š`’n‘ “ģ`ŽOÎ•ā“š`ŽOÎŽR`•\ŽQ“š`‹TŽRŒÎ`ã‘‹TŽR‰w@g—t
‚V
”~ƒ–ŖŒk’J

”~ƒ–ŖŒk’J

06”N12ŒŽ2“ú
(ƒMP3„Mozart :Eine kline Nachtmusik , 2nd mov. K.525)@by andotowa

ã‘‘å‹v•Û‰w`‘å•ŸŽR`‚ā‚Ũ‚ļ’J`”~ƒ–ŖŒk’J`”’’š‹´`ŠĪ‰š‹´`—{˜VŒk’J‰w g—t
304
‘ę‚ß‚Ž‚č—V•ā“š‚Š‚į

—{˜VŒk’J

10”N12ŒŽ4“ú
(ƒMP3„Mozart: Flute Concerto in G, K313,1st mov.)@by@Mr Yoshimoto

—{˜VŒk’J‰w`”’’š‹´`ŠĪ‰š‹´`’†Ŗ—V•ā“š`˜Vė`ŒœŠR‹Ģ`…ŒŽŽ›`Ŧ‘ō–”‚Ė‘ę`‘ę‚ß‚Ž‚č—V•ā“š`ˆž–”‚Ė‘ę`‘ęŒŠ‰‘i“ú‹A‚č“’j`(ĘŪŊ)`ã‘’†–ė‰w@g—t
369
Ž‚Žq•‘‚Ėg—t

Š™‘qƒAƒ‹ƒvƒX‡D

11”N12ŒŽ4“ú
(ƒMP3„MendelssohnFViolin Concerto, Op.64, 2nd mov.)@by@andotowa

–kŠ™‘q‰w`–žŒŽ‰@’Ę‚č`“V‰€ƒnƒCƒLƒ“ƒOƒR[ƒX`Œš’ˇŽ›“W–]‘ä`‘ž•ŊŽR`“V‰€`Ž‚Žq•‘`ōŽ›`“V‰€ƒnƒCƒLƒ“ƒOƒR[ƒX`“V‰€`‘ž•ŊŽR`‘哃‹{ƒoƒX’â`Š™‘q‰w@g—t
       
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73
ŽĩƒcÎŽR’¸‚Š‚įŒŠ‚Ŋ‰_ŽæŽR

‰_ŽæŽR

08”N1ŒŽ12“ú`13“ú

(ƒMP3„DebussyF–˛)@ Midi Classics
‰œ‘Ŋ–€‰w`Š›‘ō`ŒãŽR—Ņ“š`ŽOđ‚Ė“’(ŽOđŦ‰ŽE”‘)`…–ŗ”öĒ`‰_ŽæŽR`ŽĩƒcÎŽR`Š›‘ō‹´`[ŽR‹´`‰œ‘Ŋ–€‰w h”‘‚ĩ‚ŊuŽOđ‚Ė“’v‚ĖHP

244
‘éƒm‘ƒŽR

‘éƒm‘ƒŽR

10”N1ŒŽ31“ú
(ƒMP3„J.S.BachFLute Suite No.3, BWV995, 5th mov. "Gavotte")@by@andotowa

‰œ‘Ŋ–€‰w`(ĘŪŊ)`“Œ“úŒ´ƒoƒX’â`ˆî‘ēŠâ‚ĖƒRƒ‹`ˆî‘ēŠâ”öĒ`‘éƒm‘ƒŽR`…ĒŽR`˜ZƒcÎŽR`Î”öĒ`‹Ę‰‘‘(“ú‹A‚č“’)`‰œ‘Ŋ–€‰w
20
‹g–ė”~‹Ŋ

ŒäŠxŽR`“úƒmoŽR`‹g–ė”~‹Ŋ

07”N2ŒŽ25“ú

(ƒMP3„G.FaureFIn Paradisum from Requiem)@ by PICCOLO

Œä›Ô‰w`ŒäŠxŽRƒP[ƒuƒ‹ƒJ[`ŒäŠxŽR`“úƒmoŽR`‹g–ė”~‹Ŋ`“úŒü˜a“c‰w

95
ˆÉ“¤ƒ–Šx’¸ã‚ĖƒcƒcƒW

ˆÉ“¤ƒ–Šx

08”N4ŒŽ20“ú
(ƒMP3„ Mozart : Piano Sonata No16, K545, 2nd mov.)@by Hassie's Room
ŗŠÛ‰w`ŗŠÛ“ģ`Ŧ‚ŽR`ˆÉ“¤ƒ–Šx`‚”¨ŽR`“V–ÚŽw“ģ`ŽqƒmŒ Œģ`ŧŒá–ė‰w
330
Œä‘OŽR‚ĖƒJƒ^ƒNƒŠ

Œä‘OŽR

11”N5ŒŽ3“ú

(ƒMP3„Mozart: Flute Concerto in G, K313, 3rd mov.)@by@Mr Yoshimoto

‰œ‘Ŋ–€‰w`(ĘŪŊ)`‰œ‘Ŋ–€ŒÎƒoƒX’â`ƒTƒX‘ōŽR`‘yŠxŽR`Œä‘OŽR`‘yŠxŽR`Ŧ‰Í“ā“ģ`ŒŽ–錊ŽR`•—’Ŗ“ģ`âŒû“ģ`“s–¯‚ĖXƒoƒX’â`(ĘŪŊ)`ŒÜ“úŽs‰w
179
‘åŠxŽR’¸‚Š‚į‚Ė“W–]

‘åŠxŽR

09”N5ŒŽ9“ú
(ƒMP3„Dovrak : Sonatine,Op100, 4th mov.)@by@Mr Yoshimoto

Œä›Ô‰w`(ĘŪŊEš°ĖŪŲ)`Œä›ÔŽR‰w`‰œ‚Ė‰@`“įŠ„ŽR`‘åŠxŽR`‹˜ŽR`‹˜”öĒ`‰œ‘Ŋ–€‰w
281
ŒäŠxŽR‚ĖƒŒƒ“ƒQƒVƒ‡ƒEƒ}

ŒäŠxŽRE‘åŠxŽR

10”N8ŒŽ22“ú
(ƒMP3„BeethovenFRomance for Violin, Fmajor, No.2)@by@Mr Yoshimoto
Œä›Ô‰w`(ĘŪŊEš°ĖŪŲ)`Œä›ÔŽR‰w`ƒŒƒ“ƒQƒVƒ‡ƒEƒ}ŒQļ’n`Œä›Ô_ŽĐ`’ˇ”ö•Ŋ•ĒŠō`Žĩ‘ã‚Ė‘ę`ˆģL‚Ė‘ę`ŠHę“ģ`‘åŠxŽR`”n“ĒŠ ŽR`HėŒk’JŖ‰š‚Ė“’i“ú‹A‚č“’j`(ĘŪŊ)`•‘ ŒÜ“úŽs‰w
366
Šâ‘ųÎŽR’¸ã‚Š‚į

‚…ŽR`Šâ‘ųÎŽR`–_ƒmÜŽR

11”N11ŒŽ20“ú

(ƒMP3„RachmaninovFPiano Concerto No.2,2nd mov.) by andotowa

ŒR”¨‰w`‚ŒšŽ›`í•Ÿ‰@`‚…ŽR`Šâ‘ųÎŽR`•ŽR`Œ ŽŸ“ü“ģ`–_ƒmÜŽR`Œ ŽŸ“ü“ģ`”’’J‘ō`–ŧŒIŒÎ`‚ŗ‚í‚į‚Ņ‚Ė“’(“ú‹A‚č“’)`(ĘŪŊ)`”Ņ”\‰w@g—t
       
‚ą‚Ėƒy[ƒW‚ĖTOP‚Ö

 

 


y” Ēz

   
74
‹îƒ–Šx‚Š‚į–]‚Ū•xŽm

_ŽRE‹îƒ–Šx(1)

08”N1ŒŽ20“ú
(ƒMP3„Sibelius : ‘g‹ČuƒJƒŒƒŠƒAv Op.11 - si‹Č)@ by Kamoto

‘‰_ŽR`‘å—O’J•ĒŠō`ŠĨƒ–Šx`_ŽR`‹îƒ–Šx`‚¨’†“š`‘å—O’J•ĒŠō`‘‰_ŽR
76
–î‘qŠx‚Š‚įŒŠ‚Ŋ‹āŽžŽR

–î‘qŠx`‹āŽžŽR

08”N2ŒŽ2“ú
(ƒMP3„BADARZEWSKAFThe Maidens Prayer)@by andotowa
–î‘q‘ō`–î‘qŠx`‘Ģ•ŋ“ģ`‹āŽžŽR`’ˇ”öŽR`‰ŗ—“ģ
84
“’‰ÍŒ´”~—Ņ‚Æ–‹ŽR

“’‰ÍŒ´”~—ŅE–‹ŽR

08”N3ŒŽ1“ú
(ƒMP3„MozartFPiano Concerto No.23,K488 2nd mov.)@by@piano1001

“’‰ÍŒ´‰w`X‰ēŒö‰€ƒoƒX’â`“’‰ÍŒ´”~—Ņ`–‹ŽR`‘åÎƒ–•Ŋ`ƒNƒXƒmƒLƒ—Ņ`“’‰ÍŒ´”~—Ņ`“’‰ÍŒ´‰w
252
” ĒE‹îƒPŠx‚Š‚į‚Ė•xŽm

_ŽRE‹îƒ–Šx(3)

10”N3ŒŽ14“ú
(ƒMP3„SchubertFStreichquartett No.13 "Rosamunde" D804 2nd mov.)@by andotowa
Ŧ“cŒ´‰w`(ĘŪŊ)`‘‰_ŽR`‘å—O’J•ĒŠō`ŠĨƒ–Šx`_ŽR`‹îƒ–Šx`–hƒP‘ō•ĒŠō`‹îƒPŠx‘æˆę•ā“š`‰WŽqE‚Š‚ņ‚Û‚Ėh” Ēi“ú‹A‚č“’j`(ĘŪŊ)`Ŧ“cŒ´‰w
327
‹îƒ–Šx‚Š‚įŒŠ‚é•xŽmŽR

_ŽRE‹îƒ–Šx(4)

11”N3ŒŽ26“ú
(ƒMP3„BeethovenFRomance for Violin, Fmajor, No.2)@by@Mr Yoshimoto

Ŧ“cŒ´‰w`(ĘŪŊ)`‘‰_ŽR`‘å—O’J•ĒŠō`ŠĨƒ–Šx`_ŽR`‹îƒ–Šx`–hƒP‘ō•ĒŠō`–hƒP‘ō`ŒÎKŽOˇ˜HƒoƒX’â`(ĘŪŊ)`Ŧ“cŒ´‰w
92
‹îƒ–Šx“W–]‘ä‚æ‚č

_ŽRE‹îƒ–Šx(2)

08”N4ŒŽ6“ú

(ƒMP3„Gretry FBallet Suite from hCephale et Procrish No.2, Menuetto)@by Jun-T

‘‰_ŽR`‘‰_ŽR•ĒŠō`‚¨’†“š`‹îƒ–Šx`_ŽR`ŠĨƒ–Šx`‘å—O’J•ĒŠō`‘å—O’J

31
ƒuƒi‚Ė‘å–Ø

” ĒFŽO‘ŽR

07”N5ŒŽ5“ú

(ƒMP3„Ravel : Pavane pour une infante defunte) by andotowa
” Ē’Ŧ`” Ē‹ŒŠX“š`ŠO—ÖŽRŽü‰ņ•ā“š“oŽRŒû`ŽR•š“ģ`ŽO‘ŽR`ŒÎK“ģ`“Œš‘ä
” Ē‹ŒŠX“š‚ƐV—΁Aƒuƒi‚Ė‘å–Ø

68
•xŽmŽR‚Æ ”w”ä‚ׂˇ‚é ‹āŽžŽR

“ƒƒm•ô`–ž¯ƒ–Šx
`–ž_ƒ–Šx`‹āŽžŽR

07”N12ŒŽ2“ú
(ƒMP3„BragaFAngel's Serenade)by andotowa

“ƒƒm‘ō‰w`“ƒƒm•ô`–ž¯ƒ–Šx`–ž_ƒ–Šx`‹āŽžŽR`‰ŗ—“ģ@g—t
       
‚ą‚Ėƒy[ƒW‚ĖTOP‚Ö
   


y’O‘ōE“šŽuz

   
13
“ƒƒmŠx’¸ã‚Š‚į

“ƒƒmŠxE’O‘ōŽR(1)

07”N1ŒŽ1“ú
(ƒMP3„J.S.Bach: Sonata, BWV1004,1st mov.) by@Mr Yoshimoto

‘å‘q`‘å‘q”öĒ`“ƒƒmŠx`’O‘ōŽR`“ƒƒmŠx`‘å‘q”öĒ`‘å‘q
318
‚”¨ŽRŽR’¸‚Š‚į

‚”¨ŽRE‘qŠxŽR

11”N1ŒŽ8“ú
(ƒMP3„Mozart: Flute Concerto in D, K314,1st mov.)@by@andotowa

’š‘ō‰w`ŒŠ˜H“ģ•ĒŠō`‚”¨ŽR`“V_ŽR`‘qŠxŽR`—§–ė“ģ`—Āė‰w
241
’šƒm‹šŽR‚Š‚į‚Ėƒ_ƒCƒ„ƒ‚ƒ“ƒh•xŽm

ƒ_ƒCƒ„ƒ‚ƒ“ƒh•xŽm(’šƒm‹šŽR)

10”N1ŒŽ10“ú

(ƒMP3„Schubert: Serenade) EEŒJ‚č•Ô‚ĩ‚Č‚ĩ@@by@Mr Yoshimoto

242
’šƒm‹šŽR‚Š‚į‚Ė•xŽm

’šƒm‹šŽR

10”N1ŒŽ10“ú
(ƒMP3„ Schumann-LisztFWidmung Op.25, No.1, S.566, R.249jby@andotowa

(Ī˛ļ°)`“š‚Ė‰w‚Į‚¤‚ĩ`ƒOƒŠ[ƒ“ƒƒbƒW`’šƒm‹šŽR`ƒOƒŠ[ƒ“ƒƒbƒW`“š‚Ė‰w‚Į‚¤‚ĩ
156
ŽOƒm“ƒ‚Š‚į‚Ũ‚Ŋ•\”öĒ

“ƒƒmŠx(2)

09”N1ŒŽ11“ú
(ƒMP3„J.S.Bach: Sheep May Safely Graze BWV.208)@ by andotowa

–Ē–Ņ`ƒ„ƒrƒc“ģ`•\”öĒ`“ƒƒmŠx`‘å‘q”öĒ`‘å‘q
371
“V‹įŠâ‚Š‚į‚Ė“W–]

‹ã‹SŽR

12”N1ŒŽ15“ú

(ƒMP3„DebussyFReverie.)@ by@andotowa

‰Ņļ‰w`ˆ¤“†_ŽĐ`“V‹įŠâ`‹ã‹SŽR`Ž‰ŽLę`ŽD‹ā“ģ•ĒŠō`“c–ė‘q‰w
243
“ņ\‹Č“ģ‚Ė‚â‚âã•”‚Š‚įŒŠ‚Ŋ•xŽm

ÎŠ„ŽR(2)

10”N1ŒŽ16“ú
(ƒMP3„MozartFPiano Concerto@No.24, K.491, 2nd mov. Larghetto)@by Jun-T

•xŽm‹g“c‰w`(ĘŪŊ)`“ā–ė`—§ƒm’Ë“ģ`“ņ\‹Č“ģ`ÎŠ„ŽR`ÎŠ„‚Ė“’(“ú‹A‚č“’)`•Ŋ–ė`(ĘŪŊ)`ˆŽƒ–‹u`(ĘŪŊ)`Œä“aę‰w
75
—ŗƒ–”nę‚æ‚č‘åŽR•û–Ę‚đ–]‚Ū

“įŠ„ŽRE“ƒƒmŠxE’O‘ōŽR(1)

08”N1ŒŽ26“ú
(ƒMP3„ChopinFMazurka Op.17-4)@ by Midi Classics

‘å‘q`“ņ–“`Œã‘ōæ‰z`“įŠ„ŽR`“ƒƒmŠx`’O‘ōŽR`“ƒƒmŠx`‘å‘q”öĒ`‘å‘q
15
á‚Ė’O‘ō

“ƒƒmŠxE’O‘ōŽR(2)

07”N1ŒŽ27“ú

(ƒMP3„HandelFRinaldo,"Lascia ch'io pianga")@by andotowa

‘å‘q`‘å‘q”öĒ`“ƒƒmŠx`’O‘ōŽR`“ƒƒmŠx`‘å‘q

16
’O‘ōŽR’¸‚Š‚į‚Ė•xŽm

“ƒƒmŠxE’O‘ōŽRE“įŠ„ŽR(1)

07”N2ŒŽ3`4“ú

(ƒMP3„ChopinFNocturn No.15 F-minor, Op.55-1)@by andotowa

‘å‘q`‘å‘q”öĒ`“ƒƒmŠx`’O‘ōŽR`“ƒƒmŠx(”‘)`“įŠ„ŽR`ŸKŽR

17
“ƒƒmŠx‚Ė“ú‚Ė“ü‚č

“ƒƒmŠxŽR’¸‚Ė“W–] (1)
“ú‚Ė“ü‚č

07”N2ŒŽ3“ú

(ƒMIDI„G.FaureF—[•é‚ę) @by Midi Classics

“ƒƒmŠxŽR’¸‚É‚ ‚éu‘¸•§ŽR‘‘v‚ĖHP

18
“ƒƒmŠx‚Ė–é–ž‚¯

“ƒƒmŠxŽR’¸‚Ė“W–] (2)
–é–ž‚¯

07”N2ŒŽ4“ú

(ƒMIDI„G.FaureF–˛‚Ė‘) @by Midi Classics

“ƒƒmŠxŽR’¸‚É‚ ‚éu‘¸•§ŽR‘‘v‚ĖHP

372
“įŠ„ŽRŽR’¸‚Š‚į‚Ė•xŽm

“įŠ„ŽRE“ƒƒmŠx(5)

12”N2ŒŽ12“ú
(ƒMP3„Schubert: Sonate for Arpegione and Piano in A minor, D821,3rd mov.)@by@Mr Yoshimoto

a‘ō‰w`(ĘŪŊ)`‘å‘qƒoƒX’â`“ņ–“`Œã‘ōæ‰z`“įŠ„ŽR`“ƒƒmŠx`i‘å‘q”öĒ)`‘å‘qƒoƒX’â`(ĘŪŊ)`a‘ō‰w
245
“įŠ„ŽRŽR’¸

“įŠ„ŽRE“ƒƒmŠx(3)

10”N2ŒŽ14“ú
(ƒMP3„ChopinFBarcarolle Op.60)@by andotowa

‘å‘q`“ņ–“`Œã‘ōæ‰z`“įŠ„ŽR`“ƒƒmŠx`i‘å‘q”öĒ)`‘å‘q
165
“įŠ„ŽR’¸ã‚Š‚į‚Ė•xŽmŽR

“įŠ„ŽRE“ƒƒmŠx(2)

09”N2ŒŽ21“ú
(ƒMP3„J.S.Bach: Sonata, BWV1031,3rd mov.) by@Mr Yoshimoto

Šņ`ŸKŽR`ŒIƒm–Ø“´`Œã‘ōæ‰z`“įŠ„ŽR`ŦŠÛ`‘åŠÛ`“ƒƒmŠxƒƒ_ƒCƒ„ƒ‚ƒ“ƒh•xŽm„u‘¸•§ŽR‘‘v(”‘)
166
“ú‚Ėo‚Æ–ļ•X

“ƒƒmŠx‚Ė–é–ž‚¯

09”N2ŒŽ22“ú
(ƒMP3„C.Ph.E.Bach: Sonata,Wq132,2nd mov.) by@Mr Yoshimoto

u‘¸•§ŽR‘‘v(”‘)
167
’O‘ōŽå–Ŧ‚Š‚į–]‚Ū•xŽmŽR

’O‘ōŽå–Ŧ(3)

09”N2ŒŽ22“ú
(ƒMP3„BorodinFQuartet for 2 Violins, Viola and Violoncello Dmaj.3rd mov."Nocturne")by andotowa

“ƒƒmŠx`’O‘ōŽR`•gƒ–Šx`•PŽŸ`‹oŠkŽR`ÄŽR`ÄŽR“oŽRŒû`Š–ėƒoƒX’â`‹´–{‰w
81
“ƒƒmŠx‚Š‚į–]‚Ū’O‘ōŽRE•gƒ–Šx

“įŠ„ŽRE“ƒƒmŠx(1)

08”N2ŒŽ23“ú
(ƒMP3„Chopin: Fantaisie-Impromptu Op.66)@by andotowa
‘å‘q`“ņ–“`Œã‘ōæ‰z`“įŠ„ŽR`“ƒƒmŠxƒƒ_ƒCƒ„ƒ‚ƒ“ƒh•xŽm„@ h”‘‚ĩ‚Ŋ“ƒƒmŠxŽR’¸‚É‚ ‚éu‘¸•§ŽR‘‘v‚ĖHP
82
ƒ_ƒCƒ„ƒ‚ƒ“ƒh•xŽm

ƒ_ƒCƒ„ƒ‚ƒ“ƒh•xŽm(“ƒƒmŠx)

08”N2ŒŽ23“ú


(ƒMP3„Maria Theresia von ParadisFSiciliana)EEŒJ‚č•Ô‚ĩ‚Č‚ĩ@by andotowa
h”‘‚ĩ‚Ŋ“ƒƒmŠxŽR’¸‚É‚ ‚éu‘¸•§ŽR‘‘v‚ĖHP

19
’O‘ōE•\”öĒ

“ƒƒmŠxE’O‘ōŽR(3)

07”N2ŒŽ24“ú
(ƒMP3„J.S.Bach: Sonata, BWV1004,4th mov.) by@Mr Yoshimoto

ƒ„ƒrƒc“ģ`•\”öĒ`“ƒƒmŠx`’O‘ōŽR`“ƒƒmŠx`‘å‘q”öĒ`‘å‘q
83
’O‘ōŽR`’O‘ōŽO•ô‚Ė“rã‚Å

“ƒƒmŠxE’O‘ōŽR(6)

08”N2ŒŽ24“ú

(ƒMP3„HalvorsenFPassacaglia fuer Violine und Bratsche Frei nach Haendel)@by andotowa
“ƒƒmŠxƒ“ú‚Ėo„`’O‘ōŽR`’O‘ōŽO•ô`‹{ƒ–Ŗ

h”‘‚ĩ‚Ŋ“ƒƒmŠxŽR’¸‚É‚ ‚éu‘¸•§ŽR‘‘v‚ĖHP

373
“ƒƒmŠx’¸ã

“ƒƒmŠx(5)

12”N3ŒŽ4“ú
(ƒMP3„ Franck: Violin Sonata, A maj. 3rd mov.) by@Mr Yoshimoto

a‘ō‰w`(ĘŪŊ)`‘å‘qƒoƒX’â`‘å‘q”öĒ`“ƒƒmŠx`‘å‘q”öĒ`‘å‘qƒoƒX’â`(ĘŪŊ)`a‘ō‰w`’ߊĒ‰ˇō‰wEO–@‚Ė—ĸ“’i“ú‹A‚č“’j
251
žw“´ŠÛ‚Ė’¸ã

žw“´ŠÛ(4)

10”N3ŒŽ13“ú
(ƒMP3„Mozart: Flute Concerto, K.314, 2nd mov.)@by@Mr Yoshimoto

Vŧ“c‰w`(ĘŪŊ)`ŧ’O‘ōŽŠ‘R‹ŗŽē`ƒcƒcƒWƒR[ƒX`žw“´ŠÛ`ƒcƒcƒWƒR[ƒX`ŧ’O‘ōŽŠ‘R‹ŗŽē`ⴐ™`’†ėE’Ŧ—§‚Ô‚Č‚Ė“’i“ú‹A‚č“’j`(ĘŪŊ)`’J‰ã‰w
25
‰Ô—§ŽR‘‘‘O‚Š‚į–]‚Ū•xŽm

“ƒƒmŠxE’O‘ōŽR(4)

07”N3ŒŽ18“ú
(ƒMP3„Dovrak : Sonatine,Op100, 2nd mov.)@by@Mr Yoshimoto

‘å‘q`‘å‘q”öĒ`“ƒƒmŠx`’O‘ōŽR`“ƒƒmŠx`‘å‘q
91
ÎģŽR‚ĖƒMƒtƒ`ƒ‡ƒE

ÎģŽREÎ˜VŽR

08”N4ŒŽ5“ú

(ƒMP3„MozartFPiano Sonata No.18, K.576, 3rd mov.)@by andotowa

•š”n“c“oŽRŒû`ÎģŽR(ƒMƒtƒ`ƒ‡ƒEļ‘§’n)`ŽÂŒ´`Î˜VŽR`Œ°‹žŽ›`Î˜VŽR“oŽRŒû

328
–žŠJ‚Ė÷

“ƒƒmŠx(4)

11”N4ŒŽ17“ú
(ƒMP3„Mozart: Flute Quartet in D, K.285, 1st mov.)@by@Mr Yoshimoto

‘å‘q`‘å‘q”öĒ`“ƒƒmŠx`‘å‘q”öĒ(‘å‘q‚Œ´ŽR‚Ė‰Æ)`‘å‘q
257
ŽOƒm“ƒ‚Š‚įŒŠ‚é‰G”öŽR`“ƒƒmŠx

’O‘ōE•\”öĒ

10”N4ŒŽ18“ú
(ƒMP3„ChopinFBarcarolle Op.60)@by andotowa

`–ė‰w`(ĘŪŊ)`ƒ„ƒrƒc“ģ`Šxƒm‘ä`•ėŽF“ģ`“ņƒm“ƒ`ŽOƒm“ƒ`‰G”öŽR`sŽŌƒ–Šx`­ŽŸ˜Y”öĒ`ŒË‘ō`ŒËė—Ņ“š`‘å‘q`(ĘŪŊ)`a‘ō‰w
28
—[•é‚ę‚Ė•xŽm

’O‘ōŽR’¸‚Š‚į‚Ė—[•é‚ę‚Ė•xŽm

07”N4ŒŽ29“ú

(ƒMP3„ G.Faure FPavane) EEŒJ‚č•Ô‚ĩ‚Č‚ĩ@by Midi Classics

’O‘ōŽR’¸‚É‚ ‚éu‚Ũ‚â‚ÜŽR‘‘v‚ĖHP

29
–é–ž‚¯‚Ė•xŽmŽR

’O‘ōŽR’¸‚Š‚į‚Ė–é–ž‚¯‚Ė•xŽm

07”N4ŒŽ30“ú

(ƒMIDI„ Debussy FGREEN) EEŒJ‚č•Ô‚ĩ‚Č‚ĩ@by Midi Classics

’O‘ōŽR’¸‚É‚ ‚éu‚Ũ‚â‚ÜŽR‘‘v‚ĖHP

30
V—Î

’O‘ōŽå—Å(2)

07”N4ŒŽ29“ú`30“ú

07”N5ŒŽ3“ú

(ƒMP3„MozartFDivertimento, Dmaj. K136 2nd mov.) by Jun-T
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97
’O‘ō‚Ėt

“ƒƒmŠxE’O‘ōŽRE“įŠ„ŽR(2)

08”N4ŒŽ29“ú
(ƒMP3„Dvorak : Sonatine, Op.100, 4th mov.)@ by@Mr Yoshimoto

‘å‘q`‘å‘q”öĒ(‘å‘q‚Œ´ŽR‚Ė‰Æ)`“ƒƒmŠx`’O‘ōŽR`“ƒƒmŠx`“įŠ„ŽR`Œã‘ōæ‰z`“ņ–“`‘å‘q
329
‚ŧŽR‚ĖŽR’¸‚Š‚į‚Ė“W–]

‚ŧŽR

11”N4ŒŽ30“ú

(ƒMP3„Mozart: Flute Concerto in G, K313, 1st mov.)@by@Mr Yoshimoto

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176
V—΂Ė’†‚Ėi‘åŽRjŽO•ôŽR

ŽO•ôŽRE‘åŽR

09”N5ŒŽ2“ú
(ƒMP3„MozartFPiano Quartet, K.478,Rondo@by Jun-T

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263
Œlƒ–ŠÛ

Œlƒ–ŠÛ`ŒÔ’ŪŽR

10”N5ŒŽ8“ú
(ƒMP3„ Mozart : Piano Concerto No.21, K.467, 2nd mov.jby@andotowa

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264
ŒÔ’ŪŽRŽR’¸‚Š‚į‚Ė•xŽmŽR

ŒÔ’ŪŽR`‚ŽwŽR

10”N5ŒŽ9“ú
(ƒMP3„BorodinFQuartet for 2 Violins, Viola and Violoncello Dmaj. 3rd mov."Nocturne") by andotowa

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331
“įŠ„ŽRŽR’¸‚Š‚įAt‰ā‚Ė’†‚Ė•xŽmŽR

“įŠ„ŽRE“ƒƒmŠx(4)

11”N5ŒŽ14“ú
(ƒMP3„BizetFSymphony in C, 2nd mov.)@by andotowa

a‘ō‰w`(ĘŪŊ)`‘å‘qƒoƒX’â`“ņ–“`Œã‘ōæ‰z`“įŠ„ŽR`“ƒƒmŠx`i‘å‘q”öĒ)`‘å‘qƒoƒX’â`(ĘŪŊ)`a‘ō‰w`’ߊĒ‰ˇō‰wEO–@‚Ė—ĸ“’i“ú‹A‚č“’j
105
žw“´ŠÛ‚Ė’¸ã‚Å

žw“´ŠÛ(3)

08”N5ŒŽ18“ú
(ƒMP3„MendelssohnFRondo capriccioso,Op.14)@by@piano1001

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374
’O‘ōE•\”öĒ

“ƒƒmŠx(6)

12”N5ŒŽ19“ú
(ƒMP3„Mozart: Flute Quartet in D, K.285, 1st mov.)@by@Mr Yoshimoto

`–ė‰w`(ĘŪŊ)`ƒ„ƒrƒc“ģ`•\”öĒ`“ƒƒmŠx`‘å‘q”öĒ`‘å‘q`(ĘŪŊ)`a‘ō‰w`’ߊĒ‰ˇō‰wEO–@‚Ė—ĸ“’i“ú‹A‚č“’j
32
ƒgƒEƒSƒNƒ~ƒcƒoƒcƒcƒW

“ƒƒmŠx(1)

07”N5ŒŽ20“ú

(ƒMP3„MozartFSerenade in D major, K320,"Posthorn")@ by Jun-T

ƒ„ƒrƒc“ģ`•\”öĒ`“ƒƒmŠx`‘å‘q”öĒ`‘å‘q

181
ƒVƒƒ„ƒVƒI‚ƃgƒEƒSƒNƒ~ƒcƒoƒcƒcƒW

“įŠ„ŽRE“ƒƒmŠxE’O‘ōŽR(2)

09”N5ŒŽ23“ú

(ƒMP3„Mozart: Flute Quartets in C, K285b,1st mov.)@by@Mr Yoshimoto

Šņ`‰JŽR“ģ`“įŠ„“ģ`“įŠ„ŽR`ŦŠÛ`‘åŠÛ`“ƒƒmŠx` ’O‘ōŽR u‚Ũ‚â‚ÜŽR‘‘v(”‘)

182
žw“´ŠÛ‚ĖƒVƒƒ„ƒVƒI

’O‘ōŽå—Å(5)

09”N5ŒŽ24“ú

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33
ƒVƒƒ„ƒVƒI

žw“´ŠÛ(2)

07”N5ŒŽ26“ú

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107
ƒTƒ“ƒVƒ‡ƒEƒoƒ‰

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08”N5ŒŽ31“ú

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333
“ƒƒmŠx–k–Ę‚ĖƒVƒƒ„ƒVƒI

“ƒƒmŠxE’O‘ōŽR(9)

11”N6ŒŽ4“ú
(ƒMP3„BeethovenFRomance for Violin, Fmajor, No.2)@by@Mr Yoshimoto

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270
ƒVƒƒ„ƒVƒI

žw“´ŠÛ(5)

10”N6ŒŽ6“ú
(ƒMP3„Mozart: Flute Quartet in D, K.285, 1st mov.)@by@Mr Yoshimoto

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375
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12”N6ŒŽ10“ú
(ƒMP3„J.S.Bach: Torio Sonata, BWV1079,2nd mov.)@by@Mr Yoshimoto

a‘ō‰w`(ĘŪŊ)`‘å‘qƒoƒX’â`“ņ–“`Œã‘ōæ‰z`“įŠ„ŽR`ŦŠÛ”öĒ`“ņ–“`‘å‘qƒoƒX’â`(ĘŪŊ)`a‘ō‰w`’ߊĒ‰ˇō‰wEO–@‚Ė—ĸ“’i“ú‹A‚č“’j
334
ƒTƒ“ƒVƒ‡ƒEƒoƒ‰

•s˜VŽR(2)

11”N6ŒŽ12“ú
(ƒMP3„Mozart: Flute Concerto in G, K313, 1st mov.)@by@Mr Yoshimoto

x‰ÍŦŽR‰w`‹āŽžŒö‰€`•s˜VŽR`ĸ•“ģ`Ž÷‰ē‚Ė“ņl`ĸ•“ģ`•s˜VŽR`”Ôƒ–•Ŋ`’I‘ōƒLƒƒƒ“ƒvę‘OƒoƒX’â`(ĘŪŊ)`Vŧ“c‰w`’ߊĒ‰ˇō‰wEO–@‚Ė—ĸ“’i“ú‹A‚č“’j@ƒTƒ“ƒVƒ‡ƒEƒoƒ‰
112
ƒKƒX‚Ė’†‚Ėc‘–˜H

’O‘ōŽå–Ŧ(2)

08”N6ŒŽ21“ú
(ƒwma„J.S.Bach: Trio Sonata No.2,BWV526, 2nd mov.)@by@piano1001

“Œ–ė`‘ŗ•ŊŽR`•PŽŸ`•gƒ–Šx`’O‘ōŽR`“ƒƒmŠx`‘å‘q”öĒ`‘å‘q
35
ƒTƒ‰ƒTƒhƒEƒ_ƒ“

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07”N6ŒŽ24“ú

(ƒMP3„ Mozart :Sonata for Two Pianos in D, K.448)@by andotowa

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282
’O‘ō‚Ė‹M•wliƒTƒKƒ~ƒWƒ‡ƒEƒƒEƒzƒgƒgƒMƒXj

“ƒƒmŠx(3)

10”N9ŒŽ4“ú

(ƒMP3„ Mozart : Clarinet Concerto in A major, K.622, 2nd mov. Adagio)@by andotowa
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283
g—t‚ĖŽn‚Ü‚čH

“ƒƒmŠxE’O‘ōŽR(8)

10”N9ŒŽ26“ú
(ƒMP3„ Mozart : Clarinet Concerto in A major, K.622, 2nd mov. Adagio)@by andotowa
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135
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08”N9ŒŽ27“ú
(ƒMP3„J.S.Bach: Torio Sonata, BWV1079,1st mov.)@by@Mr Yoshimoto
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63
’O‘ōŽR`“ƒƒmŠx‚Ė“rã‚Å

“ƒƒmŠxE’O‘ōŽR(5)

07”N11ŒŽ4“ú
(ƒMP3„ Rachmaninoff : Scherzo for Orchesta)@ by Kamoto

‘å‘q`‘å‘q”öĒ`“ƒƒmŠx`’O‘ōŽR`“ƒƒmŠx`‘å‘q”öĒ`‘å‘q@g—t
144
“įŠ„ŽRŽR’¸‚æ‚č

“įŠ„ŽR(1)

08”N11ŒŽ9“ú

(ƒMP3„TchaikovskyFPiano Concerto No.1 in Bflat minor Op.23, 2nd mov.)@by andotowa

‘å‘q`“ņ–“`Œã‰zæ‰z`“įŠ„ŽRŽR’¸@‚Ė‰•œ@g—t

381
ƒ†[ƒVƒ“Œk’J

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12”N11ŒŽ10“ú

(ƒMP3„Dovrak : Sonatine,Op100, 4th mov.)@by@Mr Yoshimoto

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žw“´ŠÛ‚Š‚įŒŠ‚Ŋ•xŽm

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06”N11ŒŽ12“ú

(ƒMP3„ChopinFWaltz No.7,Op64-2)@ by piano1001

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145
’O‘ō‚Ėg—t

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08”N11ŒŽ15“ú

(ƒMP3„ChopinFBarcarolle Op.60)@by@andotowa

‹{ƒ–Ŗ`’O‘ōŽO•ô`’O‘ōŽR`“ƒƒmŠx`‘å‘q”öĒ`‘å‘q@g—t

230
“šŽu“ņ\˜Z–éŽR‚Š‚į–]‚Ū•xŽm

Ą‘qŽRE“ņ\˜Z–éŽR

09”N11ŒŽ15“ú
(ƒMP3„MozartFPiano Sonata, K.494, Rondo)@by Jun-T

“s—¯Žs‰w`(ƒoƒX)`“šâ詓š`Ą‘qŽR“Œ•ô`ŧ•ô`ŧŽR(ÔŠâ)`“ņ\˜Z–éŽR`ŒË‘ō` ƒXƒ^[‚į‚ņ‚Į(“ú‹A‚č“’)`Ôâ‰w@g—t
367
•§‰ĘŽR

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11”N11ŒŽ23“ú

(ƒMP3„ Mozart : Piano Concerto No.21, K.467, 2nd mov.jby@andotowa

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66
’O‘ō‚Ėg—t

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07”N11ŒŽ23`24“ú
(ƒMP3„MozartFPiano Concerto No.26,K537 3rd mov.)@by Furuhashi

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67
•gƒ–ŠxŽR’¸‚Š‚į

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07”N11ŒŽ24“ú
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06”N11ŒŽ25`26“ú

(ƒMIDI„ChopinFWaltz No.10, Op69-2) @@by u‚ŋ‚ë‚é‚ĖŽR‰œF‰šŠyŽēv

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69
“įŠ„ŽRŽR’¸‚Š‚į‚Ė•xŽm

“įŠ„ŽRE“ƒƒmŠx(1)

07”N12ŒŽ9“ú

(ƒMP3„MozartFViolin Sonata No.28 K.304 2nd mov.)@by Furuhashi

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370
“ƒƒmŠx’¸ã‚É‚Ä

“ƒƒmŠxE’O‘ōŽR(10)

11”N12ŒŽ11“ú
ƒMP3„Mozart: Flute Concerto in G, K313, 1st mov.)@by@Mr Yoshimoto

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306
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10”N12ŒŽ12“ú
(ƒMP3„MozartFViolin Sonata No.28 K.304 2nd mov.)@by@Mr Yoshimoto

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236
’O‘ōŽRŽR’¸‚Š‚į‚Ė•xŽm

“ƒƒmŠxE’O‘ōŽR(7)

09”N12ŒŽ20“ú

(ƒMP3„BeethovenFRomance for Violin, Fmajor, No.2)@by@Mr Yoshimoto

‘å‘q`‘å‘q”öĒ`“ƒƒmŠx`’O‘ōŽR`“ƒƒmŠx`‘å‘q”öĒ`‘å‘q‚Œ´ŽR‚Ė‰Æ`‘å‘q

71
’O‘ōŽR’¸‚ĖĪá

’O‘ōŽå—Å(4)

07”N12ŒŽ23`24“ú

(ƒMP3„J. S. BachFMatthaus Passion No.39 BWV.244)@by andotowa
‘å‘q`‘å‘q”öĒ`“ƒƒmŠx`’O‘ōŽR(”‘)`•gƒ–Šx`žw“´ŠÛ`ƒcƒcƒWƒR[ƒX`ŧ’O‘ōŽŠ‘R‹ŗŽē@h”‘‚ĩ‚Ŋu‚Ũ‚â‚ÜŽR‘‘v‚ĖHP

10
‘å‘q”öĒ‚Š‚į‚Ė•xŽm

“ƒƒmŠxE“įŠ„ŽR(1)

06”N12ŒŽ24“ú
(ƒMP3„J.S.Bach: Sonata, BWV1006,1st mov.) by@Mr Yoshimoto

‘å‘q`‘å‘q”öĒ`“ƒƒmŠx`‹ā—âƒV`“įŠ„ŽR`ŦŠÛ`“ņ–“`ŧė—Ņ“š`‘å‘q
152
‘åŽRŽR’¸‰ē‚Š‚į–]‚Ū•xŽmŽR‚Æ’O‘ō‚ĖŽR‚Č‚Ũ

‘åŽR

08”N12ŒŽ27“ú
(ƒwma„ChopinFNocturne Bmaj, Op32-1)@by@piano1001

`–ė‰w`(ƒoƒX)`ƒ„ƒrƒc“ģ`‘åŽR(ˆĸ•v—˜_ŽĐ)`ˆĸ•v—˜_ŽĐ‰ēŽĐ`(ƒP[ƒuƒ‹ƒJ[EƒoƒX)`ˆÉ¨Œ´‰w
315
Œäŗ‘ĖŽR’¸ã

Œäŗ‘ĖŽR

10”N12ŒŽ29“ú
(ƒMP3„ PorumbescuFBalada)@by andotowa

’J‘ē’Ŧ‰w`(Ā¸ŧ°)`“šâ詓šƒoƒX’â`Šâ‰ēƒmŠÛ`Œäŗ‘ĖŽR`•ô‹{Õ`×–ė`Œäŗ‘Ė“üŒûƒoƒX’â`(ĘŪŊ)`“s—¯Žs‰w
316
‘å–ėŽR’†• ‚Š‚į

‘å–ėŽR

10”N12ŒŽ31“ú

(ƒMP3„ Mozart: Flute Quartet in D, 1st mov. K.285) by@Mr Yoshimoto

’J‰ã‰w`‘å–ėŽR`‹¤˜aŦŠwZ‘O`ŽR–k‰w

       
‚ą‚Ėƒy[ƒW‚ĖTOP‚Ö
   


yˆÉ“¤z

   
158
ŠŅŽR‚Š‚į–]‚Ū•xŽmŽR

Ā’ÃAƒ‹ƒvƒX(3)

09”N1ŒŽ18“ú
(ƒMP3„J.S.Bach: Sonata, BWV1020,2nd mov.) by@Mr Yoshimoto

Ā’Éw`ŠŅŽR“oŽRŒû`ŠŅŽR`‰ĄŽR`“ŋ‘qŽR`Ŧ˜h“ĒŽR`˜h“ĒŽR`‘å•ŊŽR`Žĩ–ĘŽR`VéƒoƒX’â`Ā’Éw
159
Š‹éŽRŽR’¸‚Š‚į•xŽmŽR‚Əx‰Í˜p‚đ–]‚Ū

éŽR`Š‹éŽR`”­’[äŽR

09”N1ŒŽ24“ú
(ƒMP3„Mozart :Eine kline Nachtmusik ,2nd mov. K.525)@by andotowa

‘åm‰w`éŽR“ģ`éŽR`éŽR“ģ`”­’[äŽREŠ‹éŽR•ĒŠō`Š‹éŽR“o‚čŒû(“ŒŒû)`Š‹éŽR`Š‹éŽR“o‚čŒû(ŧŒû)`”­’[äŽREŠ‹éŽR•ĒŠō`”­’[äŽR`ŽO’ÃoƒX’â`Ā’Éw
80
‹āŠĨŽR‚Š‚į–]‚Ū•xŽmŽR‚Əx‰Í˜p

‹āŠĨŽRE’B–ŽR (2)

08”N2ŒŽ17“ú
(ƒMP3„MozartFPiano Sonatai No.15, K.533+K.4941st mov.) Jun-T
C‘PŽ›‰w`‚ž‚é‚ÜŽR‚Œ´ƒŒƒXƒgƒnƒEƒX`‹āŠĨŽR`ŒË“c“ģ`Ŧ’B–ŽR`’B–ŽR`ŒÃ‹HŽR`‘DŒ´“ģ`‘å‹Č’ƒ‰Ž`C‘PŽ›‰w
27
’B–ŽR

‹āŠĨŽRE’B–ŽR (1)

07”N4ŒŽ8“ú
(ƒMP3„LisztFLiebestraume@No.3) by Midi Classics
‚ž‚é‚ÜŽR‚Œ´ƒŒƒXƒgƒnƒEƒX`‹āŠĨŽR`ŒË“c“ģ`Ŧ’B–ŽR`’B–ŽR`‰ž—•ŽR``’B–ŽR`Ŧ’B–ŽR`ŒË“c“ģ`‹āŠĨŽR`‚ž‚é‚ÜŽR‚Œ´ƒŒƒXƒgƒnƒEƒX
108
ƒAƒ}ƒMƒVƒƒƒNƒiƒQ

“VéŽR

08”N6ŒŽ1“ú

(ƒMP3„ChopinFFantaisie-Impromptu Op.66)@by@andotowa

ˆÉ“Œ‰w`(ĘŪŊ)`“Vé‚Œ´ƒSƒ‹ƒtę`–œ“ņ˜YŠx`–œŽO˜YŠx`”Ē’š’r`“W–]‘ä`”Ē’š’r`…ļ’n‰ē`(ĘŪŊ)`C‘PŽ›‰w
ŽQl
Î˜Lč‚Ė–é–ž‚¯

ˆÉ“¤FÎ˜Lč

08”N6ŒŽ27“ú

(ƒMP3„SchubertFStreichquartett No.13 "Rosamunde" D804 2nd movement)@by andotowa

h”‘‚ĩ‚Ŋ–¯hu—´‹{v‚đĐ‰î‚ĩ‚Ŋ‹LŽ–

113
“ėˆÉ“¤•ā“š‚Š‚į

’ˇ’ØC•ā“šE“ėˆÉ“¤•ā“š

08”N6ŒŽ28“ú
(ƒMP3„CantelubeFuƒI[ƒxƒ‹ƒjƒ…‚Ė‰Ėv‚æ‚čuƒoƒCƒŒƒv)@ by Midi Classics
’ˇ’ØC•ā“š(Î˜Lč`’†–Ø)`“ėˆÉ“¤•ā“š(’†–؁`“üŠÔ`‹g“c‚Ė•l`Č—Į[‚ß‚į])@ ’EŽžŠú“™‚Ė——R‚Š‚įAåM‚ą‚Ŧ‚Ē•K—v‚ȉĶŠ‚Ē‚ ‚č‚Ü‚ĩ‚ŊBh”‘‚ĩ‚ŊÎ˜Lč‚Ė–¯hu—´‹{v‚đĐ‰î‚ĩ‚Ŋ‹LŽ–
339
éƒ–č

éƒ–č

11”N7ŒŽ9“ú
(ƒMP3„Mozart: Flute Quartets in C, K.285b, 2nd mov.)@by@Mr Yoshimoto

ˆÉ“Œ‰w`(ĘŪŊ) `éƒ–čŒûƒoƒX’â`–å˜eč“”‘ä`ˆÉ“ŒŠC—mŒö‰€`˜@’…Ž›`”Ē”Ļ–ė``‚Œ´‚Ė“’i“ú‹A‚č“’j`ˆÉ“¤‚Œ´‰w
ŽQl
ˆîŽæŠCŠŨ

ˆÉ“¤‚ĖŠC(ˆîŽæE‰ē“c)

07”N12ŒŽ5“ú

(ƒMP3„MascagniF"Cavalleria Rusticana",Intermezzo Sinfonico )@by andotowa

ˆîŽæŠCŠŨA‰ē“cEQŽpŽR

234
”­’[äŽRŽR’¸‰ē‚Š‚į‚Ė“W–]

”­’[äŽREŠ‹éŽR

09”N12ŒŽ6“ú

(ƒMP3„Dovrak : Sonatine,Op100, 1st mov.)@by@Mr Yoshimoto
Ā’Éw`(ĘŪŊ)`ˆÉ“¤ŽO’ÃV[ƒpƒ‰ƒ_ƒCƒX`’ˇ•l“oŽRŒû`”­’[äŽR`‰vŽR“ģ`‰vŽRŽ›`‰vŽR“ģ`Š‹éŽR`(‚Š‚‚į‚ŦŽRƒ[ƒvƒEƒFƒCj`“’‰ŽŒõ—Ņi“ú‹A‚č“’j`ˆÉ“¤‚Ė‘Žs–đŠ`(ĘŪŊ)`ˆÉ“¤’ˇ‰Ē‰w@g—t
305
\‘“ģ‚Š‚į‚Ė•xŽmŽR

ŠâŒËŽRE\‘“ģE”MŠC”~‰€

10”N12ŒŽ11“ú
(ƒMP3„SchubertFStreichquartett No.13 "Rosamunde" D804 2nd mov.)@by@andotowa

“’‰ÍŒ´‰w`Žĩ”ö“ģ`ŠâŒËŽR`“ŒŒõŽ›`\‘“ģ`(š°ĖŪŲļ°)`\‘“ģ“o‚čŒû`(ĘŪŊ)`—ˆ‚Ė‹{_ŽĐ‘O`”MŠC”~‰€`—ˆ‹{‰w@g—t
‚X
Ā’ÃAƒ‹ƒvƒX‚Š‚į‚Ė•xŽmŽR

Ā’ÃAƒ‹ƒvƒX(1)

06”N12ŒŽ23“ú
(ƒMP3„HandelFLargo) by@Mr Yoshimoto

Ā’Éw`‘Ŋ”ä`‘Ŋ”äŒû“ģ`‘å•ŊŽR`‘Ŋ”äŒû“ģ`˜h“ĒŽR`“ŋ‘qŽR`ŠŅŽR`Ā’Éw
311
ŒË“c`‰Ģ‚Š‚į

x‰Í˜p‚Š‚į‚Ė•xŽmŽR(1)

10”N12ŒŽ23“ú
(ƒMP3„J.S.Bach: Violin Sonata, BWV1017-1)@ by@Mr Yoshimoto

(Ī˛ļ°)`‚ž‚é‚ÜŽR‚Œ´ƒŒƒXƒgƒnƒEƒX`(Ī˛ļ°)`ŒË“c``(‚‘Ŧ‘DƒzƒƒCƒgƒ}ƒŠƒ“‡U)`Ā’Í`
12
ŠŅŽR‚Š‚į‚Ė“ú‚Ė“ü

Ā’ÃAƒ‹ƒvƒX(2)
(ŠŅŽR—[Œi)

06”N12ŒŽ30“ú

(ƒMP3„J.S.Bach: Sonata, Largo e dolce,BWV1030,2nd mov.) by@Mr Yoshimoto

Ā’Éw`ŠŅŽR`Ā’Éw

312
ŠŅŽR“W–]‘ä‚æ‚č

Ā’ÃAƒ‹ƒvƒX(4)

10”N12ŒŽ23“ú

(ƒMP3„ChopinFPiano Concerto No.1 in E minor, Op.11 2.Romanze, Larghetto)@by@andotowa

Ā’Í``(Ā¸ŧ°)`•ŖƒoƒX’â`ŠŅŽR`‰ĄŽR`“ŋ‘qŽR`˜h“ĒŽR`‘Ŋ”äŒû“ģ`‘Ŋ”äƒoƒX’â`(ĘŪŊ)`“ņŖėƒoƒX’â`Ā’Í`

313
Ā’Á¨ŒË“c‚Ė‘Dã‚Š‚į

x‰Í˜p‚Š‚į‚Ė•xŽmŽR(2)

10”N12ŒŽ23“ú
(ƒMP3„J.S.Bach: Orchestral Suite no.2 in b minor, BWV 1067-5,"Polonaise")@ by@Mr Yoshimoto

Ā’Í``(‚‘Ŧ‘DƒzƒƒCƒgƒ}ƒŠƒ“‡U)`ŒË“c`
314
ƒTƒ“ƒZƒbƒgƒNƒ‹[ƒY‘Dã‚Š‚į

x‰Í˜p‚Š‚į‚Ė•xŽmŽR(3)

10”N12ŒŽ23“ú
(ƒMP3„ Mozart : Piano Concerto No.21, K.467, 2nd mov.jby@andotowa

ŒË“c``(‚‘Ŧ‘DƒzƒƒCƒgƒ}ƒŠƒ“‡UEƒTƒ“ƒZƒbƒgƒNƒ‹[ƒWƒ“ƒO)`ŒË“c`
       
‚ą‚Ėƒy[ƒW‚ĖTOP‚Ö
   


y•xŽmŽR•‚ģ‚ĖŽü•Ķz

   
240
g‰„Žĩ–ĘŽR‰œ”V‰@‚Š‚į‚Ė‰“ú‚Ėo

Žĩ–ĘŽR(2)

10”N1ŒŽ1“ú
(ƒMP3„Mozart: Flute Concerto in G, K.313, 1st mov.)@by@Mr Yoshimoto

Žĩ–ĘŽR‰œ”V‰@`ŒhT‰@`Žĩ–ĘŽR`ŒhT‰@`‰œ”V‰@`–kŽQ“š`Žĩ–ĘŽR“oŽRŒûE‚Đ‚Ė‚â—ˇŠŲi“ú‹A‚č“’)`(ĘŪŊ)`g‰„‰w
317
ÎŠ„Šx‚Š‚į‚Ėg•xŽm

ÎŠ„ŽR(3)

11”N1ŒŽ1“ú
(ƒMP3„Mozart :Eine kline Nachtmusik, 2nd mov. K.525)@by andotowa

(Ī˛ļ°)`ÎŠ„_ŽĐ’“ŽÔę`ÎŠ„_ŽĐ`ÎŠ„ŽR`•Ŋ”öŽR`‘å•ŊŽR`ŒÎ–kƒoƒX’â`(ĘŪŊ)`ÎŠ„ŽRƒnƒCƒLƒ“ƒOƒR[ƒX“üŒûƒoƒX’â`ÎŠ„_ŽĐ’“ŽÔę`ÎŠ„‚Ė“’i“ú‹A‚č“’j
14
•Šx‚Š‚į‚Ė•xŽmŽR

•ŠxE‰z‘OŠx

07”N1ŒŽ5“ú

(ƒMP3„O.RespighiFAntiche danze ed arie per liuto No.3-3 "Siciliana")@by andotowa

“ė“Œ‘¤‚Š‚įŒŠ‚Ŋ•xŽm

154
ƒ_ƒCƒ„ƒ‚ƒ“ƒh•xŽmi“ú‚Ėoj

ƒ_ƒCƒ„ƒ‚ƒ“ƒh•xŽm(—ŗƒ–Šx)

09”N1ŒŽ5“ú
(ƒMP3„MozartFFlute Sonata, K.13,‡Umov)EEŒJ‚č•Ô‚ĩ‚Č‚ĩ@by Jun-T
155
—ŗƒ–Šx

—ŗƒ–Šx(2)

09”N1ŒŽ5“ú

(ƒMP3„J.S.Bach: Sonata, BWV1033,4th mov.)@ by@Mr Yoshimoto

–{˛ŒÎƒLƒƒƒ“ƒvę`Î•§`—ŗƒ–Šx’¸ã@‚Ė‰•œ

243
“ņ\‹Č“ģ‚Ė‚â‚âã•”‚Š‚įŒŠ‚Ŋ•xŽm

ÎŠ„ŽR(2)

10”N1ŒŽ16“ú
(ƒMP3„MozartFPiano Concerto@No.24, K.491, 2nd mov. Larghetto)@by Jun-T

•xŽm‹g“c‰w`(ĘŪŊ)`“ā–ė`—§ƒm’Ë“ģ`“ņ\‹Č“ģ`ÎŠ„ŽR`ÎŠ„‚Ė“’(“ú‹A‚č“’)`•Ŋ–ė`(ĘŪŊ)`ˆŽƒ–‹u`(ĘŪŊ)`Œä“aę‰w
321
ÎŠ„ŽR’¸ã‚Š‚į‚Ė•xŽm

ÎŠ„ŽR—[Œi

11”N1ŒŽ16“ú

(ƒMP3„J.S.Bach:Das musikalisches Opfer No.8, BWV 1079, 1st mov.) by@Mr Yoshimoto

ÎŠ„ŽR’¸ã

322
ÎŠ„ŽR’¸ã‚Š‚įŒŠ‚é•xŽmŽR

ÎŠ„ŽR(4)

11”N1ŒŽ16“ú

(ƒMP3„Ibert: Deux Interludes, 1st mov.) by@Mr Yoshimoto

(Ī˛ļ°)`ÎŠ„‚Ė“’’“ŽÔę`ÎŠ„_ŽĐ`ÎŠ„ŽR`ÎŠ„_ŽĐ`ÎŠ„‚Ė“’i“ú‹A‚č“’j

158
ŠŅŽR‚Š‚į–]‚Ū•xŽmŽR

Ā’ÃAƒ‹ƒvƒX(3)

09”N1ŒŽ18“ú
(ƒMP3„J.S.Bach: Sonata, BWV1020,2nd mov.)@ by@Mr Yoshimoto

Ā’Éw`ŠŅŽR“oŽRŒû`ŠŅŽR`‰ĄŽR`“ŋ‘qŽR`Ŧ˜h“ĒŽR`˜h“ĒŽR`‘å•ŊŽR`Žĩ–ĘŽR`VéƒoƒX’â`Ā’Éw
159
Š‹éŽRŽR’¸‚Š‚į•xŽmŽR‚Əx‰Í˜p‚đ–]‚Ū

éŽR`Š‹éŽR`”­’[äŽR

09”N1ŒŽ24“ú
(ƒMP3„Mozart :Eine kline Nachtmusik ,2nd mov. K.525)@by andotowa

‘åm‰w`éŽR“ģ`éŽR`éŽR“ģ`”­’[äŽREŠ‹éŽR•ĒŠō`Š‹éŽR“o‚čŒû(“ŒŒû)`Š‹éŽR`Š‹éŽR“o‚čŒû(ŧŒû)`”­’[äŽREŠ‹éŽR•ĒŠō`”­’[äŽR`ŽO’ÃoƒX’â`Ā’Éw
79
ŽOŒÎ‘ä‚Š‚į‚Ė•xŽm

‘Ģ˜a“cŽR(1)

08”N2ŒŽ16“ú

(ƒMP3„MozartFString Quintet in Cmin. K.406 Minuetto in Canone)@ Jun-T

‰ÍŒûŒÎ‰w`‘å—’“üŒû`‘Ģ˜a“cŽR(ŒÜŒÎ‘ä)`ŽOŒÎ‘ä`g—t‘ä`—ŗ‹{“´ŒŠ“üŒû`(ƒŒƒgƒƒoƒX)`‰ÍŒûŒÎ‰w
324
•ŊŽĄ‚Ė’i•t‹ß‚Š‚į‚Ė“W–]

ŠŅƒ–Šx

11”N2ŒŽ19“ú
(ƒMP3„Mozart: ŒˇŠyŽld‘t‹Č‘æ18”ÔƒC’ˇ’˛, K.464,1st mov.)

(Ī˛ļ°)`’†‘ōŒö–¯ŠŲ`ÄŽR•ĒŠō`ŠŅƒ–Šx`ÄŽR•ĒŠō`•ŊŽĄƒm’i`’†‘ō“ģ`–îŒû“oŽRŒû`’†‘ōŒö–¯ŠŲ
21
ŽOƒc“ģ

ŽOƒc“ģŽR

07”N3ŒŽ3`4“ú
(ƒMP3„Mozart: Flute Quartets in D,3rd mov. K285)@by@Mr Yoshimoto

ŽOƒc“ģ‰w`ŽOƒc“ģ(”‘)`–Ø–ŗŽR`ŽOƒc“ģ“oŽRŒû`“V‰ē’ƒ‰Ž`ŒäâŽR`Œäâ“ģ`ŽOƒc“ģ“üŒû`‰ÍŒûŒÎ‰w
22
ŽOƒc“ģ‚Ė—[•é‚ę

ŽOƒc“ģ‚Š‚į‚Ė“W–] (1)
—[•é‚ę@

07”N3ŒŽ3“ú

(ƒMP3„G.FaureFLydia)@ by Midi Classics

23
ŽOƒc“ģ‚Ė–é–ž‚¯

ŽOƒc“ģ‚Š‚į‚Ė“W–] (2)
–é–ž‚¯

07”N3ŒŽ4“ú

(ƒMIDI„G.FaureF~’aÕkNoell)@ by Midi Classics

326
g—t‘䃌ƒXƒgƒnƒEƒX‚Š‚į‚Ė•xŽmŽR

‘Ģ˜a“cŽR(3)

11”N3ŒŽ5“ú
(ƒMP3„TchikovskyFString Quartet No.1 in D major, Op11,‡U mov. hAndante Cantabileh)@by@andotowa
‰ÍŒûŒÎ‰w`(Ā¸ŧ°)`‘å—’“üŒû`‘Ģ˜a“cŽR(ŒÜŒÎ‘ä)`ŽOŒÎ‘ä`g—t‘ä`—ŗ‹{“´ŒŠ`Ž÷ŠC—V•ā“š`ŧŒÎŒÎ”ȁ`Ēę–¯h`(ÚÄÛĘŪŊ)`‰ÍŒûŒÎ‰wE‰ÍŒûŒÎƒXƒe[ƒVƒ‡ƒ“EƒCƒ“(“ú‹A‚č“’)
168
‚ŽwŽR‚Š‚į‚Ė•xŽmŽR‚ÆŽR’†ŒÎ

‚ŽwŽRE“S–C–؃m“Ē(–ž_ŽR)(1)

09”N3ŒŽ7“ú
(ƒMP3„Mozart: Flute Concerto, K314,3rd mov.)@by@Mr Yoshimoto
Œä“aę‰w`ˆŽƒ–‹u`•Ŋ–ėƒoƒX’â`ŽR’†ŒÎ”ȁ`•Ŋ–ė`‚ŽwŽR`Ø’Ę“ģ`“S–C–Ø‚Ė“Ē(–ž_ŽR)`ƒpƒmƒ‰ƒ}‘ä`ŽO‘ŽRƒnƒCƒLƒ“ƒOƒR[ƒX“üŒû`ˆŽƒ–‹uƒoƒX’â`Œä“aę‰w
24
—ŗƒ–Šx‚Š‚įŒŠ‚é”——Í‚ ‚é•xŽm

—ŗƒ–Šx(1)

07”N3ŒŽ10“ú

(ƒMP3„ Elgar:Variations on an Original Theme for orchestra Op.36 "Nimrod")@by andotowa

–{˛ŒÎƒLƒƒƒ“ƒvę`Î•§`—ŗƒ–Šx’¸ã@‚Ė‰•œ

254
”’Ž…ƒm‘ę

’ˇŽŌƒ–ŠxE“VŽqƒ–Šx

10”N3ŒŽ27“ú
(ƒMP3„ChopinFNocturn No.15 F-minor, Op.55-1)@by andotowa
•xŽm‹{‰w`(Ā¸ŧ°)`“cŠŅŒÎ`’ˇŽŌƒ–Šx`“VŽqƒ–Šx`”’Ž…ƒm‘ę`(ĘŪŊ)`•xŽm‹{‰w
174
•Šx“W–]‘ä‚Š‚į‚Ė•xŽmŽR‚Ɖ͌ûŒÎ

•Šx

09”N4ŒŽ26“ú

(ƒMP3„Mozart: Flute Quartet in D, K285)@by@Mr Yoshimoto
•xŽm‹g“c‰w`(ĘŪŊ)`ŽO‚“ģ“üŒû`Œäâ“ģ`•Šx`‚ˇ‚¸‚į‚ņ“ģ`”j•—ŽR`•sˆ§ŽR`‘åÎ“ģ`‘åÎƒvƒ`ƒyƒ“ƒVƒ‡ƒ“‘ē`(ĘŪŊ)`‰ÍŒûŒÎ‰w

265
‚ŽwŽR‚Š‚į•xŽmŽR‚ÆŽR’†ŒÎ‚đ–]‚Ū

‚ŽwŽRE“S–C–؃m“Ē(–ž_ŽR)(2)

10”N5ŒŽ9“ú
(ƒMP3„MozartFViolin Sonata No.28 K.304 2nd mov.)@by@Mr Yoshimoto

‚ŽwŽR`Ø’Ę“ģ`“S–C–؃m“Ē(–ž_ŽR)`ŽO‘ŽRƒnƒCƒLƒ“ƒOƒR[ƒX`•Ŋ–ė`ÎŠ„‚Ė“’(“ú‹A‚č“’)`(ĘŪŊ)`ˆŽ“ú‹u`(ĘŪŊ)`Œä“aę‰w
266
‚ĀŽR‚Š‚įŒŠ‚Ŋ•xŽmŽR

‚ĀŽREŽÛŽqŽREŽ­—¯ŽR

10”N5ŒŽ16“ú
(ƒMP3„BeethovenFRomance for Violin, Fmajor, No.2)@by@Mr Yoshimoto

•xŽm‹g“c‰w`(Ā¸ŧ°)`’š‹’n“ģ`‚ĀŽR`ŽÛŽqŽR`Ž­—¯ŽR`—§ƒm’Ë“ģ`“ā–ė`(Ā¸ŧ°)`”E–ė”ĒŠC`”E–ė‰ˇō(“ú‹A‚č“’)`(ĘŪŊ)`•xŽm‹g“c‰w
269
Œļ‚Ė‘ę‚Ö‚Ė“rã‚Š‚įŒŠ‚Ŋ•xŽm

Ŧ•xŽm

10”N6ŒŽ5“ú

(ƒMP3„Schubert: Sonate for Arpegione and Piano in A minor, D821,3rd mov.)@by@Mr Yoshimoto

Œä“aę‰w`(ĘŪŊ)`{‘–ŒûŒÜ‡–ځ`Œļ‚Ė‘ę`{‘–ŒûŒÜ‡–ځ`Ŧ•xŽm`ƒOƒ‰ƒ“ƒhƒLƒƒƒjƒIƒ“`”n•Ô‚ĩ`(ĘŪŊ)`Œä“aę‰w

109
‚ˇ‚¸‚į‚ņŒQļ’n‚ĖƒXƒYƒ‰ƒ“

•ŠxEŽß‰Ūƒ–Šx

08”N6ŒŽ7“ú

(ƒwma„ChopinFNocturn, Op.9-3)@by@piano1001

‰ÍŒûŒÎ‰w`(Ā¸ŧ°)`ŽO‚“ģ“üŒû`Œäâ“ģ`•Šx`‚ˇ‚¸‚į‚ņ“ģ`‚ˇ‚¸‚į‚ņŒQļ’n`•{‹îŽR`Žß‰Ūƒ–Šx`ãˆ°ė`(ĘŪŊ)`Î˜a‰ˇō‰w

114
{‘–Œû“oŽR“š‚Š‚įŒŠ‚Ŋ•xŽmŽR

•xŽm“oŽR(2)
({‘–Œû`ŽR’¸)

08”N7ŒŽ5“ú
(ƒMP3„Johann PachelbelFCannon in D)@ by andotowa

{‘–ŒûŒÜ‡–ځ`–{”Ē‡–ځE‹š“ˍ]ŒË‰Ž`‹v{Žu_ŽĐ`‘å“úŠx`‹š“ˍ]ŒË‰Ž(”‘)
115
Œ•ƒ–•ô

•xŽm“oŽR(3)
(‚˛—ˆŒõ`ŽR’¸‚¨”Ģ„‚č`{‘–Œû)

08”N7ŒŽ6“ú
(ƒMP3„TchikovskyFStrings Serenade in C major, Op48,1st mov. Andante)@ by andotowa

‹š“ˍ]ŒË‰Ž(”‘)`‹v{Žu_ŽĐ`‚¨”Ģ„‚č`‹v{Žu_ŽĐ`(ģ‘–‚č)`{‘–ŒûŒÜ‡–ځ@@‰e•xŽm
36
•xŽm“oŽR

•xŽm“oŽR(1)

07”N7ŒŽ7“ú

(ƒMP3„ MassenetFMeditation from Thais)@by andotowa

•xŽm‹g“c‚T‡–ځ`‹v{Žu_ŽĐ`•xŽm‹g“c‚T‡–Ú

131
Œä“aęŒû“oŽR“š‚Š‚įŒŠ‚Ŋ•ķ‰iŽR

•ķ‰iŽR

08”N9ŒŽ7“ú
(ƒMP3„J.S.Bach: Sonata in e minor, BWV1034-1)@by@Mr Yoshimoto
Œä“aę‰w`(ƒ^ƒNƒV[)`•xŽm‹{ŒûVŒÜ‡–ځ`V˜Z‡–ځ`•ķ‰i‘æˆę‰ÎŒû`”nƒm”w•ĒŠō`•ķ‰iŽR`”nƒm”w•ĒŠō`‘–‚č˜Z‡`‘åģ‘–‚č`Œä“aęŒûVŒÜ‡–ځ`(ƒoƒX)`Œä“aę‰w
355
ƒˆƒR‘ō‚Ė“Ē•t‹ß‚Š‚įŒŠ‚Ŋ‰¤Šx

‰¤Šx

11”N9ŒŽ10“ú
(ƒMP3„MozartFOboe Quartet in F, K.370, 1st mov.)@by andotowa

‰ÍŒûŒÎ‰w`(ĘŪŊ)`ŧŒÎ‚ĸ‚â‚ĩ‚Ė—ĸĒę`ŒŽŠ|“ģ`ŒŽŠ|`‰¤Šx`ƒˆƒR‘ōƒm“Ē`ŒÜŒÎŽR`—â“ģ`¸i`(ĘŪŊ)`‰ÍŒûŒÎ‰wE‰ÍŒûŒÎƒXƒe[ƒVƒ‡ƒ“EƒCƒ“(“ú‹A‚č“’)
135
–ž_ŽR(“S–C–؃m“Ēj‚Š‚į–]‚Ū•xŽmŽR‚ÆŽR’†ŒÎ

•s˜VŽR`ŽO‘ŽR`–ž_ŽR

08”N9ŒŽ27“ú
(ƒMP3„J.S.Bach: Torio Sonata , BWV1079,1st mov.)@by@Mr Yoshimoto

x‰ÍŦŽR‰w`‹āŽžŒö‰€`•s˜VŽR`“’‘DŽR`–ž_“ģ`ŽO‘ŽR`–ž_ŽR(“S–C–؃m“Ē)`ŽO‘ŽRƒnƒCƒLƒ“ƒOƒR[ƒX“üŒû`(ƒoƒX)`ˆŽƒ–‹u`(ƒoƒX)`Œä“aę‰w
294
Œä’†“šEŠŠ‘ō‚Š‚į–]‚Ū’¸ã

•xŽmŽREŒä’†“š

10”N10ŒŽ23“ú
(ƒMP3„RachmaninovFPiano Concerto No.2,3rd mov.) by andotowa

‰ÍŒûŒÎ‰w`(ĘŪŊ)`•xŽmŽRŒÜ‡–ځi‰ÍŒûŒÎŒûj`Œä’ë`ŠŠ‘ō`‘å‘ōE‘å‘ō•ö`ŠŠ‘ō`Œä’ë`‰œ’ë`‰œ’ëƒoƒX’â`(ĘŪŊ)`‰ÍŒûŒÎ‰w@g—t
380
ŽOŒÎ‘ä‚Š‚įŒŠ‚Ŋ•xŽmŽR

‘Ģ˜a“cŽR(4)

12”N11ŒŽ4“ú
(ƒMP3„Mozart: Flute Concerto in D, K314,2nd mov.)@by@Mr Yoshimoto

‰ÍŒûŒÎ‰w`(Ā¸ŧ°)`‘å—’“üŒû`‘Ģ˜a“cŽR(ŒÜŒÎ‘ä)`ŽOŒÎ‘ä`g—t‘ä`Ž÷ŠC—V•ā“š`ŧŒÎŒÎ”ȁ`Ēę–¯h`(ÚÄÛĘŪŊ)`‰ÍŒûŒÎ‰wE‰ÍŒûŒÎƒXƒe[ƒVƒ‡ƒ“EƒCƒ“(“ú‹A‚č“’)@g—t
229
–Ņ–ŗŽR’¸ã•t‹ß‚Š‚įŒŠ‚Ŋ•xŽmŽR

–Ņ–ŗŽR

09”N11ŒŽ7“ú
(ƒMP3„TchaikovskyFPiano Concerto No.1 in Bflat minor Op.23, 2nd mov.)@by andotowa
•xŽm‹{‰w`(ĘŪŊ)`’Š‰āƒOƒŠ[ƒ“ƒp[ƒN“üŒû`“oŽRŒû`•s“Ž‘ę“W–]‘ä`(“VŽqj–Ņ–ŗŽR`1964ƒs[ƒN(?)`(“VŽqj–Ņ–ŗŽR`’n‘ “ģ`‰ē•”‰ˇōE‚Š‚Ē‚Ũ‚ä(“ú‹A‚č“’)`‰ē•”‰ˇō‰w@g—t
300
‰Jƒ–ŠxŽR’¸‚Š‚į•xŽmŽR‚đ–]‚Ū

‰Jƒ–ŠxE—ŗƒ–Šx

10”N11ŒŽ13“ú
(ƒMP3„ Mozart : Clarinet Concerto in A major, K.622, 2nd mov. Adagio)@by andotowa
(Ī˛ļ°)`Â­”NƒXƒ|[ƒcƒZƒ“ƒ^[`–{˛ŒÎ”ȁ`—ŗƒ–Šx“oŽRŒû`’[‘Ģ“ģ`‰Jƒ–Šx`‚ƒfƒbƒL`‰Jƒ–Šx`’[‘Ģ“ģ`—ŗƒ–Šx`Â­”NƒXƒ|[ƒcƒZƒ“ƒ^[`•xŽm’­–]‚Ė“’‚ä‚į‚č(“ú‹A‚č“’j@g—t
64
Žl”ö˜AŒÎ

ŽRã‚ĖŒÎE
Žl”ö˜AŒÎ(‚ĩ‚Ņ‚ę‚ą)

07”N11ŒŽ17“ú
(ƒMP3„ PorumbescuFBalada)@by andotowa

Žsė–{’Ŧ‰w`‘å–å”č—ŅŒö‰€`Žl”ö˜AŒÎ@g—t

h”‘‚ĩ‚Ŋu…–ž‘‘v‚ĖHP
65
ŽO•û•ĒŽR’¸ã‚Š‚įŒŠ‚ŊŽq•ø‚Ģ•xŽm

‰éƒ–Šx`ŽO•û•ĒŽR`ƒpƒmƒ‰ƒ}‘ä

07”N11ŒŽ18“ú
(ƒMP3„MozartFPiano Concerto No.26,K537 2nd mov.)@by Furuhashi

Žl”ö˜AŒÎ(‚ĩ‚Ņ‚ę‚ą)`‰éƒ–Šx(‚Đ‚é‚Ē‚Ŋ‚¯)`ŽO•û•ĒŽR`ƒpƒmƒ‰ƒ}‘ä`–{˛@@g—t@ –kŧ‘¤‚Š‚įŒŠ‚Ŋ•xŽm
231
–Ņ–ŗŽRŽR’¸‚Š‚įiļ‚Ē‰ÍŒûŒÎA‰E‚ĒŧŒÎj

–Ņ–ŗŽRE\“ņƒ–Šx

09”N11ŒŽ21“ú
(ƒMP3„Mozart: Flute Concerto, K.314, 2nd mov.)@by@Mr Yoshimoto
‰ÍŒûŒÎ‰w`(Ā¸ŧ°)`–Ņ–ŗŽRi\“ņƒ–Šxj“oŽRŒû`(Œäâ)–Ņ–ŗŽR`\“ņƒ–Šx`‹āŽR`ß“ƒ–Šx`‹āŽR`‹Sƒ–Šx`ŒŽŠ|“ģ`ŧŒÎ‚ĸ‚â‚ĩ‚Ė—ĸEĒę`(ƒoƒX)`‰ÍŒûŒÎ‰wE‰ÍŒûŒÎƒXƒe[ƒVƒ‡ƒ“EƒCƒ“(“ú‹A‚č“’)
232
‚ĀŽR‚Š‚į‚Ė•xŽm

‚ĀŽREŽÛŽqŽREÎŠ„ŽR

09”N11ŒŽ23“ú
iƒMP3„Mozart :Eine kline Nachtmusik, K.525, 2nd mov.j@by andotowa
‰ē‹g“c‰w`(Ā¸ŧ°)`’š‹’n“ģ`‚ĀŽR`ŽÛŽqŽR`Ž­—¯ŽR`—§ƒm’Ë“ģ`‰ÁŖŽR`“ņ\‹Č“ģ`ÎŠ„ŽR`•Ŋ”öŽR`•Ŋ–ė`(ƒoƒX)`•xŽm‹g“c‰w
302
ŽOŒÎ‘ä‚Š‚į‚Ė•xŽm

‘Ģ˜a“cŽR(2)

10”N11ŒŽ27“ú

(ƒMP3„ChopinFNocturn No.8 Op.27-2)@by andotowa

‰ÍŒûŒÎ‰w`(ĘŪŊ)`ˆę–{–؁`‘Ģ˜a“cŽR(ŒÜŒÎ‘ä)`ŽOŒÎ‘ä`g—t‘ä`—ŗ‹{“´ŒŠ`Ž÷ŠC—V•ā“š`ŧŒÎŒÎ”ȁ`Ēę–¯h`(ĘŪŊ)`‰ÍŒûŒÎ‰w

234
”­’[äŽRŽR’¸‰ē‚Š‚į‚Ė“W–]

”­’[äŽREŠ‹éŽR

09”N12ŒŽ6“ú

(ƒMP3„Dovrak : Sonatine,Op100, 1st mov.)@by@Mr Yoshimoto
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235
ŽOƒb“ģ‚Š‚įŒŠ‚é•xŽmŽR

ŽOƒc“ģŽR(2)

09”N12ŒŽ12“ú
(ƒMP3„ Mozart : Piano Concerto No.21, K.467, 2nd mov.jby@andotowa
‰ÍŒûŒÎ‰w`(Ā¸ŧ°)`ŽOƒc“ģ“oŽRŒû`— “oŽR“š`ŠJ‰^ŽR(ŽOƒc“ģŽR)`–Ø–ŗŽR`‘šŽR`“VãŽR`ƒJƒ`ƒJƒ`ŽRƒ[ƒvƒEƒFƒC`‰ÍŒûŒÎ‰wE‰ÍŒûŒÎƒXƒe[ƒVƒ‡ƒ“EƒCƒ“(“ú‹A‚č“’)
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ÎŠ„ŽR‚Š‚įŒŠ‚Ŋ•xŽm

ÎŠ„ŽR(1)

06”N12ŒŽ16“ú

(ƒMP3„ Saint-Saens: Le Carnaval des animaux, No.13) by PICCOLO

ÎŠ„_ŽĐ`ÎŠ„ŽR`•Ŋ”öŽR`‘åŒEŽR`‘å•ŊŽR`’ˇ’rŽR`‘åoŽR`ŽR’†ŒÎ @@–k“Œ‘¤‚Š‚įŒŠ‚Ŋ•xŽm

‚X
Ā’ÃAƒ‹ƒvƒX‚Š‚į‚Ė•xŽmŽR

Ā’ÃAƒ‹ƒvƒX(1)

06”N12ŒŽ23“ú
(ƒMP3„HandelFLargo) by@Mr Yoshimoto

Ā’Éw`‘Ŋ”ä`‘Ŋ”äŒû“ģ`‘å•ŊŽR`‘Ŋ”äŒû“ģ`˜h“ĒŽR`“ŋ‘qŽR`ŠŅŽR`Ā’Éw
311
ŒË“c`‰Ģ‚Š‚į

x‰Í˜p‚Š‚į‚Ė•xŽmŽR(1)

10”N12ŒŽ23“ú
(ƒMP3„J.S.Bach: Violin Sonata, BWV1017-1)@ by@Mr Yoshimoto

(Ī˛ļ°)`‚ž‚é‚ÜŽR‚Œ´ƒŒƒXƒgƒnƒEƒX`(Ī˛ļ°)`ŒË“c``(‚‘Ŧ‘DƒzƒƒCƒgƒ}ƒŠƒ“‡U)`Ā’Í`
312
ŠŅŽR“W–]‘ä‚æ‚č

Ā’ÃAƒ‹ƒvƒX(4)

10”N12ŒŽ23“ú

(ƒMP3„ChopinFPiano Concerto No.1 in E minor, Op.11 2.Romanze, Larghetto)@by@andotowa

Ā’Í``(Ā¸ŧ°)`•ŖƒoƒX’â`ŠŅŽR`‰ĄŽR`“ŋ‘qŽR`˜h“ĒŽR`‘Ŋ”äŒû“ģ`‘Ŋ”äƒoƒX’â`(ĘŪŊ)`“ņŖėƒoƒX’â`Ā’Í`

313
Ā’Á¨ŒË“c‚Ė‘Dã‚Š‚į

x‰Í˜p‚Š‚į‚Ė•xŽmŽR(2)

10”N12ŒŽ23“ú
(ƒMP3„J.S.Bach: Orchestral Suite no.2 in b minor, BWV 1067-5,"Polonaise")@ by@Mr Yoshimoto

Ā’Í``(‚‘Ŧ‘DƒzƒƒCƒgƒ}ƒŠƒ“‡U)`ŒË“c`
314
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10”N12ŒŽ23“ú
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238
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09”N12ŒŽ27“ú
(ƒMP3„J.S.Bach:Trio Sonata,BWV1079,1st mov.)@by@Mr Yoshimoto

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11
•lÎŠx‚Š‚į‚Ė•xŽmŽR

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06”N12ŒŽ30“ú
(ƒMP3„BrahmsFIntermezzo Op.118-2)@by andotowa

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12
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06”N12ŒŽ30“ú

(ƒMP3„J.S.Bach: Sonata, Largo e dolce,BWV1030,2nd mov.) by@Mr Yoshimoto

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239
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09”N12ŒŽ31“ú
(ƒMP3„Mozart: Flute Quartet in D, K.285, 3rd mov.)@by@Mr Yoshimoto

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73
ŽĩƒcÎŽR’¸‚Š‚įŒŠ‚Ŋ‰_ŽæŽR

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08”N1ŒŽ12“ú`13“ú

(ƒMP3„DebussyF–˛)@ by Midi Classics
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163
ŽĩƒcŠ˜ŒÜ’i‚Ė‘ę

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09”N2ŒŽ11“ú
(ƒMP3„RavelFJeux d'eau)@by andotowa

ŽR—œŽs‰w`(ĘŪŊ)`ŧ‘ōŒk’J“üŒû`“ņ–“’Ũ‹´`ŽĩƒcŠ˜ŒÜ’i‚Ė‘ę@ƒ‰•œ„`“š‚Ė‰w‚Ũ‚Æ‚Ũ`(ĘŪŊ)`ŽR—œŽs‰w
164
‘ęŽqŽRŽR’¸‚Š‚į‚Ė•xŽmŽR

‘ęŽqŽRE‘å’JƒKŠÛ

09”N2ŒŽ15“ú

(ƒMP3„J.S.Bach: Sonata, BWV1035,4th mov.) by@Mr Yoshimoto

‰Žë‰w`“Ą‘ō`žw•Ŋ`‘ęŽqŽR`‘å’JƒKŠÛ`EE`‹Č‚č‘ō“ģ`(”öĒ“š)`Œi“ŋ‰@`b”ã‘å˜a‰w
26
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07”N4ŒŽ1“ú

(ƒMIDI„ DebussyFt‚Ē—ˆ‚Ŋ)@ by Midi Classics

‘匎‰w`Šâ“aŽR`Š•Šâ`“V_ŽR`’tŽ™—Ž‚Æ‚ĩ`‘匎‰w

93
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08”N4ŒŽ12“ú

(ƒMP3„ChopinFETUDEN Op.10-3 Edur Sadness)@by andotowa
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(ŽR‚ĒD‚Ģ‚ž‚Á‚ŊŒĖ‚mD‚j‚ŗ‚ņ‚É•ų‚Ž)

258
‹āƒ–Šx‚Š‚įŒŠ‚ŊŠƒ–Šx

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10”N4ŒŽ24“ú
(ƒMP3„Mozart: Flute Quartets in C, K.285b, 2nd mov.)@by@Mr Yoshimoto

”Bč‰w`(Ā¸ŧ°)`[“cŒö‰€“üŒû`[“cŒö‰€`—Šâ`[“c‹v–íIā‚Ė’n`Šƒ–Šx`‹āƒ–Šx`‚Ķ‚ę‚ ‚ĸ‚Ė—ĸ`ō‹Ž›‘O`–ž–ė‘‡’ĄŽÉƒoƒX’â`(ĘŪŊ)`”Bč‰w
95
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08”N4ŒŽ26“ú
(ƒMP3„ Mozart : Piano Sonata No7, K309, 2nd mov.)@by Hassie's Room
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180
‹ŒX—Ņ‹O“š‚Š‚įŒŠ‚éŽĩƒcŠ˜ŒÜ’i‚Ė‘ę

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09”N5ŒŽ17“ú
(ƒMP3„J.S.Bach: Torio Sonata, BWV1079,1st mov.)@by@Mr Yoshimoto
‰–ŽR‰w`(ĘŪŊ)`ŧ‘ōŒk’J“üŒû`“ņ–“’Ũ‹´`ŽĩƒcŠ˜ŒÜ’i‚Ė‘ę`‹ŒX—Ņ‹O“š`ƒlƒgƒŠ‹´`ŧ‘ōŒk’J“üŒû`(ĘŪŊ)`“J‚Ė“’`(ĘŪŊ)`ŽR—œŽs‰w
335
‹ā•ôŽR

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11”N6ŒŽ18“ú

(ƒMP3„Mozart: Flute Concerto in G, K313,2nd mov.)@by@Mr Yoshimoto

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336
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‹ā•ôŽREā­ŽR

11”N6ŒŽ19“ú
(ƒMP3„MozartFOboe Quartet in F, K.370, 1st mov.)@by andotowa

‹ā•ôŽRŦ‰Ž`‹ā•ôŽR`ŒÜäŠâ`‹ā•ôŽRŦ‰Ž`ģ•Ĩ‚Ė“Ē`‘å“úŠâ`•xŽmŒŠ•ŊŦ‰Ž`“V’šė`ā­ŽR`“V’šė`•xŽmŒŠ•ŊŦ‰Ž`ā­ŽR‘‘`(ĘŪŊ)`‘•x‚Ė“’(“ú‹A‚č“’)`(ĘŪŊ)`”Bč‰w@ƒVƒƒƒNƒiƒQ
353
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11”N8ŒŽ27“ú
(ƒMP3„MozartFViolin Sonata No.28 K.304 2nd mov.)@by@Mr Yoshimoto

‰–ŽR‰w`(ĘŪŊ)`ŧ‘ōŒk’J“üŒû`“ŋ‚ŋ‚á‚ņV“š`ŒË“n”öĒ`–Ø‘¯ŽR`b•MŦ‰Ž`b•MŠx`b•MŦ‰Ž(”‘j
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ā­ŽR‚ĖŽR’¸‚Š‚į

ā­ŽR

06”N10ŒŽ22“ú

(ƒMP3„J.S.BachFBrandenburgische Konzerte No.5 BWV1050 ‡V.)@by andotowa

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301
Šåƒ–•  ŽR’¸ã‚Š‚į‚Ũ‚Ŋ•xŽmŽR

Šåƒ–•  ŽRE‰WŽqŽR

10”N11ŒŽ20“ú
(ƒMP3„Mozart :Eine kline Nachtmusik, 2nd mov. K.525)@by andotowa

(Ī˛ļ°)`‘å“ģ`Šåƒ–•  ŽR`‰WŽqŽR`Šåƒ–•  ŽR`‘å“ģ`^–؉ˇō(“ú‹A‚č“’) Vá
237
—‹Šâ‚Š‚į‚Ė“W–]

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09”N12ŒŽ23“ú
(ƒMP3„Mozart: Flute Quartet in D, K.285, 1st mov.)@by@Mr Yoshimoto
‰–ŽR‰w`(Ā¸ŧ°)`ŧė“ģ•ĒŠō’“ŽÔę`ã“úė“ģ`•Ÿ‚ŋ‚á‚ņ‘‘`‘å•ėŽF“ģ`—‹Šâ`‘å•ėŽF—ä`—‹Šâ`“‚ŧ”öĒ`•Ÿ‚ŋ‚á‚ņ‘‘`ã“úė“ģ`‘å•ėŽF‚Ė“’i“ú‹A‚č“’)`(ĘŪŊ)`‰–ŽR‰w
       
‚ą‚Ėƒy[ƒW‚ĖTOP‚Ö
   


y“ėƒAƒ‹ƒvƒXz

   
85
“üŠ}ŽR’¸ã‚Š‚įŒŠ‚é”Ēƒ–Šx

“üŠ}ŽR(2)

08”N3ŒŽ8“ú
(ƒMP3„SibeliusF"Andante Festivo") by Jun-T
•xŽmŒŠ‰w`ƒSƒ“ƒhƒ‰ƒŠƒtƒg`‚ˇ‚¸‚į‚ņŒö‰€`“üŠ}ŽŧŒ´`ŒäŠ•Ŋ“ģ`“üŠ}ŽR’¸`•§•Ŋ“ģ`ŒäŠ•Ŋ“ģ`“üŠ}ŽŧŒ´`ƒSƒ“ƒhƒ‰ƒŠƒtƒg`•xŽmŒŠ‰w
259
ŠâŠxŽR‚ĖƒAƒJƒ„ƒVƒI

ŠâŠxŽR

10”N4ŒŽ29“ú
(ƒMP3„J.S.Bach : Sonate in B Minor BWV1030,1st mov.)@by@Mr Yoshimoto
(Ī˛ļ°)`ƒƒOƒyƒ“ƒVƒ‡ƒ“EƒVƒ“ƒtƒHƒj[˜e’“ŽÔę`‰×Ŧ‰Ž“ģ`ŠâŠxŽR`Šâ›Ô_ŽĐ`•ĒŠō`‰×Ŧ‰Ž“ģ`’“ŽÔę`‘Ģ•ŋSAã‚čüE‹āŽž“’(“ú‹A‚č“’j@’E“oŽR“š‚Ėˆę•”‚É•ö‰ķ‰ĶŠ‚ ‚č
34
‚‚‚ļ‚Æ•xŽmŽR

ŠÃ—˜ŽR`į“Ē¯ŽR

07”N6ŒŽ17“ú

(ƒMP3„ Mozart : Clarinet Concerto in A major, K.622, 2nd mov. Adagio)@by andotowa
”Bč‰w`L‰ÍŒ´`ŠÃ—˜ŽR(‚ ‚Ü‚č‚â‚Ü)`‰œŠÃ—˜ŽR`‘åŧ•ô`į“Ē¯ŽR(‚š‚ņ‚Æ‚¤‚Ú‚ĩ‚â‚Ü)‚Ė‰•œ
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275
“üŠ}ŽR’¸ã‚Š‚į‚Ė”Ēƒ–Šx

“üŠ}ŽR(4)

10”N7ŒŽ10“ú
(ƒMP3„Mozart: Flute Concerto, K.313, 2nd mov.)@by@Mr Yoshimoto

•xŽmŒŠ‰w`ƒSƒ“ƒhƒ‰ƒŠƒtƒg`“üŠ}ŽŧŒ´`ŒäŠ•Ŋ“ģ`“üŠ}ŽR’¸`•§•Ŋ“ģ`‘åˆĸŒ´ŽŧŒ´`ŒäŠ•Ŋ“ģ`“üŠ}ŽŧŒ´`ƒSƒ“ƒhƒ‰ƒŠƒtƒg`‚ä[‚Æ‚ë‚ņ…_‚Ė“’(“ú‹A‚č“’)`•xŽmŒŠ‰w
116
ƒIƒIƒ€ƒ‰ƒTƒLi‰j

ƒIƒIƒ€ƒ‰ƒTƒL
ŽŠ‘RŠĪŽ@•ā“š

08”N7ŒŽ12“ú

(ƒwma„ChopinFWaltz, Op34-1)@by@piano1001
JR’ˇâ‰w`[‘ō‹´`ƒIƒIƒ€ƒ‰ƒTƒL‚ĖX`‰Ô…â`ļ‘ÔŠĪŽ@‰€`ƒIƒIƒ€ƒ‰ƒTƒLƒZƒ“ƒ^[`JR“ú–ėt‰w

ƒIƒIƒ€ƒ‰ƒTƒL‚ž‚¯‚ĖŽĘ^‚́A‹Gß‚ĖŽĘ^WNo.7‚Ö

119
ƒhƒ“ƒhƒR‘ō‚Š‚įŒŠ‚Ŋ’n‘ ƒ–ŠxEƒIƒxƒŠƒXƒN

–P™€ŽR(2)
(ƒhƒ“ƒhƒR‘ō)

08”N7ŒŽ26“ú
(ƒMP3„J.S.Bach: Sonata in b minor ,BWV1030-3)@by@Mr Yoshimoto

”Bč‰w`Â–؍zō`ƒhƒ“ƒhƒR‘ōƒR[ƒX`–P™€Ŧ‰Ž(”‘)
120
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–P™€ŽR(3)
(ŽOŽRc‘–)

08”N7ŒŽ27“ú
(ƒMP3„Mozart: Flute Quartets in C, K285b, 2nd mov.)@by@Mr Yoshimoto

–P™€Ŧ‰Ž`’n‘ ƒ–Šx`Ô”˛‘ōƒm“Ē`ŠĪ‰šƒ–Šx`–ōŽtƒ–Šx`–éŗ_“ģ“oŽRŒû`b•{‰w
38
åäƒ–Šx


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(‰Ô‚ĖŽĘ^W‚Æ‚Ė‡‘Ė”Å)
07”N7ŒŽ28`29“ú

(ƒMP3„Schubert F Symphony No.8 in B minor D759, 'Unfinished', ‡UD Andante con moto )@by andotowa
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39
Ŧåäƒ–Šx‚Š‚įŒŠ‚Ŋåäƒ–Šx

åäƒ–Šx

07”N7ŒŽ28`29“ú

(ƒMP3„ Rachmaninoff : Vocalise op.34, No.14)@by andotowa
–k‘ō“ģ`‘å‘ę‚Ė“Ē`Ŧåäƒ–Šx`åäƒ–Šx`åäŦ‰Ž(”‘)`åäƒ–Šx`‘ž•ŊŽR‘‘`–k‘ō“ģ@@(‰Ô‚ɂ‚ĸ‚ẮAu‰Ô‚ĖŽĘ^Wv‚Ö)@@@

206
‘ƒXƒxƒŠ‚Š‚įŒŠ‚Ŋ–P™€ŽOŽR‚Æ”’Ē‚¨’r

”’•ôŽOŽR(1)

09”N8ŒŽ22“ú
(ƒMP3„BrahmsFSonata for Violin and Piano No.1 Op.78 1st mov.) by andotowa

b•{‰w`(ĘŪŊ)`L‰ÍŒ´`”’ĒŒä’rŦ‰Ž`‘ƒXƒxƒŠ`–kŠxŒ¨‚ĖŦ‰Ž

207
–kŠx‚ĖŒ¨‚Š‚įŒŠ‚é–kŠx

”’•ôŽOŽR(2)

09”N8ŒŽ22“ú
(ƒMP3„BeethovenFRomance for Violin, Fmajor, No.2)@by@Mr Yoshimoto

–kŠxŒ¨‚ĖŦ‰Ž`–kŠxŽR’¸`–kŠxŒ¨‚ĖŦ‰Ž @ƒuƒƒbƒPƒ“ŒģÛ
208
–kŠx‚ĖŒ¨‚Š‚į‚Ėb”ã‹îƒPŠx‚Æ”Ēƒ–Šx

”’•ôŽOŽR(3)

09”N8ŒŽ22“ú

(ƒMP3„HandelFLargo) by@Mr Yoshimoto

–kŠxŒ¨‚ĖŦ‰Ž ‘O‚Š‚į‚Ė—[Œi

209
–kŠx‚ĖŒ¨‚Š‚į‚Ė•xŽmŽR

”’•ôŽOŽR(4)

09”N8ŒŽ23“ú

(ƒMP3„SchubertFSerenade) by@Mr Yoshimoto

–kŠxŒ¨‚ĖŦ‰Ž ‘O‚Ė–é–ž‚¯

210
–kŠxŽR‘‘‘O‚Š‚įŒŠ‚Ŋ–kŠx

”’•ôŽOŽR(5)

09”N8ŒŽ23“ú
(ƒMP3„Mozart: Flute Quartets in C, K.285b, 1st mov.)@by@Mr Yoshimoto

–kŠxŒ¨‚ĖŦ‰Ž `–kŠx`–kŠxŽR‘‘
211
”_’šŦ‰Ž‘O‚Š‚įŒŠ‚ŊŠÔƒmŠx

”’•ôŽOŽR(6)

09”N8ŒŽ23“ú
(ƒMP3„Mozart: Flute Quartet in D, K.285, 1st mov.)@by@Mr Yoshimoto

–kŠxŽR‘‘`’†”’ĒŽR`ŠÔƒmŠx`”_’šŦ‰Ž
212
—[—z‚ɏƂį‚ŗ‚ę‚é•xŽm

”’•ôŽOŽR(7)

09”N8ŒŽ23“ú

(ƒMP3„BragaFAngel's Serenade) by @Mr Yoshimoto

”_’šŦ‰Ž‘O‚Ė—[ŒiF

213
ŧ”_’šŠx‚Š‚į–]‚Ū”_’šŠx

”’•ôŽOŽR(8)

09”N8ŒŽ24“ú
(ƒMP3„Mozart: Flute Quartets in C, K.285b, 2nd mov.)@by@Mr Yoshimoto

”_’šŦ‰Ž`ŧ”_’šŠx`”_’šŠx`‘å–å‘ō‰ē~“_`‘å–å‘ōŦ‰Ž`“Ū—Į“c‚Ė—ĸ‰ˇō(“ú‹A‚č“’)`“Ū—Į“c`(ĘŪŊ)`g‰„‰w
54
‘劒‘ō“ņ–“‚æ‚č

L‰ÍŒ´`”’ĒŒä’r
(–kŠxŽR• )

07”N9ŒŽ9“ú
(ƒMP3„ Franck : Violin Sonata, 1st mov.) by andotowa

L‰ÍŒ´`‘劒‘ō`“ņ–“`”’ĒŒä’r`L‰ÍŒ´

56
‹î’Õô‚Š‚įŒŠ‚Ŋb”ã‹îƒ–Šx‚Æ–€—˜Žx“V

b”ã‹îƒ–Šx

07”N9ŒŽ22“ú
(ƒMP3„ ArriagaFSymphony,2nd mov.)@by Jun-T

–k‘ō“ģ`å…“ģ`‹î’Õô`b”ã‹îƒ–Šx`‹î’Õô`‘oŽ™ŽR`–k‘ō“ģ
61
–ōŽtŠx

–P™€ŽR(1)
(–ōŽtŠx)

07”N10ŒŽ28`29“ú
(ƒMP3„SchubertFSonate for Arpegione and Piano in A minor, D821,1st mov.)@by andotowa
–éŗ_“ģ“oŽRŒû`–éŗ_“ģ`ņ—§“ģ`䕕Ŋ`“ėŒäŽēŦ‰Ž`–ōŽtŠxŦ‰Ž`–ōŽtŠx`–ōŽtŠxŦ‰Ž(”‘)`‰˜H‚đ–ß‚Á‚āA–éŗ_“ģ“oŽRŒû@ g—t@Vá
227
”Ēƒ–Šx‚Ė“W–]

“üŠ}ŽR(3)

09”N11ŒŽ1“ú
(ƒMP3„ Mozart : Piano Quartet, K.478, 3rd mov.jby Jun-T
•xŽmŒŠ‰w`ƒSƒ“ƒhƒ‰ƒŠƒtƒg`“üŠ}ŽŧŒ´`ŒäŠ•Ŋ“ģ`“üŠ}ŽR’¸`•§•Ŋ“ģ`‘åˆĸŒ´ŽŧŒ´`ŒäŠ•Ŋ“ģ`“üŠ}ŽŧŒ´`ƒSƒ“ƒhƒ‰ƒŠƒtƒg`‚ä[‚Æ‚ë‚ņ…_‚Ė“’(“ú‹A‚č“’)`•xŽmŒŠ‰w@g—t
70
“üŠ}ŽR

“üŠ}ŽR(1)

07”N12ŒŽ15“ú
(ƒMP3„LisztF"Un sospiro")@ by Midi Classics

•xŽmŒŠ‰w`ƒSƒ“ƒhƒ‰ƒŠƒtƒg`“üŠ}ŽŧŒ´`“üŠ}“oŽRŒû`“üŠ}ŽR’¸‚Ė‰•œ

       
‚ą‚Ėƒy[ƒW‚ĖTOP‚Ö
   


y”Ēƒ–Šxz

   
246
–k‰ĄŠx‚Š‚į‚Ė“W–]

–k”Ēƒ–Šx(8)[–k‰ĄŠx]

10”N2ŒŽ20“ú
(ƒMP3„J.S.Bach:hAir on G-stringhfrom Orchestral Suites No.3 in D major BWV 1068)@by andotowa
Š–ė`(ƒoƒX)`ƒsƒ‰ƒ^ƒXäø‰Čƒ[ƒvƒEƒFƒC`’Ø’ë`–k‰ĄŠxƒqƒ…ƒbƒe`–k‰ĄŠx“ė•ô`–k‰ĄŠx–k•ô`Žĩƒc’r`–k‰ĄŠxƒqƒ…ƒbƒe`’Ø’ë`ŽČŒÍŽR‘‘
247
‰J’r

–k”Ēƒ–Šx(9)[‰J’r]

10”N2ŒŽ20“ú

(ƒMP3„RachmaninovFPrelude in D Op.23-4)@by andotowa

ŽČŒÍŽR‘‘`‰J’r“ģ`‰J’r`‰J’r“ģ`ŽČŒÍŽR‘‘(”‘)

248
ŽČŒÍŽR‚Š‚įŒŠ‚é”Ēƒ–Šx

–k”Ēƒ–Šx(10)[ŽČŒÍŽRE’ƒ‰PŽR]

10”N2ŒŽ21“ú

(ƒMP3„Schubert: Sonate for Arpegione and Piano in A minor, D821,3rd mov.)@by@Mr Yoshimoto

ŽČŒÍŽR‘‘`‰J’r“ģ`ŽČŒÍŽR`’ƒ‰PŽR`‘åÎ“ģ`”ž‘“ģ

249
‚ŒŠÎ‚Š‚įŒŠ‚Ŋ•XŒ‹‚ĩ‚Ŋ”’‹î’r

–k”Ēƒ–Šx(11)[ŠÛŽRE‚ŒŠÎ]

10”N2ŒŽ21“ú

(ƒMP3„Ravel : Pavane pour une infante defunte)@by@Mr Yoshimoto

”ž‘“ģ`ŠÛŽR`‚ŒŠÎ`æ΂Ė‰ÍŒ´`aƒm“’EaŒä“a“’i“ú‹A‚č“’j`(ƒoƒX)`Š–ė‰w

184
ŽR•F‘‘‚Ėƒ‚ƒ‚ƒ“ƒK

–k”Ēƒ–Šx(6)[ˆîŽq“’`‰Ä‘ō“ģ]

09”N6ŒŽ6“ú
(ƒMP3„J.S.Bach: Torio Sonata, BWV1079,2nd mov.)@by@Mr Yoshimoto

ŦŠC‰w`(ĘŪŊ)`ˆîŽq“’`‚Ũ‚Į‚č’r`–{‘ō‰ˇō`‰Ä‘ō“ģEŽR•F‘‘(”‘)@ ƒuƒƒbƒPƒ“ŒģÛ

ƒŠƒXEƒ„ƒ}ƒlEƒ‚ƒ‚ƒ“ƒK‚ž‚¯‚ĖŽĘ^‚́A‹Gß‚ĖŽĘ^WNo.9‚Ö
185
ĒÎŠx‚Š‚į–]‚Ū“V‹įŠx

–k”Ēƒ–Šx(7)[“V‹įŠxE‚Ũ‚Į‚č’r]

09”N6ŒŽ7“ú
(ƒMP3„ Rachmaninoff : Piano Concerto No.2 2nd mov.)@by andotowa

‰Ä‘ō“ģEŽR•F‘‘(”‘)`–ĨŠĨŽR`ĒÎŠx`“Œ“V‹įŠx`ŧ“V‹įŠx`“V‹įƒm‰œ’ë`••S‡•Ŋ`’†ŽR“ģ`‚Ũ‚Į‚č’r`ˆîŽq“’`(ĘŪŊ)`ŦŠC‰w
271
ÔŠâƒm“Ē•t‹ß‚Š‚į

—°‰ŠŠx

10”N6ŒŽ12“ú
(ƒMP3„Mozart: Flute Concerto, K.313, 1st mov.)@by@Mr Yoshimoto

Š–ė‰w`(ĘŪŊ)`”ü”ZŒËŒû`”ü”ZŒË`–k‘ōƒR[ƒX`ÔŠxzō`ÔŠâƒm“Ē`—°‰ŠŠx`—°‰ŠŠxŽR‘‘i”‘j
272
‰ĄŠx‚ĖƒcƒNƒ‚ƒOƒT

‰ĄŠxEÔŠx

10”N6ŒŽ13“ú
(ƒMP3„RachmaninovFPiano Concerto No.2,2nd mov.) by andotowa

—°‰ŠŠxŽR‘‘`‰ĄŠx`ÔŠx`’†Šx‚ĖƒRƒ‹`’†Šx“š`sŽŌŦ‰Ž`“ė‘ōƒR[ƒX`”ü”ZŒË`”ü”ZŒËŒûE”Ēƒ–ŠxŽR‘‘i“ú‹A‚č“’j`(ĘŪŊ)`Š–ė‰w
116
ƒIƒIƒ€ƒ‰ƒTƒLi‰j

ƒIƒIƒ€ƒ‰ƒTƒL
ŽŠ‘RŠĪŽ@•ā“š

08”N7ŒŽ12“ú

(ƒwma„ChopinFWaltz, Op34-1)@by@piano1001
JR’ˇâ‰w`[‘ō‹´`ƒIƒIƒ€ƒ‰ƒTƒL‚ĖX`‰Ô…â`ļ‘ÔŠĪŽ@‰€`ƒIƒIƒ€ƒ‰ƒTƒLƒZƒ“ƒ^[`JR“ú–ėt‰w

ƒIƒIƒ€ƒ‰ƒTƒL‚ž‚¯‚ĖŽĘ^‚́A‹Gß‚ĖŽĘ^WNo.7‚Ö

379
”ü‚ĩ‚Ė“ƒ

”üƒ–Œ´

12”N7ŒŽ29“ú
(ƒMP3„Mozart: Flute Quartets in C, K.285b, 2nd mov.)@by@Mr Yoshimoto

ŧ–{‰w`(ĘŪŊ)`ŽR–{Ŧ‰ŽƒoƒX’â`‹•šŽR`ŽR–{Ŧ‰Ž`”ü‚ĩ‚Ė“ƒ`‰–‚­‚ęę`‰¤ƒ–“Ē`‰¤ƒ–•@`ƒAƒ‹ƒvƒX“W–]ƒR[ƒX`‰–‚­‚ęę`ŽR–{Ŧ‰Ž`”üƒ–Œ´‚Œ´”üpŠŲƒoƒX’â`(ĘŪŊ)`ŧ–{‰w
40
ÔŠx‘¤‚Š‚į‰ĄŠx‚đ–]‚Ū


”ž‘“ģ`ÔŠx

(‰Ô‚ĖŽĘ^W‚Æ‚Ė‡‘Ė”Å)
07”N8ŒŽ4`5“ú

(ƒMP3„Rachmaninoff F Piano Concerto No.2 in C minor, Op.18, ‡UDAdagio sostenuto.)@by andotowa
”ž‘“ģ`”’‹î’r`’†ŽR“ģ`“V‹įŠx`ĒÎŽR‘‘(”‘)`—°‰ŠŠx`‰ĄŠx`ÔŠx`•ļŽO˜Y”öĒ`”ü”ZŒËŒû@

41
2‚‚Ė“V‹įŠx

”ž‘“ģ`ÔŠx

07”N8ŒŽ4`5“ú

(ƒMP3„ J.S.Bach: Sinfonia h-moll BWV209) by PICCOLO
”ž‘“ģ`”’‹î’r`’†ŽR“ģ`“V‹įŠx`ĒÎŽR‘‘(”‘)`—°‰ŠŠx`‰ĄŠx`ÔŠx`•ļŽO˜Y”öĒ`”ü”ZŒËŒû@(‰Ô‚ɂ‚ĸ‚ẮAu‰Ô‚ĖŽĘ^Wv‚Ö)@@h”‘‚ĩ‚ŊuĒÎŽR‘‘v‚ĖHP

343
–ļƒ–•ôŽŧŒ´‚Š‚įŽÔŽR‚đ–]‚Ū

–ļƒ–•ô

11”N8ŒŽ7“ú
(ƒMP3„Mozart: Flute Concerto in G, K313, 1st mov.)@by@Mr Yoshimoto

Š–ė‰w`(ĘŪŊ)`ŽÔŽRŒ¨`ŽÔŽR`ŽÔŽRæ‰z`’ąX[ŽR`”Ē“‡ŽŧŒ´`‘ō“n`ŽÔŽRŒ¨`(ĘŪŊ)`‹­´…Eƒqƒ…ƒbƒe–ļƒP•ôi“ú‹A‚č“’j`(ĘŪŊ)`ãz–K‰w
‚Q
ÔŠx‚đ–]‚Ū

”ü”ZŒËŒû` ÔŠx`ˆĸ–í‘ÉŠx

06”N9ŒŽ2`3“ú

(ƒMP3„J.S.Bach: "Air on G-string" from Orchestral Suites No.3 in D major BWV 1068)@by andotowa
”ü”ZŒËŒû`ÔŠxŽR‘‘`sŽŌŦ‰Ž(”‘)`’n‘ ”öĒ`ÔŠx`’†Šx`ˆĸ–í‘ÉŠx`ˆĸ–í‘É“š`sŽŌŦ‰Ž`“ė‘ō`ÔŠxŽR‘‘`”ü”ZŒËŒû

289
”’‹î’r‚Ėg—t

–k”Ēƒ–Šx(12) [”’‹î’r]

10”N10ŒŽ10“ú

(ƒMP3„MozartFViolin Sonata No.28 K.304 2nd mov.)@by@Mr Yoshimoto

(–ˆ“úƒAƒ‹ƒyƒ“†j`”’‹î’r“üŒû`Â‘Û‘‘`”’‹î’rŽü‰ņ˜HiŽžŒv‰ņ‚čj`”’‹î‘‘`‚ŒŠÎŦ‰Ž`‚ŒŠÎ@g—t

290
’ƒ‰PŽR“V–]‘ä‚Š‚įŒŠ‚éŽČŒÍŽRE–k‰ĄŠx

–k”Ēƒ–Šx(13) [’ƒ‰PŽREŽČŒÍŽR]

10”N10ŒŽ10“ú
(ƒMP3„John FieldFNocturne No.4 in A major)@by andotowa

‚ŒŠÎ`ŠÛŽR`”ž‘“ģ`‘åÎ“ģ`’ƒ‰PŽRE“V–]‘ä`“W–]‘ä`ŽČŒÍŽR`‰J’r“ģ@g—t
291
‘oŽq’r(Ž“’rj‚Ėg—t

–k”Ēƒ–Šx(14) [‘oŽq’r]

10”N10ŒŽ10“ú
(ƒMP3„Mozart: Flute Quartets in D, K.285,3rd mov.)@by@Mr Yoshimoto

‰J’r“ģ`‘åÎė—Ņ“š`‘oŽq’rE‘oŽq’rƒqƒ…ƒbƒei”‘j@g—t
292
ĢŒR•Ŋ•t‹ß‚Š‚įŒŠ‚éäø‰ČŽR

–k”Ēƒ–Šx(15) [äø‰ČŽR]

10”N10ŒŽ11“ú
(ƒMP3„MendelssohnFOverture "The Fingal's Cave",Op.26)@by andotowa
‘oŽq’rƒqƒ…ƒbƒe`‘oŽqŽR`‘å‰ÍŒ´“ģ`ĢŒR•Ŋ`äø‰ČŽR`äø‰ČŽR“oŽRŒû(—_’ƒ‰Ž) `MŒē–_“š`e“’`‘ęƒm“’ė‘å‘ę`ƒv[ƒ‹•ŊEäø‰Č‹¤“¯—ę“ú‹A‚č“’j@g—t
140
ƒJƒ‰ƒ}ƒc‚Ė‰Š—t

–k”Ēƒ–Šx(1)

08”N10ŒŽ25“ú`26“ú
(ƒMP3„DebussyFreve)@ by@Mr Yoshimoto

Š–ė`(ƒoƒX)`ƒsƒ‰ƒ^ƒXäø‰Čƒ[ƒvƒEƒFƒC`ŽČŒÍŽR‘‘(”‘)`‰J’r`”ž‘“ģ`‘åÎ“ģ`’ƒ‰PŠx`ŽČŒÍŽR`ŽČŒÍŽR‘‘`’Ø’ë`ŽR˜[‰w`(ƒoƒX)`Š–ė@g—t@‰á
298
•ŌŠ}ŽR’¸ã‚Š‚įŒŠ‚é”Ēƒ–Šx‚Ė•ôX

•ŌŠ}ŽREŒ ŒģŠx(1)

10”N11ŒŽ6“ú
(ƒMP3„Mozart: Flute Concerto in D, K314,2nd mov.)@by@Mr Yoshimoto

Ŧ•Ŗ‘ō‰w`(Ā¸ŧ°)`ŠĪ‰š•Ŋ`‰_ŠC“W–]‘ä`‰ŸŽčė`‰ŸŽčė“W–]‘ä`•ŌŠ}ŽR`Â”NŦ‰Ž(”‘)@g—t
299
Œ ŒģŠx‚Š‚įŒŠ‚é•xŽmŽR

•ŌŠ}ŽREŒ ŒģŠx(2)

10”N11ŒŽ7“ú
(ƒMP3„Mozart: Flute Concerto in G, K313,2nd mov.)@by@Mr Yoshimoto

Â”NŦ‰Ž`ƒMƒ{ƒV`Œ ŒģŠx`ŽOƒc“Ē`–،ˌûŒö‰€`”Ēƒ–Šx_ŽĐ`ŽOƒc“Ē“oŽRŒû`b”ãŦō‰w@g—t
146
–k‰ĄŠx’¸ã‚Š‚į‚Ė“W–]

–k”Ēƒ–Šx(2)[–k‰ĄŠx]

08”N11ŒŽ22“ú
(ƒMP3„ Franck: Violin Sonata, A maj. 4th mov.)@ by@Mr Yoshimoto
Š–ė`(ƒoƒX)`ƒsƒ‰ƒ^ƒXäø‰Čƒ[ƒvƒEƒFƒC`’Ø’ë`–k‰ĄŠx“ė•ô`–k‰ĄŠx–k•ô`Žĩƒc’r`–k‰ĄŠxƒqƒ…ƒbƒe(”‘)@Vá
147
–k‰ĄŠx‚Ė’¸ã‚Š‚į

–k”Ēƒ–Šx(3)[–k‰ĄŠx—[Œi]

08”N11ŒŽ22“ú

(ƒMP3„Gluck/SgambatiFMelody from Orpheus and Euridice)@by@andotowa

–k‰ĄŠx“ė•ô@Vá

148
”’‹î’r

–k”Ēƒ–Šx(4)[”’‹î’r]

08”N11ŒŽ23“ú

(ƒMP3„ Pachelbel:Cannon in D)@by@andotowa

–k‰ĄŠxƒqƒ…ƒbƒe`’Ø’ë`ŒÜ’Ō`oˆ§‚ĸ‚Ė’Ō`‘åÎ“ģ`”ž‘“ģ`”’‹î’r`‚ŒŠÎ`”’‹î“ģ`”ž‘ƒqƒ…ƒbƒe(”‘)@Vá

149
’†ŽR‚Š‚įŒŠ‚Ŋ—°‰ŠŠxE“V‹įŠx

–k”Ēƒ–Šx(5)[‚ŒŠÎE’†ŽR]

08”N11ŒŽ24“ú

(ƒMP3„J.S.Bach: Sonata in C major, BWV1033-3)@ by@Mr Yoshimoto
”ž‘ƒqƒ…ƒbƒe`ŠÛŽR`‚ŒŠÎ`’†ŽR“W–]‘ä`’†ŽR“ģ`••S‡•Ŋ`aƒm“’`(ƒoƒX)`Š–ė@Vá

307
–k‰ĄŠx’¸ã‚Š‚į“ė”Ēƒ–Šx•û–Ę‚đ–]‚Ū

–k”Ēƒ–Šx(16)[–k‰ĄŠx]

10”N12ŒŽ18“ú

(ƒMP3„ Pachelbel:Cannon in D)@by@andotowa

Š–ė‰w`(ƒoƒX)`ƒsƒ‰ƒ^ƒXäø‰Čƒ[ƒvƒEƒFƒC`’Ø’ë`Žĩƒc’r`–k‰ĄŠx“ė•ô`–k‰ĄŠx–k•ô`–k‰ĄŠxƒqƒ…ƒbƒe(”‘)@

308
–k‰ĄŠx‚Ė“ú‚Ė“ü‚č

–k”Ēƒ–Šx(17)[–k‰ĄŠx—[Œi]

10”N12ŒŽ18“ú
(ƒMP3„ Mozart : Piano Concerto No.21, K.467, 2nd mov.jby@andotowa

–k‰ĄŠxƒqƒ…ƒbƒe`–k‰ĄŠx“ė•ô`–k‰ĄŠx–k•ô`–k‰ĄŠxƒqƒ…ƒbƒe(”‘)@
309
–k‰ĄŠx‚Ė–é–ž‚¯

–k”Ēƒ–Šx(18)[–k‰ĄŠx‚Ė–é–ž‚¯]

10”N12ŒŽ19“ú

(ƒMP3„ChopinF Nocturne No.2 Eb Op.9-2jby@andotowa

–k‰ĄŠxƒqƒ…ƒbƒe`–k‰ĄŠx“ė•ô`–k‰ĄŠx–k•ô`–k‰ĄŠxƒqƒ…ƒbƒe

310
‰J’r

–k”Ēƒ–Šx(19)[–k‰ĄŠxE‘oŽq’rE‰J’r]

10”N12ŒŽ19“ú
(ƒMP3„BorodinFQuartet for 2 Violins, Viola and Violoncello Dmaj. 3rd mov."Nocturne" ) by andotowa
–k‰ĄŠxƒqƒ…ƒbƒe`Žĩƒc’r`–k‰ĄŠx“ė•ô`–k‰ĄŠx–k•ô`‹Tb’r`‘oŽq’r`‘åÎė—Ņ“š`‰J’r`‰J’r“ģ`ƒsƒ‰ƒ^ƒXäø‰Čƒ[ƒvƒEƒFƒC`(ƒoƒX)`Š–ė‰w
       
‚ą‚Ėƒy[ƒW‚ĖTOP‚Ö
   


y–kƒAƒ‹ƒvƒXz

   
72
‰ŠxŽR’¸‚đ–]‚Ū

‰Šx(3)
ƒ“~„

07”N12ŒŽ30“ú
`08”N1ŒŽ2“ú
(ƒMP3„MozartFSymphony No.40,3rd mov.Menuetto K.550)@by andotowa

•ä‚‰w`‹{é`’†–[‰ˇō(”‘)`‡í”öĒ`‰ŽR‘‘(2”‘)`‰Šx`‰ŽR‘‘`’†–[‰ˇō`‹{é`•ä‚‰w
77
‘åŗ’r‚Š‚į–]‚Ū•ä‚

á‚Ėã‚’n(1)

08”N2ŒŽ10“ú
(ƒMP3„BADARZEWSKAFLa Priere Exaucee)@by andotowa
ŧ–{‰w`(ĘŪŊ)`’†‚Ė“’‰ˇō`Š˜ƒgƒ“ƒlƒ‹`‘åŗ’r`Š˜ƒgƒ“ƒlƒ‹`’†‚Ė“’‰ˇō(”‘)@ h”‘‚ĩ‚Ŋu’†‚Ė“’‰ˇō—ˇŠŲv‚ĖHP
78
“c‘ã’r‚Ė–ļ•X

á‚Ėã‚’n(2)

08”N2ŒŽ11“ú
(ƒMP3„MozartFOboe Quartet in F K.370 1st mov.)@by andotowa
’†‚Ė“’‰ˇō`Š˜ƒgƒ“ƒlƒ‹`‘åŗ’r`“c‘ã’r`(ˆ˛ėļŠŨ)`‰Í“ļ‹´`(ˆ˛ė‰EŠŨ)`“c‘ã’r`‘åŗ’r`Š˜ƒgƒ“ƒlƒ‹@ h”‘‚ĩ‚Ŋu’†‚Ė“’‰ˇō—ˇŠŲv‚ĖHP
98
‡í”öĒ

‰Šx(4)
ƒ‘t‡@„

08”N5ŒŽ3“ú

(ƒMP3„E.GriegF2 Elegiac Melodies, for string orchestra, Op.34 -‡U. Last Spring)@by andotowa
•ä‚‰w`(ĘŪŊ)`—L–ž‘‘`’†–[“oŽRŒû`‡í”öĒ`‰ŽR‘‘
h”‘‚ĩ‚Ŋ@u‰ŽR‘‘v‚ĖHP

99
‰Šx

‰Šx(5)
ƒ‘t‡A„

08”N5ŒŽ4“ú

(ƒMP3„MozartFPiano Concerto@No.24, K.491,3rd mov. Larghetto)@by Jun-T
‰ŽR‘‘Žü•Ķ‚É‚Ä

h”‘‚ĩ‚Ŋ@u‰ŽR‘‘v‚ĖHP

100
‰Šx’¸ã‚Š‚į‚Ė“W–]

‰Šx(6)
ƒ‘t‡B„

08”N5ŒŽ4“ú

(ƒMP3„MozartFPiano Sonata No.15, K.533, Rondo)@by Jun-T
‰ŽR‘‘`‰ŠxŽR’¸`‰ŽR‘‘

h”‘‚ĩ‚Ŋ@u‰ŽR‘‘v‚ĖHP

101
•\‹âĀƒR[ƒX

‰Šx(7)
ƒ‘t‡C„

08”N5ŒŽ4“ú

(ƒMP3„MozartFPiano Sonata No.15, K.533, Andante)@by Jun-T
‰ŽR‘‘`Š^Šâ`‰ŽR‘‘

h”‘‚ĩ‚Ŋ u‰ŽR‘‘v‚ĖHP

102
—‹’š

‰Šx(8)
ƒ‘t‡D„

08”N5ŒŽ5“ú

(ƒMP3„MozartFMenuetto fro‚ String Quintet, K406)@by Jun-T
‰ŽR‘‘`‡í”öĒ`’†–[“oŽRŒû`—L–ž‘‘`(ĘŪŊ)`•ä‚‰w

h”‘‚ĩ‚Ŋ@u‰ŽR‘‘v‚ĖHP

187
‰ŽR‘‘‘¤‚Š‚į–]‚Ū‰Šx

‰Šx(9)

09”N6ŒŽ20“ú

(ƒMP3„Mozart: Flute Quartets in C, K285b,2nd mov.)@by@Mr Yoshimoto

•ä‚‰w`(Ā¸ŧ°)`’†–[‰ˇō`‡íŦ‰Ž`‰ŽR‘‘`‰Šx`‰ŽR‘‘(”‘)

188
‡í”öĒ

‰Šx(10)

09”N6ŒŽ21“ú
(ƒMP3„TchikovskyFString Quartet No.1 in D major, Op11,‡U mov."Andante Cantabile")@by@andotowa

‰ŽR‘‘`(•\‹âĀc‘–˜H)`Š^Šâ`(•\‹âĀc‘–˜H)`‰ŽR‘‘`‡íŦ‰Ž`’†–[‰ˇō`—L–ž‘‘`(ĘŪŊ)`•ä‚‰w
194
í”Oæ‰z‚Š‚į–]‚Ūí”OŠx

’†–[`í”Oæ‰z

09”N7ŒŽ18“ú`19“ú

(ƒMP3„MozartFPiano Sonata No.18 in D K.576 3rd mov.)@by andotowa

(–ˆ“úƒAƒ‹ƒyƒ“†)`’†–[“oŽRŒû`‡íŦ‰Ž`‰ŽR‘‘`(•\‹âĀc‘–˜H)`‘å“V‘‘(”‘)`‘å“VˆäŠx`‰Ą’ĘŠx`í”Oæ‰zEí”OŦ‰Ž(”‘) r“V‚Ė‚Ŋ‚߁A‰ŽR‘‘`í”Oæ‰z‚ĖŠÔ‚Ė‰æ‘œ‚Í‚Ų‚Æ‚ņ‚Į‚ ‚č‚Ü‚š‚ņB
276
ō“yŽR‚Š‚į–]‚Ū—§ŽRE™™Šx

—§ŽRŽOŽR

10”N7ŒŽ18“ú
(ƒMP3„J.S.Bach: Inventions and Partita,No.2,"Chaconne",BWV1004-5) by andotowa
(–ˆ“úƒAƒ‹ƒyƒ“†j`Žē“°`Žē“°ŽR“W–]‘ä`ō“yŽR`ˆęƒm‰z`—§ŽRi—YŽRE‘å“đŽRE•xŽmƒmÜ—§j`^ģŽR`•ĘŽR`•ĘŽRæ‰zE™™Œä‘OŦŽÉ(”‘j
277
ƒ~ƒhƒŠƒK’r‚Š‚į–]‚Ū—§ŽR

Žē“°

10”N7ŒŽ19“ú
(ƒMP3„BizetFSymphony in C, 2nd mov.)@by andotowa

•ĘŽRæ‰zE™™Œä‘OŦŽÉ(”‘)`VŽē“°æ‰z`—‹’š•Ŋ`’n–’J`ƒ~ƒNƒŠƒK’r`腖‚‘ä`ŒŒƒm’r`ƒ~ƒhƒŠƒK’r`Žē“°•Ŋ`Žē“°ƒ^[ƒ~ƒiƒ‹
278
‘åŠĪ•ô“W–]‘ä‚Š‚įŒŠ‚鍕•”ŒÎ

••”

10”N7ŒŽ19“ú
(ƒMP3„J.S.Bach : Sonate in B Minor BWV1030,1st mov.)@by@Mr Yoshimoto
‘åŠĪ•ô`(—§ŽRÛ°ĖßŗĒ˛)`••”•Ŋ‰€’n`(••”š°ĖŪŲļ°)`••”ŒÎE—V——‘DĸļŪŲÍŪŖE••”ƒ_ƒ€`(ŠÖ“dÄŨČŲÄÛØ°ĘŪŊ)`î‘ō`(ĘŪŊ)`‘å’Ŧ‰ˇō‹ŊE–ōŽt‚Ė“’(“ú‹A‚č“’)`(ĘŪŊ)`M”Z‘å’Ŧ‰w`(‚‘ŦĘŪŊ)
195
í”OŠxŽR’¸‚Š‚į‚Ė‘„•ä‚

í”OŠxE’ąƒPŠx

09”N7ŒŽ20“ú
(ƒMP3„SchubertFSonate for Arpegione and Piano in A minor, D821,2nd`3rd mov.)@by andotowa

í”Oæ‰zEí”OŦ‰Ž`í”OŠx`’ą‘„`’ąƒPŠx`—d¸ƒm’r`’ˇ•ģŽR`“ŋ‘ō`–ž_`‰Í“ļ‹´`ã‚’nƒAƒ‹ƒyƒ“ƒzƒeƒ‹(“ú‹A‚č“’)`ã‚’nƒoƒXƒ^[ƒ~ƒiƒ‹
342
‘单Šx’†• ‚Š‚į–]‚ŪŒ•‚Ē•ô•û–Ę

æˆÆŠx

11”N7ŒŽ24“ú
iƒMP3„SibeliusFSymphony No.2 in D major Op.43 4th mov.j@by andotowa
(–ˆ“úƒAƒ‹ƒyƒ“†j`V“‡X‰w`(ĘŪŊ)`ô•Ŋ`–‚‰¤Šx`ô•Ŋ`‘单Šx`•xŽmŒŠŠx`Œ¨‚ĖŦ‰Ž`Œ•ƒ–•ô`Ž\‹ĘŠx`Œ¨‚ĖŦ‰Ž`Œ¨‚ĖŦ‰ŽŒû`ˆĘƒ–Œ´ŽR‘‘`—âōŦ‰Ž`–€—˜Žx“VƒoƒX’â`(ĘŪŊ)`ŠĪŒõƒZƒ“ƒ^[`(ĘŪŊ)`V“‡X‰w
125
ÄŠx–k•ô’¸ã‚Š‚į“ė•ô‚ƉΌûŒÎ‚đ–]‚Ū

ÄŠx

08”N8ŒŽ9“ú
(ƒMP3„BeethovenFRomance for Violin, Fmajor, No.2)@by@Mr Yoshimoto

ã‚’nƒoƒXƒZƒ“ƒ^[`“ģ‘ōƒ‹[ƒg`ÄŠxŦ‰Ž`’†”ö“ģ`–k•ô’¸ã`’†ƒm“’ƒ‹[ƒg`’†ƒm“’(–m“`ƒm“’)
42
”’”nŠxE‘åáŒk

‘åáŒk‚đŒo‚Ä”’”nŠx‚Ö

07”N8ŒŽ11“ú

(ƒMP3„BeethovenFRomance@No.2 inF Op.50)@by andotowa

y”’”nƒVƒŠ[ƒY‡@z@h”‘‚ĩ‚Ŋu”’”nŽR‘‘v‚ĖHP

43
”’”nŠx’¸ã‚Š‚įŒŠ‚Ŋ™›Šx

”’”nŠx’¸ã‚Ė–é–ž‚¯

07”N8ŒŽ12“ú

(ƒMP3„ GriegFPEER GYNT Suites No.1 "Morning Mood ")@by andotowa

y”’”nƒVƒŠ[ƒY‡Az@h”‘‚ĩ‚Ŋu”’”nŽR‘‘v‚ĖHP

44
á‘qŠx‚Š‚įŒŠ‚Ŋ”’”nŠx

”’”nŠx`á‘qŠx`’Š“úŠx

07”N8ŒŽ12“ú

(ƒMP3„BrahmsFStrings Sextet No.1 ‡W, arranged by Jun-T)@by Jun-T

y”’”nƒVƒŠ[ƒY‡Bz@h”‘‚ĩ‚Ŋu’Š“úŦ‰Žv‚ĖHP

45
‚ ‚â‚ß‚ĖŒQļ‚Æ”’”nŠx

’Š“úŠx`ŒÜ—Ö”öĒ`˜@‰Ø‰ˇō

07”N8ŒŽ13“ú

(ƒMP3„ Mozart: Piano Concerto No.23‡Umo‚–, K488) by PICCOLO

y”’”nƒVƒŠ[ƒY‡Cz@h”‘‚ĩ‚Ŋu’Š“úŦ‰Žv@u˜@‰Ø‰ˇōƒƒbƒWv@‚ĖŠeHP

344
ƒuƒi—§”öĒã•”‚Å

— ‹âĀc‘–‡@`ƒuƒi—§”öĒ`

11”N8ŒŽ13“ú
(ƒMP3„ Rachmaninoff : Vocalise op.34, No.14)@by@Mr Yoshimoto

(–ˆ“úƒAƒ‹ƒyƒ“†j`Žĩ‘q`(Ā¸ŧ°)`‚Ŗƒ_ƒ€’į`‘÷‘ō“oŽRŒû`ƒuƒi—§”öĒ`‰G–XŽqŦ‰Ž(”‘j
345
‰G–XŽqŠx

— ‹âĀc‘–‡A`‰G–XŽqŠx`

11”N8ŒŽ13“ú
(ƒMP3„Mozart: Flute Concerto in D, K314,2nd mov.)@by@Mr Yoshimoto

‰G–XŽqŦ‰Ž`‰G–XŽqŠx`‰G–XŽqŦ‰Ž(”‘j
46
”’”n‘å’r‚Æ”’”nŽR

˜@‰Ø‰ˇō`”’”n‘å’r`’Ė’r

07”N8ŒŽ14“ú

(ƒMP3„ Marcello: Oboe Concerto in D minor, 2nd mov.)@by andotowa

y”’”nƒVƒŠ[ƒY‡Dz@h”‘‚ĩ‚Ŋu˜@‰Ø‰ˇōƒƒbƒWv‚ĖHP

126
—‹’šâ‚Š‚į”’”n‘å’r‚đ–]‚Ū

’Ė’r`”’”nŠx

08”N8ŒŽ14“ú
(ƒMP3„ Saint-SaensFRomance, Op37)@by@Mr Yoshimoto

”’”n‰w`¸ˇŠŲ(”‘)`(ĘŪŊĨÛ°ĖßŗĒ˛)`’Ė’r`’Ė’r•Ŋ`“V‹įŒ´`æˆÆŠx`”’”n‘å’r`—‹’š•Ŋ`Ŧ˜@‰ØŽR`ŽO‘‹Ģ`”’”nŠx`”’”nŽR‘‘(”‘)
346
–ėŒûŒÜ˜YŠx’¸ã‚Š‚į

— ‹âĀc‘–‡B`‰G–XŽqŦ‰Ž¨–ėŒûŒÜ˜YŠx¨…ģŦ‰Ž

11”N8ŒŽ14“ú
(ƒMP3„Mozart: Flute Concerto in G, K313,2nd mov.)@by@Mr Yoshimoto

‰G–XŽqŦ‰Ž`ŽOƒbŠx`–ėŒûŒÜ˜YŠx`’|‘ēV“š•ĒŠō`“Œ‘ōæ‰z`…ģŦ‰Ž(”‘j
347
…ģŠxi•Šxj

— ‹âĀc‘–‡C`…ģŠxi•Šxj

11”N8ŒŽ14“ú
(ƒMP3„Mozart: Flute Quartet in D, K.285, 1st mov.)@by@Mr Yoshimoto

…ģŦ‰Ž`…ģŠxi•Šxj`…ģŦ‰Ž(”‘j
127
“V‹į”öĒ‚Š‚į™›Šx‚đ–]‚Ū

”’”nŽOŽRE“V‹į•Ŋ

08”N8ŒŽ15“ú
(ƒMP3„MendelssohnFViolin Concerto, Op.64,2nd mov.)@by@andotowa

”’”nŽR‘‘(”‘)`ŽÛŽqŠx`”’”n–øƒ–Šx`“V‹į•ŊE“V‹įŽR‘‘(”‘){“V‹į•ŊŽü•Ķ
201
”Ē•û’r‚Š‚į–]‚Ū“V‹įƒm“Ē‚Æ”’”nŽOŽR

”Ē•û”öĒ(2)

09”N8ŒŽ15“ú
(ƒMP3„Mozart: Flute Quartet in D, 1st mov. K.285) @by@Mr Yoshimoto

(‚‘ŦƒoƒX)`”Ē•ûƒSƒ“ƒhƒ‰‰w`”Ē•ûƒAƒ‹ƒyƒ“ƒ‰ƒCƒ“`”Ē•û’rŽR‘‘`”Ē•û’r`ŠÛŽR`“‚ŧŠx’¸ãŽR‘‘
202
“‚ŧŠx

“‚ŧŠxE‘单Šx

09”N8ŒŽ15“ú
(ƒMP3„Mozart: Flute Concerto, K.314, 2nd mov.)@by@Mr Yoshimoto

“‚ŧŠx’¸ãŽR‘‘`“‚ŧŠx`“‚ŧŠx’¸ãŽR‘‘`”Ē•û”öĒ•ĒŠō`‹Žņ`‘单Šx`Å’áˆÆ•”`‰“ŒŠ”öĒ•ĒŠō`ŒÜ—ŗŽR‘‘(”‘)
348
ƒƒŠƒ‚Šx‚Š‚įŒŠ‚Ŋ˜h‰HŠx

— ‹âĀc‘–‡DF…ģŦ‰Ž`˜h‰HŠx`ŽO–“ŽR‘‘

11”N8ŒŽ15“ú
(ƒMP3„SchubertFStreichquartett No.13,"Rosamunde", D804, 2nd mov.)@by@andotowa

…ģŦ‰Ž`ƒƒŠƒ‚–k•ĒŠō`ƒƒŠƒ‚Šx`˜h‰HŠx`ŽO–“ŽR‘‘
349
˜h‰HŠx‚Š‚įŒŠ‚Ŋ‘o˜ZŠxEŠÛŽREŽO–“˜@‰ØŠx‚ĖŽR‚Č‚Ũ

— ‹âĀc‘–‡EFŽO–“ŽR‘‘`ŽO–“˜@‰ØŠx`‘o˜ZŦ‰Ž

11”N8ŒŽ15“ú
(ƒMP3„BeethovenFRomance for Violin, Fmajor, No.2)@by@Mr Yoshimoto

ŽO–“ŽR‘‘`ŽO–“˜@‰ØŠx`ŠÛŽR`‘o˜ZŠx`‘o˜ZŦ‰Ž(”‘j
128
•s‹A‚Ė›Ķ‚Š‚į–]‚Ū—§ŽR˜A•ô

“V‹į•Ŋ`“‚ŧŠx

08”N8ŒŽ16“ú
(ƒMP3„Mozart: Flute Concerto in G, K.313,3rd mov.)@by@Mr Yoshimoto
“V‹į•ŊE“V‹įŽR‘‘(”‘)`“V‹įƒm“Ē`“V‹įƒm‘å‰ē‚č`•s‹AƒLƒŒƒbƒg`•s‹A‚Ė›Ķ`“‚ŧŠx`“‚ŧŠx’¸ãŽR‘‘(”‘){“¯ŽR‘‘Žü•Ķ
203
ŒÜ—ŗŽR‘‘‚Š‚įŒŠ‚é’Š“ú‚𗁂Ņ‚ŊŒÜ—ŗŠx

ŒÜ—ŗŠx

09”N8ŒŽ16“ú
(ƒMP3„Mozart: Flute Concerto, K.314, 1st mov.)@by@Mr Yoshimoto

ŒÜ—ŗŽR‘‘()`G0`G2`ŒÜ—ŗŠx`G4`G5`Ô”˛`–k”öĒ‚Ė“Ē`Œûƒm‘ō‚ĖƒRƒ‹`ƒLƒŒƒbƒgŦ‰Ž
204
Ž­“‡‘„ƒ–Šx

Ž­“‡‘„ƒ–Šx

09”N8ŒŽ16“ú
(ƒMP3„Mozart: Flute Concerto in G, K.313, 3rd mov.)@by@Mr Yoshimoto

ƒLƒŒƒbƒgŦ‰Ž`”Ē•ôƒLƒŒƒbƒg`–k•ô•ĒŠō`Ž­“‡‘„ƒ–Šx–k•ô`–k•ô•ĒŠō`Ž­“‡‘„ƒ–Šx“ė•ô`•zˆøŠx`—â’rŽR‘‘(”‘)
350
ŧŠ™”öĒ‚Š‚į‚Ė“W–]

— ‹âĀc‘–‡FFŧŠ™”öĒ

11”N8ŒŽ16“ú
(ƒMP3„Mozart: Flute Quartets in C, K.285b, 2nd mov.)@by@Mr Yoshimoto

‘o˜ZŦ‰Ž`žā‘ōŠx`—°‰Šæ‰z`įä‘ōæ‰z`‘„‚ĖŒ¨
351
‘„‚ĖŒ¨‚Ė‰ē‚Š‚į

— ‹âĀc‘–‡GF‘„ƒ–Šx

11”N8ŒŽ16“ú
(ƒMP3„Mozart: Flute Quartets in C, K.285b, 1st mov.)@by@Mr Yoshimoto

‘„‚ĖŒ¨`‘„ƒ–Šx’¸ã`‘„‚ĖŒ¨`ƒqƒ…ƒbƒe‘å‘„(”‘)
129
”Ē•û’r

”Ē•û”öĒ(1)

08”N8ŒŽ17“ú

(ƒMP3„Mozart: Flute Quartet in D, K.285.)@by@Mr Yoshimoto
“‚ŧŠx’¸ãŽR‘‘(”‘)`ŠÛŽR`”Ē•û’r`”Ē•û’rŽR‘‘`”Ē•ûƒAƒ‹ƒyƒ“ƒ‰ƒCƒ“`”’”n‰w

205
—␅ŽR‘‘‚Š‚į–]‚Ū–ęƒ–Šx

–ęƒ–Šx

09”N8ŒŽ17“ú
(ƒMP3„Mozart: Flute Concerto in G, K313, 1st mov.)@by@Mr Yoshimoto

—â’rŽR‘‘`—âæ‰z`–ęƒ–Šxi–k•ôE’†•ôE“ė•ôj`Ží’rŽR‘‘`”Œ´V“š`î‘ō`(ĘŪŊ)`‘å’Ŧ‰ˇō‹ŊE–ōŽt‚Ė“’(“ú‹A‚č“’)`(ĘŪŊ)`M”Z‘å’Ŧ‰w
352
‘„‘ō

— ‹âĀc‘–‡HF‘„‘ō`ã‚’n

11”N8ŒŽ17“ú
(ƒMP3„Mozart: Flute Concerto in G, K313, 1st mov.)@by@Mr Yoshimoto

ƒqƒ…ƒbƒe‘å‘„`”d—˛ŒA(–VŽåƒmŠâŦŽÉ)`“V‹įŒ´•ĒŠō`“V‹į’r`“V‹įŒ´•ĒŠō`‰Ą”ö`“ŋ‘ō`–ž_`Ŧ—œ•ŊƒLƒƒƒ“ƒvę(“ú‹A‚č“’)`ã‚’n`V“‡X‰w
47
‰Šx

‰Šx(1)

07”N8ŒŽ25“ú

(ƒMP3„TchaikovskyFStrings Serenade in C major, Op.48, 1st mov. Andante)@by andotowa

•ä‚‰w`(ĘŪŊ)`’†–[‰ˇō`‡íŦ‰Ž`‰ŽR‘‘`‰Šx`‰ŽR‘‘(”‘)

48
‰Šx‚Š‚į‚Ũ‚Ŋ–é–ž‚¯‚Ė‘„ƒ–Šx

‰Šx(2)
ƒ–é–ž‚¯„

07”N8ŒŽ26“ú

(ƒMP3„RachmaninoffFPrelude in D Op.23-4)@by andotowa

h”‘‚ĩ‚Ŋu‰ŽR‘‘v‚ĖHP

49
ŠėėV“š‚Š‚įŒŠ‚Ŋ‘„ƒ–Šx

‰Šx`‘å“VˆäŠx`‘„ƒ–Šx

07”N8ŒŽ26“ú

(ƒMP3„ MozartFQuintet for Clarinet and Strings, K.581,1st mov. arranged by Jun-T)@by Jun-T

•\‹âĀƒR[ƒX‚Š‚į‚Ė“W–]

50
—[•é‚ę‚Ė‘„ƒ–Šx

—[•é‚ę‚Ė‘„ƒ–Šx

07”N8ŒŽ26“ú
(ƒMP3„J. S. BachFHerz und Mund und Tat und Leben BWV147)@ by piano1001

h”‘‚ĩ‚Ŋuƒqƒ…ƒbƒe‘å‘„v‚ĖHP

51
í”OŠx

‘„ƒ–Šx‚Ė–é–ž‚¯

07”N8ŒŽ27“ú
(ƒMP3„SchubertFIMPROMPTUS Op.90-3)@by andotowa

h”‘‚ĩ‚Ŋuƒqƒ…ƒbƒe‘å‘„v‚ĖHP

52
‘„ƒ–Šx’¸ã‚Š‚į

‘„ƒ–Šx’¸ã‚đ‚ß‚´‚ĩ‚Ä

07”N8ŒŽ27“ú

(ƒMP3„MozartFPiano Concerto No.21, K.467 2nd mov.)@by andotowa

uƒqƒ…ƒbƒe‘å‘„v‚Š‚į‘„ƒ–Šx’¸ã‚܂łƁA’¸ã‚Š‚į‚Ė“W–]

53
’†ŠxE“ėŠx‚Ė’†ŠÔ“_•t‹ß‚Š‚įŒŠ‚Ŋ‘„ƒ–Šx

‘„ƒ–Šx`‘å‹ōŠx`’†Šx`“ėŠx

07”N8ŒŽ27“ú
(ƒMP3„Ravel : Introduction et Allegro)@ by Midi Classics

h”‘‚ĩ‚Ŋu“ėŠxŦ‰Žv‚ĖHP

219
ŽOƒm’rE—l“°ŠÔ‚É‚Ä

Œä›ÔŽR

09”N9ŒŽ27“ú
(ƒMP3„RakhmaninovF Piano Concerto No.2 in C minor, Op.18, 2nd mov. Adagio sostenuto ) by andotowa
–Ø‘]•Ÿ“‡EäŨåU‚Ėh@‚Ū‚į‚ŋ‚â`(Ā¸ŧ°)`“c‚ĖŒ´`‹ã‡–ځ`‰¤‘ę‰œ‚Ė‰@`‰¤‘ę’¸ã`Œ•ƒ–•ô`‚¨”Ģ„‚č`–‚—˜Žx“VŽR`”ō‘Ë’¸ã`ŽOƒm’r`—l“°`ŒäŠxƒ[ƒvƒEƒFƒC`(ĘŪŊ)`–Ø‘]•Ÿ“‡‰w @g—t
284
‚Ũ‚­‚č‚Ē’r‚Æ—§ŽRŽOŽR

Žē“°(2)

10”N10ŒŽ2“ú

(ƒMP3„ MassenetFMeditation from Thais)@by@Mr Yoshimoto

(–ˆ“úƒAƒ‹ƒyƒ“†j`Žē“°ƒ^[ƒ~ƒiƒ‹`ƒ~ƒNƒŠƒK’r`ƒ~ƒhƒŠƒK’r`—§ŽRŽē“°ŽR‘‘@g—t

285
Ž‚ŽqŠx•t‹ß‚Š‚įŒŠ‚鍕•”ŒÎ

Žē“°`ŒÜFƒ–Œ´

10”N10ŒŽ2“ú

(ƒMP3„Schubert: Sonate for Arpegione and Piano in A minor, D821,1st mov.)@by@Mr Yoshimoto

—§ŽRŽē“°ŽR‘‘`ˆęƒm‰z`ō“yŽR“ė•ô`‹SŠx`Ž‚ŽqŠx`ƒUƒ‰“ģ`ŒÜFƒ–Œ´ŽR‘‘@g—t

286
ŒÜFƒ–Œ´

ŒÜFƒ–Œ´

10”N10ŒŽ2-3“ú
(ƒMP3„MozartFViolin Sonata No.28 K.304 2nd mov.)@by@Mr Yoshimoto

ŒÜFƒ–Œ´ŽR‘‘`“ÎŽR`ŒÜFƒ–Œ´ŽR‘‘i”‘j@g—t
287
jƒm–ØŠx‚ƍg—t

ŒÜFƒ–Œ´`••”ŒÎ

10”N10ŒŽ3“ú
(ƒMP3„MozartFOboe Quartet in F, K.370, 1st mov.)@by andotowa

ŒÜFƒ–Œ´ŽR‘‘i”‘j`Š ˆĀ“ģ`•ŊƒmŦ‰Ž@g—t
288
••”ŒÎ

••”ŒÎ

10”N10ŒŽ3“ú

(ƒMP3„ Mozart : Piano Concerto No.21, K.467, 2nd mov.jby@andotowa
•ŊƒmŦ‰Ž`ƒƒbƒW‚­‚ë‚æ‚ņ`••”ƒ_ƒ€`(ŠÖ“dÄŨČŲÄÛØ°ĘŪŊ)`î‘ō`(ĘŪŊ)`‘å’Ŧ‰ˇō‹ŊE–ōŽt‚Ė“’(“ú‹A‚č“’)`(ĘŪŊ)`M”Z‘å’Ŧ‰w`(‚‘ŦĘŪŊ)@g—t

57
Ÿŋ‘ōƒJ[ƒ‹

ã‚’n`‰Ą”ö`Ÿŋ‘ō

07”N10ŒŽ6“ú

(ƒMP3„ Rachmaninoff : Piano Concerto No.2 3rd mov.)@by andotowa

ã‚’n`–ž_`“ŋ‘ō`‰Ą”ö`–{’J‹´`Ÿŋ‘ō`Ÿŋ‘ōˆęŽüƒR[ƒX
g—t@@h”‘‚ĩ‚ŊuŸŋ‘ōƒqƒ…ƒbƒev‚ĖHP

58
‘„ƒ–Šx‚đ–]‚Ū

Ÿŋ‘ō`› •—ƒpƒmƒ‰ƒ}ƒR[ƒX`ã‚’n

07”N10ŒŽ7“ú

(ƒMP3„ Rachmaninoff : Piano Concerto No.2 1st mov.)@by andotowa
Ÿŋ‘ō`› •—‚ĖƒRƒ‹`› •—‚ĖŽ¨(ŽOŠp“_)`› •—‚ĖƒRƒ‹`V‘ē‹´`“ŋ‘ō`–ž_`ã‚’n
g—t@@h”‘‚ĩ‚ŊuŸŋ‘ōƒqƒ…ƒbƒev‚ĖHP
222
••”ėļŠŨ‚đ•ā‚­‰ē‚Ė˜L‰ē

••”E‰ēƒm˜L‰ē(1)

09”N10ŒŽ11“ú
(ƒMP3„RakhmaninovF Piano Concerto No.2 in C minor, Op.18,1st mov. ) by andotowa
‚‘ŦƒoƒX`î‘ō`(ƒgƒƒŠ[ƒoƒX)`••”ƒ_ƒ€`ål’Jƒ_ƒ€`ˆĸ‘]Œ´‰ˇōŦ‰Ž(˜I“V•—˜CE”‘j g—t
223
ŸO•Ŋ‚Ėã‚Š‚įŒŠ‚Ŋ–kƒAƒ‹ƒvƒX‚ĖŽRX

••”E‰ēƒm˜L‰ē(2)

09”N10ŒŽ12“ú
(ƒMP3„Mozart: Flute Concerto, K.314, 2nd mov.)@by@Mr Yoshimoto

ˆĸ‘]Œ´‰ˇōŦ‰Ž`ŸO•Ŋ`(••”‹Ŧ’J“S“šEƒgƒƒbƒR—ņŽÔ)`‰F“ŪŒŽ‰w`‰F“ŪŒŽ‰ˇō‰īŠŲ(“ú‹A‚č“’) g—t
141
‰œ•ä‚ŠxEŸŋ‘ōŠx‚ƃiƒiƒJƒ}ƒh

ã‚’n`Ÿŋ‘ō

08”N11ŒŽ1“ú

(ƒMP3„ Franck: Violin Sonata, A maj. 1st mov.)@ by@Mr Yoshimoto
ã‚’n`–ž_`“ŋ‘ō`‰Ą”ö`Ÿŋ‘ōƒqƒ…ƒbƒe(h”‘EŠé‰æ)
ƒKƒCƒh‚đ‚ĩ‚Ä‚ĸ‚Ŋ‚ž‚ĸ‚ŊŽŸ“cŒo—Y‚ŗ‚ņ‚Ė‚g‚o@g—t@Vá

142
’ŠÄ‚¯‚Ė–k•ä‚Šx

Ÿŋ‘ōE–k•ä‚Šx

08”N11ŒŽ2“ú
(ƒMP3„O.RespighiFAntiche danze ed arie per liuto No.3-3 "Siciliana")@ by@Mr Yoshimoto
Ÿŋ‘ōƒqƒ…ƒbƒe(h”‘EŠé‰æ)`–k•ä‘ō`–k•ä‚Šx`–k•ä‘ō`Ÿŋ‘ō
ƒKƒCƒh‚đ‚ĩ‚Ä‚ĸ‚Ŋ‚ž‚ĸ‚ŊŽŸ“cŒo—Y‚ŗ‚ņ‚Ė‚g‚o@Vá
143
–ž_’r‚É‚Ä

Ÿŋ‘ō`ã‚’n

08”N11ŒŽ3“ú
(ƒMP3„O.RespighiF Antiche Danze ed Arie per Liuto " Italiana")@ by@Mr Yoshimoto
Ÿŋ‘ōƒqƒ…ƒbƒe(Šé‰æ)`‰Ą”ö`“ŋ‘ō`–ž_`–ž_’r`ˆ˛ė‰EŠŨ`ã‚’n@ ƒKƒCƒh‚đ‚ĩ‚Ä‚ĸ‚Ŋ‚ž‚ĸ‚ŊŽŸ“cŒo—Y‚ŗ‚ņ‚Ė‚g‚o@g—t@Vá
72
‰ŠxŽR’¸‚đ–]‚Ū

‰Šx(3)
ƒ“~„

07”N12ŒŽ30“ú
`08”N1ŒŽ2“ú
(ƒMP3„MozartFSymphony No.40,3rd mov.Menuetto K.550)@by andotowa

•ä‚‰w`‹{é`’†–[‰ˇō(”‘)`‡í”öĒ`‰ŽR‘‘(2”‘)`‰Šx`‰ŽR‘‘`’†–[‰ˇō`‹{é`•ä‚‰w
       
‚ą‚Ėƒy[ƒW‚ĖTOP‚Ö
   


y’†‰›ƒAƒ‹ƒvƒXz

   
260
–ļ–KŽR‚ĖƒIƒLƒiƒOƒT

–ļ–KŽR

10”N5ŒŽ2“ú
(ƒMP3„Mozart: Flute Concerto, K.313, 1st mov.)@by@Mr Yoshimoto

(Ī˛ļ°)`ŽRƒm_ŽŠ‘R‰€`–ļ–KŽR`‘åŽÅŽR`“´ƒm•ô`ŽRƒm_ŽŠ‘R‰€`ƒzƒeƒ‹‚ŗ‚‚Ģ‰‘(“ú‹A‚č“’)
121
•ķŒ•Šx

•ķŒ•ŠxE–Ø‘]‹îƒPŠx

08”N8ŒŽ2“ú
(ƒMP3„Mozart: Flute Concerto in G, K313,1st mov.)@by@Mr Yoshimoto

įô•~‰w`‹ÉŠy•Ŋ`•ķŒ•Šx`•ķŒ•ŽR‘‘`’†Šx`–Ø‘]‹îƒPŠx`’†Šx`•ķŒ•ŽR‘‘(”‘)
122
Œ•ƒ–’r‚Š‚į–]‚Ūįô•~ƒJ[ƒ‹

įô•~ƒJ[ƒ‹

08”N8ŒŽ3“ú
(ƒMP3„Mozart: Flute Concerto in D, K314,2nd mov.)@by@Mr Yoshimoto

•ķŒ•ŽR‘‘`æ‰zō“y`”Ē’šâ`Œ•ƒ–’r`įô•~‰w`‹ÉŠy•Ŋ
123
c‘–˜H‚ĖŽR‚Č‚Ũ

žw”öŠxEŒF‘ōŠxE“ŒėŠx

08”N8ŒŽ3“ú
(ƒMP3„Mozart: Flute Concerto in G, K313,2nd mov.)@by@Mr Yoshimoto

‹ÉŠy•Ŋ`“‡“c–ē`‘÷‘ō‘å•ô`žw”öŠx`ŒF‘ōŠx`“ŒėŠx`–Ø‘]“aŽR‘‘(”‘)
124
–Ø‘]“a‰z‚Š‚į–]‚Ū‹ķ–ØŠxi‘O“ú—[•ûj

‹ķ–ØŠx

08”N8ŒŽ4“ú
(ƒMP3„MozartFViolin Sonata No.28 K.304 2nd mov.)@by@Mr Yoshimoto

–Ø‘]“aŽR‘‘`‹ķ–ØŠx`’rŽR”öĒ`‹ķ–ØŠx“oŽRŒû`‹î‚Ē’r(‚ą‚Ü‚­‚ŗ‚Ė“’)
       
‚ą‚Ėƒy[ƒW‚ĖTOP‚Ö
   


yãM‰zE–k—¤z

   
261
“”‘äƒR[ƒX‚Š‚į‚Ė’­–]

Šp“cŽR

10”N5ŒŽ3“ú
(ƒMP3„MozartFOboe Quartet in F, K.370, 1st mov.)@by andotowa

(Ī˛ļ°)`Šp“c–Ļ“”‘ä‰ē’“ŽÔę`Šp“c–Ļ“”‘ä`i“”‘äƒR[ƒXj`Šp“cŽR`i÷”öĒƒR[ƒXj`’“ŽÔę`ƒƒCƒƒTƒ“ƒsƒAE‚Č‚˛‚Ũ‚Ė“’(“ú‹A‚č“’)
177
ƒIƒEƒ~ƒXƒ~ƒ\ƒE

˛“nF‹ā„ŽR`ƒhƒ“ƒfƒ“ŽR

09”N5ŒŽ5“ú
(ƒMP3„ J.S.Bach:Brandenburg Concerto No.5 BWV1050,1stmov.) by Midi Classics

—ŧ’Í``(Ā¸ŧ°)`”’Ŗ“oŽRŒû`‹ā„ŽR`á”¨ŽR“oŽRŒû`ƒhƒ“ƒfƒ“‚Œ´(ƒLƒƒƒ“ƒvę)

178
ƒ}ƒgƒl‚Š‚į–]‚Ū‹ā–kŽR

˛“nFƒhƒ“ƒfƒ“ŽR`‹ā–kŽR

09”N5ŒŽ6“ú
(ƒMP3„VitaliFChaconne for Violin with figured Bass)@by andotowa

ƒhƒ“ƒfƒ“‚Œ´(ƒLƒƒƒ“ƒvę)`K—§ŽR`ƒhƒ“ƒfƒ“ŽR‘‘`Â”S“ģ`ƒ}ƒgƒl`ƒCƒ‚ƒŠ•Ŋ`‹ā–kŽR`”’‰_‘ä`(Ā¸ŧ°)`—ŧ’Í`
183
•Ŋ•WŽR‚Ėƒ€ƒ‰ƒTƒLƒ„ƒVƒI

•Ŋ•WŽR

09”N5ŒŽ30“ú
(ƒMP3„BeethovenFRomance for Violin, Fmajor, No.2)@by@Mr Yoshimoto

‰zŒã“’‘ō‰w`(Ā¸ŧ°)`•Ŋ•W“oŽRŒû`ŧŽčŽR`•Ŋ•WŽR`•Ŋ•WŽRƒm‰Æ`•ŊŒŗV“š`•Ŋ•W“oŽRŒû`(ĘŪŊ)`‰zŒã“’‘ō‰wE‚Û‚ņ‚ĩ‚ãŠŲŽđ•—˜C(“ú‹A‚č“’)
377
•Ŋ•WŽR”V‰Æ‚Š‚į–]‚Ūåƒm‘qŽR

•Ŋ•WŽREåƒm‘qŽR

12”N6ŒŽ30“ú
(ƒMP3„BizetFSymphony in C,1st mov.)@by andotowa

‰zŒã“’‘ō‰w`(ĘŪŊ)`•Ŋ•W“oŽRŒû`ŧŽčŽR`•Ŋ•WŽR`åƒm‘qŽR`•Ŋ•WŽR`•Ŋ•WŽRƒm‰Æ`•ŊŒŗV“š`•Ŋ•W“oŽRŒû`(ĘŪŊ)`‰zŒã“’‘ō‰wE]_‹¤“¯—ę(“ú‹A‚č“’)
117
‘å‘qæ‰z‚Š‚įŒŠ‚Ŋ–­‚ŽR

–­‚ŽR

08”N7ŒŽ19“ú

(ƒMP3„MozartFPiano Sonata No.16, K.545, 2nd mov.)@by Hassie's Room
–­‚‚Œ´‰w`(Ā¸ŧ°)`‰‰ˇō`–ƒ•Ŋ`“V‹į•Ŋ`–­‚ŽR`’ˇ•’r•ĒŠō`‘å‘qæ‰z`•‘ō’rƒqƒ…ƒbƒe(”‘)

118
“V‹įƒm’r‚Š‚į‰Î‘ÅŽR‚đ–]‚Ū

‰Î‘ÅŽR

08”N7ŒŽ20“ú

(ƒMP3„MozartFPiano Sonata No.1, K.279, 2nd mov.)@by Hassie's Room
•‘ō’rƒqƒ…ƒbƒe`‚’J’rƒqƒ…ƒbƒe`“V‹įƒm’r`‰Î‘ÅŽR`“V‹įƒm’r`‚’J’rƒqƒ…ƒbƒe`•xŽmŒŠ•Ŋ`•‘ō`ųƒ–•ô`(ĘŪŊ)`–­‚‚Œ´‰w

280
”’ĒŽR‚Ė“’Š˜

‘’Ô’ĒŽR

10”N7ŒŽ31“ú
(ƒMP3„Mozart: Flute Quartets in C, K.285b, 2nd mov.)@by@Mr Yoshimoto
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198
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09”N8ŒŽ8“ú
(ƒMP3„ J.S.Bach:Brandenburg Concerto No.5 BWV1050,1st mov.) by COSMOS MIDI Exhibition (ŽÔ’†”‘)`ŽÔâ“ģ`•\ƒR[ƒX`•”ÁŽR`ŽÖœŠx`ålŠx`‚iƒoƒ“ƒh`‘OŠ|ŽR“oŽRŒû`“’ƒm•ŊŒûE‰ÎŽRŠŲ`ƒg[ƒ~‚Ė“Ē`’†ƒR[ƒX`ŽÔâ“ģ`‚•ô‚Œ´ƒzƒeƒ‹i“ú‹A‚č“’j
199
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09”N8ŒŽ8“ú
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200
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09”N8ŒŽ9“ú
(ƒMP3„Mozart: Flute Quartets in C, K285b, 2nd mov.)@by@Mr Yoshimoto
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216
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09”N9ŒŽ22“ú

(ƒMP3„Mozart: Flute Concerto in G, K.313, 2nd mov.)@by@Mr Yoshimoto

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217
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09”N9ŒŽ22“ú

(ƒMP3„MozartFOboe Quartet in F, K.370, 1st mov.)@by andotowa

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218
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09”N9ŒŽ23“ú

(ƒMP3„Mozart: Flute Concerto, K.314, 1st mov.)@by@Mr Yoshimoto
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358
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11”N10ŒŽ1“ú
(ƒMP3„Carl Maria von WeberFAufforderung zum Tanz Op.65)@by@andotowa

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359
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11”N10ŒŽ1“ú
(ƒMP3„J.S.Bach:Trio Sonata,BWV1079,1st mov.)@by@Mr Yoshimoto

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360
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11”N10ŒŽ2“ú

(ƒMP3„Mozart: Flute Quartets in C, K.285b, 2nd mov.)@by@Mr Yoshimoto

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361
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11”N10ŒŽ16“ú

(ƒMP3„BizetFL'Arlesienne Menuet) by Mr Yoshimoto

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362
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11”N10ŒŽ16“ú
(ƒMP3„RachmaninovFPiano Concerto No.2,2nd mov.) by andotowa

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224
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09”N10ŒŽ18“ú

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60
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07”N10ŒŽ21“ú
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153
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08”N12ŒŽ30“ú
(ƒMP3„Ravel : Pavane pour une infante defunte)@by@Mr Yoshimoto
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171
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09”N4ŒŽ10“ú
(ƒMP3„Mozart: Flute Concerto in G, K313,3rd mov.)@by@Mr Yoshimoto
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172
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09”N4ŒŽ11“ú

(ƒMP3„MozartFPiano Concerto@No.24, K.491,2nd mov. Larghetto)@by Jun-T

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193
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09”N7ŒŽ9“ú

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09”N7ŒŽ9`10“ú

(ƒMP3„MartiniFPlaisir d'amor)@by@Mr Yoshimoto

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88
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08”N3ŒŽ22“ú
(ƒMP3„John FieldFNocturne No.4 in A major)@by andotowa
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89
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08”N3ŒŽ25“ú
(ƒMP3„ChopinFNocturne No.20)@ by Midi Classics

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225
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09”N10ŒŽ23“ú
iƒMP3„J.S.BachFChaconne d-moll BWV1004j@by andotowa
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